Emily St. John Mandel - The Lola Quartet

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The Lola Quartet: краткое содержание, описание и аннотация

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Gavin Sasaki is a promising young journalist in New York City, until he’s fired in disgrace following a series of unforgivable lapses in his work. It’s early 2009, and the world has gone dark very quickly; the economic collapse has turned an era that magazine headlines once heralded as the second gilded age into something that more closely resembles the Great Depression. The last thing Gavin wants to do is return to his hometown of Sebastian, Florida, but he’s drifting toward bankruptcy and is in no position to refuse when he’s offered a job by his sister, Eilo, a real estate broker who deals in foreclosed homes.
Eilo recently paid a visit to a home that had a ten-year-old child in it, a child who looks very much like Gavin and who has the same last name as Gavin’s high school girlfriend Anna, whom Gavin last saw a decade ago. Gavin — a former jazz musician, a reluctant broker of foreclosed properties, obsessed with film noir and private detectives — begins his own private investigation in an effort to track down Anna and their apparent daughter who have been on the run all these years from a drug dealer from whom Anna stole $121,000.
In her most ambitious novel yet, Emily Mandel combines her most fully realized characters with perhaps her most fully developed story that examines the difficulty of being the person you'd like to be, loss, the way a small and innocent action (e.g., taking a picture of a girl in a foreclosed house) can have disastrous consequences. The Lola Quartet is a work that pays homage to literary noir, is concerned with jazz, Django Reinhardt, economic collapse, love, Florida’s exotic wildlife problem, crushing tropical heat, the leavening of the contemporary world, compulsive gambling, and the unreliability of memory.
This is literary fiction with a strong detective story element.

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"Did something happen to you?"

"I took care of something," Deval said. "I solved a problem." His hands were shaking again. Gavin sat on the other end of the sofa, unsure where to look, trying not to stare.

"Listen," Gavin said. Deval's expression was inscrutable. "The whole time I've been back in Florida, I've been trying to find out what happened to a girl named Anna Montgomery. Do you know her?"

Deval didn't speak for a moment. "Do I know her," he said. He made a sound very much like a laugh. "Yeah, I know Anna."

"When did you meet her?"

Deval glanced at Gavin's bandaged arm. "I guess the least I could do is tell you a story," he said. "I met her at a music school in South Carolina. She'd stolen some money and she was on the run with her baby, which was as crazy as it sounds, and she knew my roommate. She just appeared out of nowhere in the dorm one night. She'd had to leave Utah quickly. She didn't really have a plan."

"Why didn't she go to her sister?"

"Because Daniel told her not to. He told the guy she'd stolen money from that she'd never go anywhere but back to Florida, then he called her and begged her to go anywhere else." Deval lifted the mug with some difficulty. His hands were unsteady. "She was thinking of people she knew outside Florida, people who were kind, and she wasn't really close to anyone outside your jazz quartet. She thought of Jack."

"Jack's kind."

"He is. Inept, but kind. It wasn't such a bad choice."

"So she arrives in South Carolina with a baby. Then what?"

"I drove her to Virginia," Deval said. "I know it's crazy, but I was already half in love with her that first night and I liked her kid, and I thought, you know, why not? She couldn't stay in the dorm. There was something about her. I wanted out of the music school anyway, I was young and stupid and thought I was too good to be there. I wanted an adventure, and if you're in a position to help someone, shouldn't you? She had a tattoo of a bass clef on her shoulder and I took it as a sign. I had ideas about what I wanted my life to be. Living with a woman and a child, I liked that, there was something settled about the arrangement. We were together for three years."

"And what brings you to Sebastian?"

"Someone came to my mother's house and took a picture of the kid." Deval leaned forward, his elbows on his knees, and slowly lowered his face into his hands.

"Your mother? Gloria Jones, that woman she was staying with a few months back?"

"Gloria. Yes."

"A picture. That's what started this whole thing?" He felt ill. The picture of Chloe was stuck to his fridge with a magnet.

"You can't imagine how terrified Anna was. She calls me sobbing in New York, tells me Paul's found her. It all just happened so quickly after that. I came down to Florida, plans were made. " He sat up, his eyes unfocused. "How far would you go for someone you love?"

