Edith Pearlman - Binocular Vision - New & Selected Stories

A civilized form of servitude, then. But she had never indulged in much of a social life since leaving home — an occasional afternoon movie with one of her few friends.

“It isn’t that we go out much, Miss Gordon,” said the wife. First names would probably not be the rule here.

“They don’t go out at all,” said Win, the nine-year-old.

“But the household requires another adult,” said the professor.

“If God had wanted people to have three children—,” began Mrs. Duprey.

“—he would have created a third parent,” finished young Liam, and this time he did look at Val.

AND IF VAL HAD WANTED to live in a houseful of adults and kids and bugs (the Dupreys’ screens needed patching) she might never have left her own noisy family in their ramshackle Toronto house, where no one had a room to herself; she could have watched the generations replace themselves; she could have made up Vallies for whatever children were around. What she wanted, she had discovered at twenty, was a life alone, with a family at fingertip distance. And she’d gotten that for a while, hadn’t she, with the Chapins and the Greens and that little girl this summer … She swatted a mosquito. Besides insects flying in through the screens, there were beetles making free with her kitchen as well as with the one above it — Theirs. First names were to be avoided, so she thought of her employers as pronouns. He, She, They. The pair of Them.

He was tall and ill-kempt. She was a child herself. She burned the meals or left them half cooked, sewed buttons on the wrong garments (“You’ll start a new style,” Val comforted Fay, the second daughter, who was dismayed at a cardigan adorned with toggles). And She started projects and then abandoned them, didn’t care that insects ruled the household. She was at ease only with the children and, gradually, with Val.

There was no heat between the pair of Them. No anger, no resentment, no merriment. They might have been brother and sister forced to live in reduced circumstances in order to bring up younger siblings. As for the three siblings, undemanding and obedient, they quickly attached themselves to Val, but shared her as scrupulously as if they’d made a compact.

The girls walked themselves to school. Val escorted Liam, who spent his mornings at a different school. She stood quietly when he stopped to stare at things. At an irregular stone wall held together not by mortar but by the stone layer’s skilled placement of rocks. At the buds, half-opened petals, full blooms, and spent ovals of a hibiscus. He remarked on the progress of one form to another day by day. He squatted to examine deposits of dogs. “This dog’s owner is not doing his share,” Val remarked. “He should follow his pet with a pooper-scooper.”

“Then we would not get to see the dog’s shit,” said the child, “and imagine the circumstances of his insides.” His utterances were few and precise. She supposed he was some sort of genius. They were all precocious — even the incompetent Mrs. Duprey seemed like an overbright twelve-year-old.

The nearby playground had whimsical sculpture. Liam often clumsily climbed a stone turtle and occupied himself in counting something, molecules of air, probably. Val sat on a bench, ignored by the usual collection of adults. They went there many times that fall. For lunch he ate a single carrot stick and half a cheese sandwich. She wondered how he’d take to caterpillars.

At home Val encouraged the children to make their beds in the morning; she encouraged Mrs. Duprey to straighten the marital bed and to dust and sweep once in a while. Val herself ran the vacuum cleaner over carpets whose pattern had been lost decades ago. And eventually it was Val who shopped for groceries, cooked the meals, called the exterminator, had the back stairs repaired, remembered to leave the money on the oversize dining table for the weekly cleaning woman (cash was kept loose in a kitchen drawer, available to everyone; Val paid herself out of it). That giant dining table had probably come with the house. The wicker living room furniture, no cushions matching — it had probably come from Goodwill.

One Saturday in December she suggested a trip to a large discount shop to buy new school clothes. Val drove the family car. She saw to it that the children were properly outfitted. Liam liked a shirt of madras plaid, and Val bought three of them, each a variation on the others. Mrs. Duprey wandered among the clothes for teens and found some navy blue dresses suitable for French orphans. Val bought her half a dozen.

It was a while before she resumed the Vallies. The children, talented readers all, still liked to be read aloud to at bedtime — at least the girls did, curled up on either side of Val on the wicker couch in the living room. On a footstool Liam would stare at the blackened fireplace. The children liked the unbowdlerized Brothers Grimm; they liked Robin McKinley’s fantasies, with their complicated psychologies.

Then one Wednesday night: “ Tell us a story, please,” said Win. “You do tell stories; your résumé said so.”

“Well … mine aren’t exactly stories.”

“What, then?”

“Interactive dilemmas. Together we invent situations that require resolution. Then we invent some resolutions. Then we choose among them, or don’t.”

“Please,” said Win.

“Once upon a time,” said Val, “in a peaceful house in a peaceful village, a lodger came to the inn. He was a dark, quiet man: a woodworker. He carved beautiful spoons and ladles and spindles, and he charged fair prices. After a while he was able to buy his own cottage and build a studio next door — a big, open barnlike thing, only three sides to it. The children in the village gathered where a wall might have been, to watch him work.

“One day an official from the prince of the district stopped at the village to speak to the mayor about something financial, or maybe agricultural. On his way out of town he passed the woodworker’s cottage, slowly, for the house was pretty and the horse thought so, too. In the studio the woodworker was carving a puppet, and several children were watching. The official reined in his horse. The woodworker looked up. The men’s eyes met. The official turned his horse around and went back towards the mayor’s house at a leisurely trot.

“It turned out that the woodworker had spent time in the prince’s dungeon being punished for a crime. Not an ordinary crime, though. A crime against a child.” A figure crept close to the couch: She. “And the official’s dilemma was this: was he bound to tell the mayor that there was a person with such tendencies in their midst?

“He thought and thought. His horse drew to a halt. They both pondered.”

“He was bound to tell only if the tendencies hadn’t … hadn’t gone away,” said Fay.

“Such tendencies rarely go away entirely,” said Mrs. Duprey.

“The carver had done his penance,” said Win.

“What happens if the official tells the mayor?” said Fay.

“Then the dilemma flies off his shoulders onto the back of the mayor,” said Val. “Should the mayor let the woodworker’s past be known to the village?”

“The woodworker would be shunned,” said Win. “He’d leave.”

“Three walls — everyone can see what he does,” said Liam.

“Let him alone unless he builds a fourth wall,” said Win.

“Until,” corrected Mrs. Duprey.

That was that. There were no tuckings-in for this gang. The children just wandered off. Their little mother, too.

THE NEXT DAY, Thursday, was Val’s day off. She went to the movies with a friend. And Friday the Dupreys had one of their rare evenings of guests — another family and its children. Val cooked two meat loaves and let the kids mix the salad. Though she was invited to join the table — as she had been invited at the Chapins’, the Greens’—she declined as always. She stood at the kitchen window and looked through screens she’d installed at the transformed garden, now shades of gray under the winter moon: but she knew where the tulips she’d planted would come up, and the allium later.