Ann Beattie - Picturing Will

She tried to remember the name of the man she would meet that night. Could it really be Haveabud? His first name was probably Steve or Ed. No, there were no more Steves or Eds in New York. They were now Steven or Edward, whether they were gay or straight. If they had money, they didn’t have a nickname. Everybody was into high seriousness, so that now even dogs were named Humphrey and Raphael.

When Angela buzzed and Jody let her in, she was dressed in stone-washed jeans, probably about a size three, and an enormous sweatshirt with a green-faced, red-lipped Oriental on it and raised red letters spelling SUMO. Her hair was yellow — not any shade of blond but yellow, Crayola-crayon yellow. Pink ballet slippers. No socks. On her wrist a coiled bracelet that ended in the triangular head of a spitting snake. An earcuff and a diamond stud in one ear, a replica of the Empire State Building dangling from the other.

“I’ve left my old man, but it’s a good thing. I just don’t want him inquired about ever again. But wait, you weren’t here when he came to help out last time, were you? Tell Mel that it’s over, and to please not ask how he is, because that’s as boring as somebody calling you to tell you how their day went. The thing I’m handing you now”—Jody had stopped on the second-floor landing as Angela rushed up the stairs two at a time, heading for the top—“is a date-and-prune tart. The prunes cut the sweetness of the dates, but don’t tell anybody about the prunes because they won’t eat it. They think prunes are those things they bring you in wet bowls in Miami Beach, and prunes actually don’t cause you as much trouble as corn, but try telling that to anybody. So. I’m double-parked, and if you can help me carry stuff upstairs I can leave the car at the curb. It’s salmon mousse for the main course. And I love that lipstick. That’s going to look fantastic by candlelight.” Angela smiled a beatific smile. The waves that surrounded her face looked more like a corona than overdyed yellow hair. “Room temperature,” Angela said, handing the platter to Jody. She put her hand over her heart. “As if we know no seasons in New York. As if each moment is purely invented.”

—

After the party that night, Mel listened to the message tape. Duncan was flying to New York in the morning. Jody shrugged. “Why does Duncan think I’m going to get involved in the problems of a man I’ve never met?” she said to Mel. Then they fell into bed and drunkenly made love.

In his dream Mel sank to the bottom of the ocean in a submarine. At first it was one of those submarines the tourists get into to see the coral reef and the fish swimming around, but a few seconds into the dream everything changed, and suddenly there was a commanding officer who was quite annoyed with him for thinking of the submarine’s downward path as “sinking.” “We are descending!” the man shrieked shrilly at Mel, who suddenly had to endure the stares of the other Navy men. One woman from the first part of the dream was still there: a tourist in a pink pants suit, taking a picture of a flat yellow-and-blue fish that floated by. Then there was the carnage: the deer on the road, again; the Halloween revelers squatting and standing in the glow of the headlights. The bright eye of the deer. A body too large to have been supported by such delicate legs.

He kicked his feet backwards, out of the covers.

In the next part of Mel’s dream the small dog who lived downstairs was sniffing the corpse in the road.

Mel opened his lips, exhaling to blow the scene away, but the deer stayed still. The October cold made him shiver. His lips closed.

The small dog sniffed and sniffed, and then it became apparent that there was a second dog, identical with the first, and that they were not partygoers on Halloween night but damned souls in Hell.

He had some consciousness of his mouth. Was he drooling on the pillow? But then there was confusion: It was the dog who was drooling — the dog in the dream — and that dog was Cerberus, who was guarding the gates to Hell.

The small dog had an owner, but Mel could not imagine who among the costumed partygoers that could be. It was not Richard Nixon, because Richard Nixon’s dog was named Checkers. It must be Will’s dog, then. He and Will must have persuaded Jody to get a dog.

Mel turned onto his side.

Just before the dream ended, dogs were floating past the window of the submarine. In the little corner of his mind that fought to become conscious, Mel knew that if there were a cartoon caption — if Gary Larson were in charge — everything that was dreadful could be amusing. But the unconscious mind won out, so he knew that if he laughed it could be a death sentence: It would attract the rabid dog, and once bitten — once his leg had sprung a leak — it would be impossible for the submarine to rise again. Even the woman in the pants suit was alarmed. She had been photographing fish, and then drowned dogs began to drift by. Then Will was in the dream, looking at him as if he had known all along how grotesque this would become.

