Celeste Ng - Everything I Never Told You

James, though, had known all the answers. He had read every newspaper he could get his hands on; he had read all the books his father had bought, a nickel a bag, at library book sales. One hundred sixty feet, he wrote. 1492. Automobile. The circle. He finished the test and set the pencil in the slot at the top of the desk. The man with the mustache didn’t look up until twenty minutes later. “Finished already?” he said. “You were so quiet, sonny.” He took away the booklet and the pencil and brought James back to the kitchens, where his mother was working. “I’ll grade the test and let you know the results next week,” he told them, but James already knew he had passed.

When the term began in September, he rode in to school with his father in the Ford truck the school had lent him for his maintenance work. “You’re the first Oriental boy to attend Lloyd,” his father reminded him. “Set a good example.” That first morning, James slid into his seat and the girl next to him asked, “What’s wrong with your eyes?” It wasn’t until he heard the horror in the teacher’s voice—“Shirley Byron!”—that he realized he was supposed to be embarrassed; the next time it happened, he had learned his lesson and turned red right away. In every class, every day that first week, the other students studied him: where had he come from, this boy? He had a bookbag, a Lloyd uniform. Yet he didn’t live at the school like the rest of them; he looked like no one they’d ever seen. Now and then, his father would be called in to loosen a squeaky window, replace a lightbulb, mop up a spill. James, scrunched in the back row, saw his classmates glance from his father to him and knew that they suspected. He would bend his head over his book, so close that his nose nearly touched the page, until his father left the room. By the second month, he asked his parents for permission to walk to and from school by himself. Alone, he could pretend to be just another student. He could pretend that, in the uniform, he looked just like everyone else.

He spent twelve years at Lloyd and never felt at home. At Lloyd, everyone seemed to be descended from a Pilgrim or a senator or a Rockefeller, but when they did family tree projects in class, he pretended to forget the assignment rather than draw his own complicated diagram. Don’t ask any questions, he prayed silently as the teacher marked a small red zero beside his name. He set himself a curriculum of studying American culture — listening to the radio, reading comics, saving his pocket money for double features, learning the rules of the new board games — in case anyone ever said, Hey, didya hear Red Skelton yesterday? or Wanna play Monopoly? though no one ever did. As he got older, he did not attend the dances, or the pep rallies, or the junior or senior proms. At best, girls smiled silently at him in the hallways; at worst, they stared as he passed, and he heard their snickers as he turned the corner. At graduation, the yearbook ran one photo of him besides the obligatory senior portrait: a shot of him at an assembly to greet President Truman, his head visible over the shoulder of the class treasurer and a girl who would go on to marry a Belgian prince. His ears, blushing pink in real life, were a deep and unnatural gray in the photograph, his mouth slightly open, as if he had been caught trespassing. At college, he hoped things would be different. Yet after seven years at Harvard — four as an undergrad, three and counting as a graduate student — nothing had changed. Without realizing why, he studied the most quintessentially American subject he could find — cowboys — but he never spoke of his parents, or his family. He still had few acquaintances and no friends. He still found himself shifting in his seat, as if at any moment someone might notice him and ask him to leave.

So that fall of 1957, when Marilyn had leaned over his desk and kissed him, this beautiful honey-haired girl, when she came into his arms and then into his bed, James could not quite believe it. The first afternoon they’d spent together, in his tiny whitewashed studio apartment, he marveled at how her body fit so perfectly against his: her nose nestled exactly into the hollow between his collarbones; her cheek curved to match the side of his neck. As if they were two halves of a mold. He had studied her with the air of a sculptor, tracing the contours of her hips and calves, his fingertips grazing her skin. When they made love, her hair came alive. It darkened from golden-wheat to amber. It kinked and curled like a fiddlehead fern. It amazed him that he could have such an effect on anyone. As she dozed in his arms, her hair slowly relaxed, and when she woke, it had stretched back to its usual waves. Then her easy laugh sparkled in that white, bare room; as she chattered, breathless, her hands fluttered until he caught them in his and they lay warm and still, like resting birds, and then she pulled him to her again. It was as if America herself was taking him in. It was too much luck. He feared the day the universe would notice he wasn’t supposed to have her and take her away. Or that she might suddenly realize her mistake and disappear from his life as suddenly as she had entered. After a while, the fear became a habit, too.

He began to make small changes he thought she might like: he trimmed his hair; he bought a blue-striped Oxford shirt after she admired one on a passerby. (The cowlick, persistent, still stood up; years later, Nath and Hannah would inherit it, too.) One Saturday, at Marilyn’s suggestion, he bought two gallons of pale yellow paint, pushed the furniture to the middle of the apartment, and spread drop cloths across the parquet. As they brushed one section, then another, the room brightened like panes of sunlight stretching across the walls. When everything was painted, they opened all the windows and curled up on the bed in the center of the room. The apartment was so small that nothing was more than a few feet from the wall, but surrounded by his desk and chairs, the armchair and the dresser pressed close, he felt as if they were on an island, or afloat in the sea. With Marilyn tucked in the curve of his shoulder, he kissed her and her arms circled his neck, her body rose to meet his. Another tiny miracle, every time.

Later that afternoon, waking in the fading light, he noticed a tiny yellow blotch on the tip of Marilyn’s toe. After a moment of searching, he found a smudge on the wall near the end of the bed, where her foot had touched it as they made love: a dime-sized spot where the paint was blotted away. He said nothing to Marilyn, and when they pushed the furniture back into place that evening, the dresser concealed the smudge. Every time he looked at that dresser he was pleased, as if he could see through the pine drawers and his folded clothing straight to it, that mark her body had left in his space.

At Thanksgiving, Marilyn decided not to go home to Virginia. She told herself, and James, that it was too far for such a short holiday, but in reality she knew her mother would ask her, again, if she had any prospects, and this time she did not know how to respond. Instead, in James’s tiny kitchen, she roasted a chicken, cubed potatoes, peeled yams into a casserole dish the size of a steno pad: Thanksgiving dinner in miniature. James, who had never cooked himself a meal, who subsisted on burgers from Charlie’s Kitchen and English muffins from the Hayes-Bickford, watched in awe. After Marilyn basted the chicken, she looked up defiantly, closed the oven, and peeled the oven mitts from her hands.

“My mother is a home economics teacher,” she said. “Betty Crocker is her personal goddess.” It was the first thing she had told him about her mother. The way she said it, it sounded like a secret, something she had kept hidden and now deliberately, trustingly, revealed.