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Emily St. John Mandel: Last Night in Montreal

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Emily St. John Mandel Last Night in Montreal

Last Night in Montreal: краткое содержание, описание и аннотация

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Last Night in Montreal Lilia Albert has been leaving people behind her entire life. She spends her childhood and adolescence traveling constantly and changing identities. In adulthood, she finds it impossible to stop. Haunted by an inability to remember her early childhood, she moves restlessly from city to city, abandoning lovers along the way, possibly still followed by a private detective who has pursued her for years. Then her latest lover follows her from New York to Montreal, determined to learn her secrets and make sure she's safe. A taut yet lyrical tale of loss and love, of sacrifice and abandonment, and of finding a way home, is a dazzling read, filled with rich characters and shocking twists. It marks the beginning of a wonderful career.

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“Late,” he said. “Probably eight o’clock or so. May I walk you home?”

HER HOME was a rented room with a window that looked out on an airshaft, a brick wall three feet from the glass. Night fell at one-thirty in the afternoon. The times when he came to her in that room he had the feeling of stepping into a cave, or stepping outside time. She slept on a mattress on the floor. A suitcase, opened against the wall, held a jumble of clothes and a battered manila envelope. She had a Polaroid from her childhood pinned neatly to a wall: Lilia in a diner, twelve years old in the summertime in a faroff Southern state, leaning over the countertop with the waitress.

Lilia: she had ink stains on her fingers, and the most beautiful eyes. She wore a silver chain necklace but wouldn’t say where it was from. She was obsessed by the topography of language: she followed the maps of alphabets over obscure terrains, parted the shifting gauze curtains between window, fenêtre, finestra, fenster and peered outward, wrote out long charts of words and brought home books in five languages. She maintained a secretive, passionate life of study. She was without precedent; Eli had dedicated his life before her to not being alone, he had surrounded himself with other people for as long as he could remember, but he had never known anyone remotely like her.

She had a mind like a switchblade. She sometimes stayed up all night. She worked four or five nights a week washing dishes at a vast Thai restaurant near the river, where Manhattan shone across the dark water at night. She returned from the restaurant at midnight with an aura of dish soap and steam, peanut oil, kitchen grime, her face shiny with exertion and her eyes too bright. She stayed up reading till morning, her lips moving as she struggled with the Cyrillic alphabet, and crawled into bed beside Eli at dawn.

Her hair was dark and cut unevenly, in a way that he found secretly thrilling; he knew that when it got too long she cut it herself, fast and carelessly, not necessarily in the presence of a mirror. The effect was rough but she was pretty enough to pull it off. She had scars on her arms, a faint and complicated pattern of lines suggesting a long-ago accident involving a great deal of broken glass, visible only under certain lights; she never talked about them, and he could somehow never bring himself to ask. She had four or five unevenly spaced freckles on her nose, like Lolita. She gave the impression of harboring enormous secrets. She had been traveling alone from city to city, in his understanding, since she was no older than sixteen or seventeen years old. She alluded occasionally to her father in New Mexico and she talked to him on the phone sometimes; her father had a girlfriend, and they had two small children together, but Eli was never sure if there was anyone else. The existence of a mother, for example, was far from clear. When he asked, she said she’d never known her mother and then went quiet.

She moved in with him at the midpoint: three months after he walked her home from the Café Matisse and three months before she disappeared. Cohabitation held certain surprises. She had a specific way of living that seemed to him at once erratic and ritualistic and frequently caused him to wonder about her sanity — a faint unease came over him while sitting beside the bathtub, for example, chatting and watching her shave her legs, change razor blades, and then shave her legs again. She would pause occasionally to sip from a tall glass of water that sat on the edge of the bathtub next to four or five bottles of shampoo, which she used in rotation. She could disappear with her camera for hours, particularly in thunderstorms; her shift at the restaurant ended no later than midnight but on stormy nights she came home at three or four in the morning, hair plastered to her forehead, soaked to the skin. He would have suspected her of cheating in those times except that it was clear from the condition of her clothing that she hadn’t been indoors all night. She’d extract herself from layer upon sodden layer of clothing, happy and shivering and her skin cold to the touch, and then she’d spend an hour or so in a steaming-hot shower and sleep in until at least noon. She had no explanation for these evenings except that she liked walking in rainstorms and her camera was waterproof. He was desperately curious but never asked where she went. He tried not to press her for too many details, about her scars or her family or anything else; she’d come from nowhere and seemed to have no past, and it seemed possible, even in the beginning when everything was easy, that the tenuous logic of her existence in his life might collapse under close examination. He didn’t want to know.

“What I want,” she said quietly, on the third night he spent with her, “is to stop traveling and stay in the same place for a while. I’m starting to think I’ve been traveling too much.”

And for Eli — frustrated, aimless, working at a job he didn’t particularly like, failed scholar, unable to decide whether he was a writer or a latent genius or just an academic fraud — the idea of traveling too much was unimaginably exotic, and he pulled her close and fucked her again and imagined staying beside her forever. But that was only the third night she spent with him.

She was easily distracted. She had a photographer’s fascination with quality of light. An upside-down CD reflecting rainbows on the bedroom ceiling, a glass of red wine catching the light of a candle, the Empire State Building piercing white against the sky at night. She loved details, and the world, and inevitably became lost in both. Violently beautiful sunsets could reduce her to tears. She was virtually incapacitated by fireflies. She was sublimely abnormal, and very frequently unnerving, but she was his psalm; what a live-in lover offers you, ultimately, is the unprecedented revelation of not being alone. She slipped so easily into the folds of his life. Her few belongings vanished into his apartment.

It always seemed later on that he loved her, at least partially, because she rendered him fraudulent. He talked about traveling, but she had traveled. He talked about photography, but she took photographs. He talked about languages, but she translated them. He felt that if she were a screenwriter she’d write screenplays instead of talking about screenplays and sketching outlines of screenplays and analyzing screenplays the way Thomas did. If she were a dancer, he felt that she’d dance. What he liked best were the times when they went into the café and none of his friends were there, so they could sit together and read the paper in blissful silence. Or the afternoons when he sat at his desk and measured sentences, written and then deleted in equal measure, or did research while she sat in the armchair nearby and studied Russian texts, her lips moving soundlessly over the words. And life settled into a state not far from perfection, until he found the lists.

One: a list of names, ten pages, beginning and ending with Lilia . Most names had arrows that trailed out into the margins, where the names of places were noted in small print: Mississippi, south Kansas, central Florida, Detroit. Two: a list of words in a number of languages, which could’ve meant anything at all. He recognized the Spanish word for butterfly and the German word for night— mariposa, nacht— but the rest were incomprehensible to him. Like the list of names, the paper looked old and the handwriting was evolutionary; the beginning parts of both lists were in awkward childish block letters, which became smaller and more refined as the lines progressed. Three: a list of words and phrases. This third list was longer and of a different genre; no evolutionary transformation was in evidence, and all the languages represented were ailing or dead. He only knew this because he recognized whole phrases from his notebooks. These pages were uncrumpled and new-looking. He went through this last list over and over again but could detect no pattern in the phrases she’d copied. There were words from five continents. Her suitcase also contained six or seven books and a weathered business card for a private investigator in Montreal, but it was the lists that interested him.

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