Elena Ferrante - Those Who Leave and Those Who Stay

I tried to orient myself. I think they were discussing procedural matters, in an atmosphere, however, in which no one — some were shouting, some were silent, some poking fun, some laughing, some moving rapidly like runners on a battlefield, some paying no attention, some studying — seemed to think that agreement was possible. I hoped that Mariarosa was there somewhere. Meanwhile I was getting used to the uproar, the smells. So many people: mostly males, handsome, ugly, well-dressed, scruffy, violent, frightened, amused. I observed the women with interest; I had the impression that I was the only one who was there alone. Some — for example the ones I had followed — stayed close together, even as they distributed leaflets in the crowded classroom: they shouted together, laughed together, and if they were separated by a few meters they kept an eye on each other so as not to get lost. Longtime friends or perhaps chance acquaintances, they seemed to draw from the group the authority to stay in that place of chaos, seduced by the lawless atmosphere, yes, but open to the experience only on the condition that they not separate, as if they had decided beforehand, in more secure places, that if one left they would all leave. Other women, however, by themselves or at most in pairs, had infiltrated the male groups, displaying a provocative intimacy, the lighthearted dissolution of safe distances, and they seemed to me the happiest, the most aggressive, the proudest.

I felt different, there illegally, without the necessary credentials to shout myself, to remain inside those fumes and those odors that brought to mind, now, the odors and fumes that came from Antonio’s body, from his breath, when we embraced at the ponds. I had been too wretched, too crushed by the obligation to excel in school. I had hardly ever gone to the movies. I had never bought records, yet how I would have liked to. I wasn’t a fan of any singers, hadn’t rushed to concerts, collected autographs; I had never been drunk, and my limited sexual experiences had taken place uncomfortably, amid subterfuges, fearfully. Those girls, on the other hand, to varying degrees, must have grown up in easier circumstances, and were more prepared to change their skin; maybe they felt their presence in that place, in that atmosphere, not as a derailment but as a just and urgent choice. Now that I have some money, I thought, now that I’ll earn who knows how much, I can have some of the things I missed. Or maybe not, I was now too cultured, too ignorant, too controlled, too accustomed to freezing life by storing up ideas and facts, too close to marriage and settling down, in short too obtusely fixed within an order that here appeared to be in decline. That last thought frightened me. Get out of this place right away, I said to myself, every gesture or word is an insult to the work I’ve done. Instead I slipped farther inside the crowded classroom.

I was struck immediately by a very beautiful girl, with delicate features and long black hair that hung over her shoulders, who was certainly younger than me. I couldn’t take my eyes off her. She was standing in the midst of some combative young men, and behind her a dark man about thirty, smoking a cigar, stood glued to her like a bodyguard. What distinguished her in that environment, besides her beauty, was that she was holding in her arms a baby a few months old, she was nursing him and, at the same time, closely following the conflict, and occasionally even shouting something. When the baby, a patch of blue, with his little reddish-colored legs and feet uncovered, detached his mouth from the nipple, she didn’t put her breast back in the bra but stayed like that, exposed, her white shirt unbuttoned, her breast swollen, her mouth half open, frowning, until she realized the child was no longer suckling and mechanically tried to reattach him.

That girl disturbed me. In the noisy smoke-filled classroom, she was an incongruous icon of maternity. She was younger than me, she had a refined appearance, responsibility for an infant. Yet she seemed determined to reject the persona of the young woman placidly absorbed in caring for her child. She yelled, she gesticulated, she asked to speak, she laughed angrily, she pointed to someone with contempt. And yet the child was part of her, he sought her breast, he lost it. Together they made up a fragile image, at risk, close to breaking, as if it had been painted on glass: the child would fall out of her arms or something would bump his head, an elbow, an uncontrolled movement. I was happy when, suddenly, Mariarosa appeared beside her. Finally: there she was. How lively, how bright, how cordial she was: she seemed to be friendly with the young mother. I waved my hand, she didn’t see me. She whispered briefly in the girl’s ear, disappeared, reappeared in the crowd that was gathered around the lectern. Meanwhile, through a side door, a small group burst in whose mere arrival calmed people down. Mariarosa signaled, waited for a signal in response, grabbed the megaphone, and spoke a few words that silenced the packed classroom. For a few seconds I had the impression that Milan, the tensions of that period, my own excitement had the power to let the shadows I had in my head emerge. How many times had I thought in those days of my early political education? Mariarosa yielded the megaphone to a young man beside her, whom I recognized immediately. It was Franco Mari, my boyfriend from the early years in Pisa.

He had stayed the same: the same warm and persuasive tone of voice, the same ability to organize a speech, moving from general statements that led, step by step, in a logical sequence to ordinary, everyday experiences, revealing their meaning. As I write, I realize that I recall very little of his physical aspect, only his pale clean-shaven face, his short hair. And yet his was the only body that, so far, I had been close to as if we were married.

I went over to Franco after his speech, and his eyes lighted up with amazement, he embraced me. But it was hard to talk, someone pulled him by the arm, someone else had started to criticize, pointing at him insistently, as if he had to answer for terrible crimes. I stayed near the lectern, uneasy; in the crush I had lost Mariarosa. But this time it was she who saw me, and she tugged on my arm.

“What are you doing here?” she asked, pleased.

I avoided explaining that I had missed an appointment, that I had arrived by chance. I said, indicating Franco: “I know him.”

“Mari?”

“Yes.”

She spoke about Franco enthusiastically, then she whispered: They’ll make me pay for it, I invited him, look what a hornets’ nest. And since he was going to stay at her house and leave for Turin the following day, she immediately insisted that I should come and stay with her, too. I accepted, too bad about the hotel.

The meeting dragged on, there were moments of extreme tension, and a permanent sensation of alarm. It was getting dark when we left the university. Besides Franco, Mariarosa was joined by the young mother, whose name was Silvia, and the man around thirty whom I had noticed in the classroom, the one who was smoking the cigar, a Venezuelan painter named Juan. We all went to dinner in a trattoria that my sister-in-law knew. I talked to Franco enough to find out that I was wrong, he hadn’t stayed the same. Covering his face — and maybe he had placed it there himself — a mask, which, although it perfectly matched the features of before, had eliminated the generosity. Now he was pinched, restrained, he weighed his words. In the course of a short, apparently confidential exchange, he never alluded to our old relationship, and when I brought it up, complaining that he had never written to me, he cut me off, saying: It had to be like that. About the university, too, he was vague, and I understood that he hadn’t graduated.