James Baldwin - Another Country

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Set in Greenwich Village, Harlem, and France, among other locales,
is a novel of passions — sexual, racial, political, artistic — that is stunning for its emotional intensity and haunting sensuality, depicting men and women, blacks and whites, stripped of their masks of gender and race by love and hatred at the most elemental and sublime. In a small set of friends, Baldwin imbues the best and worst intentions of liberal America in the early 1970s.

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Sometime in the course of the afternoon, though they had only come down from Paris for the day, they decided to spend the night. It was Yves’ suggestion, made when they returned to the cathedral and stood on the steps, looking at the saints and martyrs trapped in stone. Yves had been unusually silent all day. And Eric knew him well enough by now not to push him, not to prod, even not to worry. He knew that Yves’ silences meant that he was fighting some curious war of his own, was coming to some decision of his own; presently, later today, tomorrow, next week, Yves would abruptly retrace, in speech, the steps he was taking in silence now. And, oddly enough, for it seems not to be the way we live now, for Eric, merely hearing Yves’ footfalls at his side, feeling Yves beside him, and watching that changing face, was joy enough — or almost joy enough.

They found a hotel which overlooked a stream and took a double room. Their windows overlooked the water; the towers of the cathedral loomed to the right of them, far away. When they took the room, the sun was setting and great streaks of fire and dull gold were splashed across the still, blue sky.

There were trees just outside the window, bending into the water; and there were a few tables and chairs, but they were empty; there did not seem to be many people in the hotel.

Yves seated himself in the large window and lit a cigarette, looking down at the tables and chairs. Eric stood next to him, his hand on Yves’ shoulder.

“Shall we have a drink down there, old buddy?”

“My God, no; we shall be eaten up by bugs. Let’s go and find a bistro.”

“Okay.”

He moved away. Yves stood up. They stared at each other.

“I imagine that we must come back early,” Yves said, “there is surely nothing to do in this town.” Then he grinned, mischievously. “ Ça va?

“It was your idea to come here,” Eric said.

“Yes.” He turned to the window again. “It is peaceful, yes? And we can be gentle with each other, we can have a moment together.” He threw his cigarette out of the window. When he turned to Eric again, his eyes were clouded, and his mouth was very vulnerable. After a moment he said, softly, “Let us go.”

But it was very nearly a question. And, now, both of them were frightened. For some reason, the towers seemed closer than they had been; and, suddenly, the two large beds, placed close together, seemed the only objects in the room. Eric felt his heart shake and his blood begin to race and then to thicken. He felt that Yves was waiting for him to move, that everything was in his hands; and he could do nothing.

Then it lifted, the red, dangerous shadow, the moment passed, they smiled at each other. Yves walked to the door and opened it. They descended again into the sleepy, the beautiful town.

For it was not quite the same town it had been a few hours before. In that second in the room, something had melted between them, a gap between them had closed; and now the irresistible current was tugging at them, dragging them slowly, and absolutely surely, to the fulfillment of that promise.

And for this reason they hesitated, they dawdled, they deliciously put it off. They chose to eat in an unadorned bistro because it was empty — empty when they walked in, anyway, though it was taken over after they had been there for a while, by half a dozen drunk and musical French soldiers. The noise they made might have been unbearable at any other time, but, now, it operated as a kind of protective wall between themselves and the world. It gave them something to laugh at — and they needed to laugh; the distraction the soldiers afforded the other people who had entered the bistro allowed them, briefly, to clasp hands; and this small preamble to terror steadied their hearts and minds.

And then they walked through the town, in which not even a cat seemed to be moving; and everywhere they walked, the cathedral was watching them. They crossed a bridge and watched the moon in the water. Their footfalls rang on the cobblestones. The walls of the houses were all black, they walked through great patches of blackness between one far-off street light to another. But the cathedral was lighted.

The trees and the tables and chairs and the water were lit by the moon. Yves locked their door behind them and Eric walked to the window and looked at the sky, at the mighty towers. He heard the murmur of the water and then Yves called his name. He turned. Yves stood on the other side of the room, between the two beds, naked.

“Which bed do you think is better?” he asked.

And he sounded genuinely perplexed, as though it were a difficult decision.

“Whichever you prefer,” Eric said, gravely.

Yves pulled back the covers of the bed nearest the window and placed himself between the sheets. He pulled the covers up to his chin and lay on his back, watching Eric. His eyes were dark and enormous in the dark room. A faint smile touched his lips.

And this look, this moment, entered into Eric, to remain with him forever. There was a terrifying innocence in Yves’ face, a beautiful yielding: in some marvelous way, for Yves, this moment in this bed obliterated, cast into the sea of forgetfulness, all the sordid beds and squalid grappling which had led him here. He was turning to the lover who would not betray him, to his first lover. Eric crossed the room and sat down on the bed and began to undress. Again, he heard the murmur of the stream.

“Will you give me a cigarette?” Yves asked. He had a new voice, newly troubled, and when Eric looked at him he saw for the first time how the face of a lover becomes a stranger’s face.

Bien sûr .” He lit two cigarettes and gave one to Yves. They watched each other in the fantastic, tiny glow — and smiled, almost like conspirators.

Then Eric asked, “Yves, do you love me?”

“Yes,” said Yves.

“That’s good,” said Eric, “because I’m crazy about you. I love you.”

Then, in the violent moonlight, naked, he slowly pulled the covers away from Yves. They watched each other and he stared at Yves’ body for a long time before Yves lifted up his arms, with that same sad, cryptic smile, and kissed him. Eric felt beneath his fingers Yves’ slowly stirring, stiffening sex. This sex dominated the long landscape of his life as the cathedral towers dominated the plains.

Now, Yves, as though he were also remembering that day and night, turned his head and looked at Eric with a wondering, speculative, and triumphant smile. And at that moment, Madame Belet entered, with a sound of knives and forks and plates, and switched on the lights. Yves’ face changed, the sea vanished. Yves rose from the hassock, blinking a little. Madame Belet put the utensils on the table, carefully, and marched out again, returning immediately with a bottle of wine, and a corkscrew. She placed these on the table. Yves went to the table and began opening the wine.

“She thinks you are going to abandon me,” said Yves. He poured a tiny bit of wine into his own glass, then poured for Eric. He looked at Eric, quickly, and added more wine to the first glass, and set the bottle down.

“Abandon you?” Eric laughed. Yves looked relieved and a little ashamed. “You mean — she thinks I’m running away from you?”

“She thinks that perhaps you do not really intend to bring me to New York. She says that Americans are very different — when — in their own country.”

“Well, how the hell does she know?” He was suddenly angry. “And it’s none of her fucking business, anyway.” Madame Belet entered, and he glared at her. Imperturbably, she placed on the table a platter containing les crudités, and a basket full of bread. She reentered the kitchen, Eric staring malevolently at her straight, chauvinistic back. “If there’s one thing I can’t stand, it’s malicious old ladies.”

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