Mel drew his feet inside the covers and moved his knees up, toward his chest. His eyes darted left and right, behind closed eyelids. Like little fish, Jody thought. She was propped up on one elbow, looking at Mel. The aspirin she had taken was slowly dulling the thud in her head that was the result of too many drinks too late at night. Now Mel’s REMs had subsided, though she still looked sleepily at him in the gradually brightening bedroom. A line from “The Waste Land” came to her: Those are pearls that were his eyes . She had read Keats and Auden to Will, but did not think “The Waste Land” would hold his attention, even though a few of the lines had end rhyme. What was the line before that line? The world could indeed be a perilous place, she thought as she was falling asleep, if you could not remember those things that came first. She remembered that someone had drowned but not the line itself.

Lord Haveabud raised his glass — topheavy, so that it was easier to curve his fingers under the bowl and forget about the stem — and swooshed the blue margarita through the air like a courtesan about to make an elaborate curtsy. The toast was all eye contact and no words. The deal had been decided on (though Jody, who kept forgetting his last name, didn’t know it was a deal), the deed as good as done (though Haveabud wanted to see the entire shoot, not just the enlargements Mel had shown him at Palio), and now all that remained was for Haveabud to buy a tie — lately, he didn’t like what Alexander Julian was up to — to wear to the opening. Photographic galleries, like Witkin, were showing paintings, so why shouldn’t he show photographs? Haveabud believed that new ties brought him luck. Also, whenever he flew, he carried with him in some pocket a small geode he had bought in a previous life, when he and his second wife visited a gift shop near the Grand Canyon. Being an agnostic, he recited silently to himself, in times of stress, a litany of introductory adverbs, in alphabetical order: after, again, also, as, before, besides … He fancied himself something of a character, wearing a Swatch instead of a Rolex, but spending more on Missoni socks than most people spent on an entire outfit. Haveabud bought his ties well in advance of openings and put them, still in their boxes, in his filing cabinet under the artists’ names.

When he first came to New York he had been married to his high school sweetheart and had worked as a clerk in a store specializing in art books. He became so trusted that he was left behind in the store to take inventory and to create his impressive displays after the others had left. When he was done, he threw two switches to activate the alarm, then got out the front door and locked it, all within fifteen seconds. Those few seconds were never a problem until he started drinking champagne after hours. The champagne came to him as gifts from women — daytime browsers who were searching for more than oversized books on Monet’s water lilies. It was classier to meet someone in a store such as the one Haveabud worked in than to go to a high-class bar. And if the women didn’t meet anyone else, or if they just took a fancy to the earnest young man with a body he imagined to be better than it was (now he worked out four days a week, swam on Thursdays, and jogged on weekend evenings around the reservoir in Central Park), they were likely to ask him over for a drink after work — the husbands were always away on business — or to try to please him with enough gifts of bubbly so that he’d ask them out for a drink. Much to Haveabud’s surprise, you could often have a beautiful woman lusting after you just because you had special-ordered a book on Christ’s sexuality or a biography of Courbet. In fact, Courbet was Haveabud’s favorite painter, but he would not reveal this to anyone. He had his secrets: his geode, his visions of Courbet’s landscapes, his package of French ticklers in the file under S . He might never have been in the position he was in today if he hadn’t been fired from the bookstore. In the good old days, he and a few of the other employees (now they hired clerks who looked like people in a Grant Wood painting. Where did they find them?) had opened bottles of champagne and played baseball in the buff on the second floor of the store, using the handle from the toilet plunger to bat rolled-up wads of duplicate inventory slips. This had never been discovered, but a jealous husband had had a tête-à-tête with the owner, and Haveabud was fired. “You don’t want to hear whether I deny having an affair with her?” he had asked the owner. “No,” the owner said. “I knew that anybody as knowledgeable and personable as you was too good to be true.”