Rubem Fonseca - Winning the Game and Other Stories

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In these seventeen stories by one of Brazil's foremost living authors, Fonseca introduces readers--with unsurpassed candor and keenness of observation--to a kaleidoscopic, often disturbing world. A hunchback sets his lascivious sights on seducing a beautiful woman. A wealthy businessman hires a ghost writer, with unexpected results. A family of modern-day urban cannibals celebrates a bizarre rite of passage. A man roams the nocturnal streets of Rio de Janeiro in search of meaning. A male ex-police reporter writes an advice column under a female pseudonym. A prosperous entrepreneur picks up a beautiful girl in his Mercedes only to discover his costly mistake. A loser elaborates a lethal plan to become, in his mind, a winner.

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“One word is worth a thousand photographs,” Monica Tutsi said. “I always get the short end of things. I’ll be back soon.”

DR. NATHANAEL. I like to cook. I also like to embroider and crochet. And most of all I like to wear a long evening gown and put on crimson lipstick, with lots of rouge and eye shadow. Ah, what a sensation! What a pity that I must stay locked in my room. No one knows that I like to do these things. Am I wrong? PEDRO REDGRAVE. TIJUCA.

ANSWER: Why should it be wrong? Are you doing anyone harm? I had another reader who, like you, enjoyed dressing as a woman. He carried on a normal, useful, and socially productive life, to the point that he was chosen a model worker. Put on your long gowns, paint your lips scarlet, put some color in your life.

“All the letters should be from women,” Peçanha reminded.

“But this one is real,” I said.

“I don’t believe it.”

I handed the letter to Peçanha. He looked at it with the expression of a cop examining a badly counterfeited bill.

“You think it’s a joke?” Peçanha asked.

“It might be,” I said. “And it might not be.”

Peçanha put on his reflective look. Then: “Add some phrase of encouragement to your letter, like for example, ‘write again’.”

I sat down at the typewriter: Write again, Pedro, I know that’s not your real name, but it doesn’t matter; write again, count on me. Nathanael Lessa.

“Shit,” said Monica Tutsi, “I went to do your great piece of drama and they told me it was stolen from some Italian film.”

“Wretches, band of idiots—just because I was a police reporter they’re calling me a plagiarist.”

“Take it easy, Virginia.”

“Virginia? My name is Clarice Simone,” I said. “What idiocy is this of thinking only Italian fiancées are whores? Look here, I once knew an engaged woman, a really serious one, who was even a sister of charity, and they found out she was a whore too.”

“It’s okay, man, I’m going to shoot the story. Can Betatron be mulatto? What’s a Betatron?”

“She has to be a redhead, with freckles. Betatron is an apparatus for the production of electrons, possessing great energy potential and high velocity, impelled by the action of a rapidly changing magnetic field,” I said.

“Shit! That’s really a name for a whore,” said Monica Tutsi admiringly, on his way out.

UNDERSTANDING NATHANAEL LESSA. I have worn my long gowns gloriously. And my mouth has been as red as tiger’s blood and the break of dawn. I am thinking of putting on a satin gown and going to the Municipal Theater. What do you think? And now I’m going to tell you a great and marvelous confidence, but you must keep my confession the greatest secret. Do you swear? Ah, I don’t know if I should say it or not. All my life I’ve suffered the greatest disillusionment from believing in others. I am basically a person who never lost his innocence. Betrayal, coarseness, shamelessness, and baseness leave me quite shocked. Oh, how I would like to live isolated in a utopian world of love and kindness. My sensitive Nathanael, let me think. Give me time. In the next letter I shall tell more, perhaps everything. PEDRO REDGRAVE.

ANSWER: Pedro. I await your letter, with your secrets, which I promise to store in the inviolable reaches of my recondite consciousness. Continue this way, confronting aloofly the envy and insidious perfidy of the poor in spirit. Adorn your body, which thirsts for sensuality, by exercising the challenges of your courageous mind.

Peçanha asked: “Are these letters real too?”

“Pedro Redgrave’s are.”

“Strange, very strange,” Peçanha said, tapping his nails on his teeth. “What do you make of it?”

“I don’t make anything of it,” I said.

He seemed preoccupied about something. He asked about the illustrated love story but took no interest in the answers.

“What about the blind girl’s letter?” I asked.

Peçanha got the blind girl’s letter and my reply and read aloud: “Dear Nathanael. I cannot read what you write. My beloved granny reads it to me. But do not think I am illiterate. I am blind. My dear granny is writing this letter for me, but the words are my own. I want to send a word of comfort to your readers so that they, who suffer so much from small misfortunes, may look at themselves in the mirror. I am blind but I am happy. I am at peace, with God and my fellow man. Happiness to all. Long live Brazil and its people. Blind but Happy. Unicorn Road. Nova Iguaçu. P.S. I forgot to say that I am also paralyzed.” Peçanha lit a cigar. “Moving, but Unicorn Road doesn’t ring true. You’d better make it Windmill Road or something like that. Now let’s see your answer. ‘Blind but Happy, congratulations on your moral strength, your unwavering faith in happiness, in goodness, in the people, and in Brazil. The souls of those who despair in their adversity should take nourishment from your edifying example, a flambeau of light in the darkness of torment.’”

Peçanha gave me the papers. “You have a future in literature. This is a great school we have here. Learn, learn, dedicate yourself, don’t lose heart, work hard.”

I sat at the typewriter:

Tesio, a bank employee, resident of Boca do Mato, in Lins de Vasconcelos, married to Frederica in his second marriage, has a son, Hipolito, from his first marriage. Frederica falls in love with Hipolito. Tesio discovers their sinful love. Frederica hangs herself from the mango tree in the back yard. Hipolito asks his father for forgiveness, leaves home and wanders desperately through the streets of the cruel city until he is run over and killed on the Avenida Brasil.

“What’s the seasoning here?” Monica Tutsi asked.

“Euripides, sin, and death. Let me tell you something: I know the human soul and don’t need any ancient Greek to inspire me. For a man of my intelligence and sensitivity it’s enough to look around me. Look closely at my eyes. Have you ever seen anyone more alert, more wide awake?”

Monica Tutsi looked closely at my eyes and said, “I think you’re crazy.”

I continued: “I cite the classics only to demonstrate my knowledge. Since I was a police reporter, if I don’t do that the cretins don’t respect me. I’ve read thousands of books. How many books do you think Peçanha has read?”

“None. Can Frederica be black?”

“Good idea. But Tesio and Hipolito have to be white.”

NATHANAEL. I love, a forbidden love, an interdicted love, a secret love, a hidden love. I love another man. And he also loves me. But we cannot walk in the street holding hands, like others, exchange kisses in the gardens and movie theaters, like others, lie in each other’s arms on the sandy beaches, like others, dance in night clubs, like others. We cannot get married, like others, and together face old age, disease, and death, like others. I do not have the strength to resist and struggle. It’s better to die. Good-bye. This is my last letter. Have a mass said for me. PEDRO REDGRAVE.

ANSWER: What are you saying, Pedro? Are you going to give up now that you’ve found your love? Oscar Wilde suffered like the devil, he was ridiculed, tried, sentenced, but he stood up to it. If you can’t get married, shack up. Make a will in each other’s favor. Defend yourselves. Use the law and the system to your benefit. Be selfish, like the others, be sly, implacable, intolerant, and hypocritical. Exploit. Plunder. It’s self-defense. But, please, don’t carry out any deranged gesture.

I sent the letter and reply to Peçanha. Letters were published only with his approval.

Monica Tutsi came by with a girl.

“This is Monica,” Monica Tutsi said.

“Quite a coincidence,” I said.

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