Elena Ferrante - The Story of a New Name

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The second book, following 2012’s acclaimed
, featuring the two friends Lila and Elena. The two protagonists are now in their twenties. Marriage appears to have imprisoned Lila. Meanwhile, Elena continues her journey of self-discovery. The two young women share a complex and evolving bond that brings them close at times, and drives them apart at others. Each vacillates between hurtful disregard and profound love for the other. With this complicated and meticulously portrayed friendship at the center of their emotional lives, the two girls mature into women, paying the sometimes cruel price that this passage exacts.

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“We’re engaged,” I said, and, leaning across the table, kissed him on the lips. He turned red, he said, “I have another present.”

He gave me an envelope, it was the proofs of his thesis-book. How fast, I thought, with affection and even some joy.

“I also have a little present for you.”

“What is it?”

“Something foolish, but I don’t know what else to give you that is truly mine.”

I took the notebook out, I gave it to him.

“It’s a novel,” I said, “a one of a kind: only copy, only attempt, only capitulation. I’ll never write another one.” I added, laughing, “There are even some rather racy parts.”

He seemed bewildered. He thanked me, he placed the notebook on the table. I was immediately sorry I had given it to him. I thought: he’s a serious student, he has great traditions behind him, he’s about to publish an essay on the Bacchic rites that will be the basis of a career; it’s my fault, I shouldn’t have embarrassed him with a little story that’s not even typewritten. And yet even then I didn’t feel uneasy, he was he, I was I. I told him that I had applied to enter teachers’ training college, I told him that I would return to Naples, I told him, laughing, that our engagement would have a difficult life, I in a city in the south, he in one in the north. But Pietro remained serious, he had everything clear in his mind, he laid out his plan: two years to establish himself at the university and then he would marry me. He even set the date: September, 1969. When we went out he forgot the notebook on the table. I pointed it out in amusement: “My gift?” He was confused, he ran back to get it.

We walked for a long time. We kissed, we embraced on the Lungarno, I asked him, half serious, half joking, if he wanted to sneak into my room. He shook his head, he went back to kissing me passionately. There were entire libraries separating him and Antonio, but they were similar.

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My return to Naples was like having a defective umbrella that suddenly closes over your head in a gust of wind. I arrived in the middle of summer. I would have liked to look for a job right away, but my condition as a graduate meant that it was unsuitable for me to go looking for little jobs like the ones I used to have. On the other hand I had no money, and it was humiliating to ask my father and mother, who had already sacrificed enough for me. I became nervous. Everything irritated me, the streets, the ugly façades of the houses, the stradone , the gardens, even though at first every stone, every smell had moved me. If Pietro finds someone else, I thought, if I don’t get in to the teachers’ college, what will I do? It’s not possible that I could remain forever a prisoner of this place and these people.

My parents, my siblings were very proud of me, but, I realized, they didn’t know why: what use was I, why had I returned, how could they demonstrate to the neighbors that I was the pride of the family? If you thought about it I only complicated their life, further crowding the small apartment, making more arduous the arrangement of beds at night, getting in the way of a daily routine that by now didn’t allow for me. Besides, I always had my nose in a book, standing up, sitting in one corner or another, a useless monument to study, a self-important, serious person whom they all made it their duty not to disturb, but about whom they also wondered: What are her intentions?

My mother resisted for a while before questioning me about my fiancé, whose existence she had deduced more from the ring that I wore on my finger than from my confidences. She wanted to know what he did, how much he earned, when he would introduce himself at our house with his parents, where I would live when I was married. At first I gave her some information: he was a professor at the university, for now he earned nothing, he was publishing a book that was considered very important by the other professors, we would get married in a couple of years, his parents were from Genoa, probably I would go to live in that city or anyway wherever he established himself. But from her intent look, from the way she kept asking the same questions, I had the impression that, too much in the grip of her preconceptions, she wasn’t listening. I was engaged to someone who hadn’t come and wasn’t coming to ask for my hand, who lived very far away, who taught but wasn’t paid, who was publishing a book but wasn’t famous? She became upset as usual, even though she no longer got angry at me. She tried to contain her disapproval, maybe she didn’t even feel capable of communicating it to me. Language itself, in fact, had become a mark of alienation. I expressed myself in a way that was too complex for her, although I made an effort to speak in dialect, and when I realized that and simplified the sentences, the simplification made them unnatural and therefore confusing. Besides, the effort I had made to get rid of my Neapolitan accent hadn’t convinced the Pisans but was convincing to her, my father, my siblings, the whole neighborhood. On the street, in the stores, on the landing of our building, people treated me with a mixture of respect and mockery. Behind my back they began to call me the Pisan.

In that period I wrote long letters to Pietro, who answered with even longer ones. At first I expected that he would make at least some reference to my notebook, then I forgot about it myself. We said nothing concrete, I still have those letters: there is not a single useful detail for reconstructing the daily life of the time, what was the price of bread or a ticket to the movies, how much a porter or a professor earned. We focused, let’s say, on a book he had read, on an article of interest for our studies, on some reflection of his or mine, on unrest among certain university students, on the neo-avant-garde, which I didn’t know anything about but which he was surprisingly well acquainted with, and which amused him to the point of inspiring him to write: “I would like to make a book out of crumpled-up pieces of paper: you start a sentence, it doesn’t work, and you throw the page away. I’m collecting a few, I would have the pages printed just as they are, crumpled, so the random pattern of the creases is interwoven with the tentative, broken-off sentences. Maybe this is, in fact, the only literature possible today.” That last note struck me. I suspected, I remember, that that was his way of communicating to me that he had read my notebook and that that literary gift of mine seemed to him a product that had arrived too late.

In those weeks of enervating heat I felt as if the weariness of years had poisoned my body, and I had no energy. Here and there I picked up news of Maestra Oliviero’s state of health, I hoped that she was well, that I might see her and gain some strength from her satisfaction in my scholastic success. I knew that her sister had come to get her and had taken her back to Potenza. I felt very alone. I even missed Lila, and our turbulent meeting. I felt a desire to find her and measure the distance between us now. But I didn’t. I confined myself to an idle, petty investigation into what people in the neighborhood thought of her, into the rumors that were circulating.

In particular I looked for Antonio. He wasn’t there, it was said that he had remained in Germany, some claimed that he had married a beautiful German, a fat, blue-eyed platinum blonde, and that he was the father of twins.

So I talked to Alfonso. I went often to the shop on Piazza dei Martiri. He had grown really handsome, he looked like a refined Spanish nobleman, he spoke in a cultivated Italian, with pleasing inserts of dialect. The Solaras’ shop, thanks to him, was thriving. His salary was satisfactory, he had rented a house in Ponte di Tappia, and he didn’t miss the neighborhood, his siblings, the odor and grease of the grocery stores. “Next year I’ll get married,” he announced, without too much enthusiasm. The relationship with Marisa had lasted, had become stable, there was only the final step. I went out sometimes with them, they got along well; she had lost her old liveliness, her effusiveness, and now seemed above all careful not to say anything that might annoy him. I never asked her about her father, her mother, her brothers and sister. I didn’t even ask about Nino nor did she mention him, as if he were gone forever out of her life, too.

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