Ann Beattie - Another You

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To her latest novel, Beattie brings the same documentary accuracy and Chekhovian wit and tenderness that have made her one of the most acclaimed portraitists of contemporary American life. Marshall Lockard, a professor at the local college, is contemplating adultery, unaware that his wife is already committing it. "From the Trade Paperback edition."

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At this, the old man vigorously shook his head no.

“He was contacted at his friend’s request by a nurse at the rest home, I believe,” the man said. He turned to Marshall. “Your stepmother, sir, was quite a favorite of the nurses. She did have a lovely way, and I offer my heartfelt sympathy.”

Marshall nodded, only half following. He had begun speaking quietly to the priest, giving him detailed instructions about how to navigate a particular route. Then Mrs. FitzRoy spoke to the priest. She thanked him for his sensitivity and said she assumed he knew that the 121st Psalm was one of Evie’s favorites, that she recited it so beautifully her friends often asked to hear it during their own times of trouble. Would it be at all fitting to recite that psalm at Marshall and Sonja’s house, or was such a thing not done? The 121st Psalm came back to Marshall, fragmentized: mine eyes; my help; neither slumber nor sleep . He thought he knew the other words, the other verses, but at the moment it ran together as if it were something he had to race through to the end. Why had this suddenly set off such a strange reaction?

Because outside the hospital … when he went to see McCallum … Jesus Christ: How could he have forgotten? That night, just before the snowstorm hit with real force, it had begun to come back to him, the memory of being a child, seated near his mother on a dark night, his father outside, his mother speaking earnestly to him and to Gordon, who had taken a paperdoll away from him. At first he had been quite angry at Gordon, but then, small as he was, he had understood that Gordon had his best interests at heart as he tried to make him pay attention. Gordon was also trying to placate their mother, whose eyes had moved more than once to the box of spilled paperdolls Marshall stared at with such fascination … the paperdolls on the floor, flat on the floor, dead, his mother had said the word “dead,” she had spoken of herself as dead, as a paperdoll put in a box, they must not cry, they must listen … and outside had been the sound of his father crying, or perhaps talking; there had been that indistinguishable sound and also the cat scratch of branches scraping the windowpane. Like an actor rehearsing, she had walked back and forth in her white nightgown, reading, at once passionate and slightly perturbed, as if she could not quite get it right, starting over, trying for the right intonation, the only intonation acceptable to her ear, his mother telling them she was dying, reading the 121st Psalm. Yes … of course Evie would love the 121st Psalm, because what did she not love that his mother loved? Evie and his mother had often read the Bible to them at night — sometimes stories from the Bible in an illustrated children’s book, but in time directly from the Bible. That night his mother had read the 121st Psalm, and Evie had stood in the doorway, visibly upset, not going toward either Gordon or Marshall to comfort them as she usually did, because they were crying too — first Gordon, then Marshall, imitating him, frightened at the way their mother appeared, astonished that he had had his paperdoll snatched away. From that night on, it would be what seemed an eternity until Evie comforted them again, and their mother … surely she could not instantly have disappeared, yet he couldn’t remember what had come next, couldn’t remember further interactions with her, or even how or when he had been put to bed that night.

It was not considered proper that young children be at funerals, so they had not gone to their mother’s funeral. He could vaguely remember Evie crying when the day finally came, combing her hair and looking at herself in the tall hall mirror with the gilded putti trailing flowery sashes in each corner, crying as she yanked a comb through her hair, punishing her hair, it had seemed, Marshall’s father ignoring her, ignoring his sons, who were taken care of that day, Evie had told him years later, by a neighbor woman who had always frightened them because of her long black hair. Both boys had been convinced they’d been left in the care of a witch.

After two years — a decent interval of time — their father had married Evie, providing a known quantity as a mother for his sons, having with her a much different marriage than he had had with his first wife. Not a business arrangement, exactly, but two people who seemed never to speak harshly, though neither did they seem to laugh — generic grown-ups, if such creatures could be said to exist. He had always been sure that his father thought he was doing the right thing, the logical thing, in marrying Evie and in trying to attain again a sense of stability for his sons, and therefore for himself. If they hadn’t loved each other, though, that would have been a tragedy. If his mother, in her white nightgown, had become a ghost whose presence permeated the house.… Because it now seemed more than possible that this was the case, he tried to put such thoughts out of his mind. He could remember berry picking with his father and Evie the summer after his mother’s death; taking turns climbing the ladder to string lights on the Christmas tree; hiking to a waterfall, laughing … she had laughed then … or had that been his own laughter, his and Gordon’s, running ahead, Gordon sliding in the mud? Did he remember it, or had he only been told about it so many times it seemed real?

He was almost to the parking lot, lightly holding Sonja’s elbow, talking — how, when he had been so lost in thought? — to Mrs. Azura, when he realized that Mr. Bedell and the male nurse were not coming to his house, the man had said not, so that he should follow them to the van and get the photographs.

The van was equipped to carry the wheelchair in the front, locked into place in the space where a passenger’s seat would normally have been. He stood there as the man wheeled Mr. Bedell up the ramp, then rolled the chair into slats and locked the wheels. The man slid the door shut and came down the incline, turning to push a button at the side of the door to retract the ramp.

“He was too ill to come,” the man said. “Cancer of the esophagus. We call it laryngitis.”

“I’m so sorry,” Marshall said. “It was very kind to come out to give me pictures when it was such an obvious effort.”

“They’re nothing,” the man said quietly. “You hear about photographs being brought to a funeral, you assume it’s a Perry Mason mystery and something’s going to be cleared up. Mr. Bedell has me rerun those Perry Mason shows for him almost every night. Della Street always gets a smile from him, because he thinks she’s a smart girl even though her role is to be confused and to ask questions. She’s pretty, too. And the private investigator — did you know he was some famous gossip columnist’s son? Paul Drake. Handsome man. I’m afraid your two pictures aren’t much of anything, though: blurry pictures of a girl standing in a dress and sitting in a rocker. Don’t get your hopes up.”

“They’re pictures of Evie?” Marshall said.

The man nodded. “He has another picture of her, or he says it’s of her, that he didn’t want to part with. I guess you and I both can play Perry Mason well enough to assume Mr. Bedell loved your stepmother. The love of one person for another, I mean: that much I can sense as a student of the universe. Wait here and I’ll get them.”

He went around to the far side of the van. Marshall looked over his shoulder and saw Sonja, talking to Tony Hembley. Poor Sonja: she’d loved Evie so, been so good to her, driving to see her all those times he hadn’t gone along, bravely receiving the bad news so many days at the hospital. His heart warmed with love for his wife, his wife with her pretty windblown hair, standing and talking to her boss. Sonja made everyone comfortable. She had a way of getting on equal footing with people.

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