"Is that a serious question?"

"Yes."

"I don't know," Gavin said. "Far." Who did he love? Eilo. Maybe Karen, he realized, even now. It seemed paltry, loving only two people in the entire teeming world, but he knew some people had far less.

"Exactly. You never know how far you'll go till you're faced with it."

"How far.?" But he didn't want to know.

"I owed her," Deval said. "I lived off her money for years. She

funded the first album I recorded with Morelli." He turned suddenly to Gavin. "I don't want to do the wrong thing anymore."

"I don't want to do the wrong thing anymore either," Gavin said, but he didn't think Deval heard him.

"Are you supposed to just go back to your life, after something like this?" Deval didn't seem to expect an answer. He'd looked away again. He was gazing into the air at the center of the room. "That sound ," he said. "It was like he was choking."

"What?"

Deval shook his head and swallowed hard. "I'm sorry," he said. "I came here to apologize. I didn't know who you were when you came lurching into the room at the Draker. I didn't realize how sick you were, I thought you were coming at me, I just panicked and there was a gun in my hand." He was standing. He swiped his hand over his eyes and pulled the blanket from his shoulders, folded it into a neat square without looking at Gavin. "Thanks for letting me in," he said.

"There's one last thing. I have a small favor to ask of you."

"What kind of favor?"

"I just want to talk to Anna," Gavin said. "I just want to know that she's okay. Could you possibly tell me where to find her?"

Deval hesitated a moment, looking at the square of blanket in his hands. "Fine," he said. "I suppose I owe you that. You just want to talk to her?"

"That's all."

There was a pen on the coffee table from when Gavin had been doing the crossword puzzle. Deval wrote an address on the corner of a newspaper page. "She gets in late," he said. "Ten, eleven p.m."

" Thank you." Gavin shook Deval's hand and locked the door behind him, listened to Deval's footsteps receding on the stairs. He turned on all the lights. Sleep was out of the question. He felt watched. There was no sound except the distant hum of traffic through the open window. He closed the window, turned on the air conditioner for background noise and then the television set for company, lay down on the sofa with the blanket over him and tried to think of nothing but the screen.

Twenty-Five

Aday earlier the day of the transaction Sasha started swimming again Shed - фото 23

Aday earlier, the day of the transaction, Sasha started swimming again. She'd rarely taken advantage of the recreation center pool before— it was ten dollars for a pass, and she never felt like swimming at convenient moments— but on the way home from the diner that morning she saw sun glinting off the vaulted recreation center roof ahead and she was struck by an unexpected wistfulness. She hadn't swum seriously since high school, and only occasionally afterward.

When she arrived home the thought of swimming hadn't yet left her. She knew she should be sleeping but the transaction was so close now and her thoughts were racing. She went through all her drawers and found her swimsuit under the t-shirts, threw it into a shopping bag with a towel and went back out. At the recreation center she paid the fee— the attendant glanced at her waitressing uniform but said nothing— and changed quickly in the damp of the locker room. It was seven thirty in the morning, the pool deserted but for two men swimming laps. Sasha dove in and the water closed over her. She swam two laps, which was all she could manage after so long without exercise, drove home with wet hair in the sunlight and fell into a blessedly dreamless sleep.

W h e n s h e woke in the late afternoon she lay still on the bed for a while, feeling curiously light. A faint scent of chlorine rose from her skin in the shower. Tonight was the transaction, tomorrow Anna and Chloe could come back and the house wouldn't seem like a tomb above her, tomorrow the debt would be paid. She drove to the diner and clocked in early, and a few hours passed in a haze of plates and bright lighting. Bianca touched her shoulder near midnight.

"Someone here to see you," she said. "A kid."

Sasha looked past her and saw the girl waiting by the hostess stand. The girl was looking down at her shoes, tugging at a too-tight sleeve of her frilly dress. Beyond the girl she saw Anna, just for a moment, watching her from the other side of the glass door to the parking lot. Anna turned away into the darkness.

"She's my cousin," Sasha said. A part of her wanted to run after Anna. She hadn't seen her in so long.

"Bit late for a kid that age to be out, isn't it?"

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