Emily St. John Mandel - The Lola Quartet

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The Lola Quartet: краткое содержание, описание и аннотация

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Gavin Sasaki is a promising young journalist in New York City, until he’s fired in disgrace following a series of unforgivable lapses in his work. It’s early 2009, and the world has gone dark very quickly; the economic collapse has turned an era that magazine headlines once heralded as the second gilded age into something that more closely resembles the Great Depression. The last thing Gavin wants to do is return to his hometown of Sebastian, Florida, but he’s drifting toward bankruptcy and is in no position to refuse when he’s offered a job by his sister, Eilo, a real estate broker who deals in foreclosed homes.
Eilo recently paid a visit to a home that had a ten-year-old child in it, a child who looks very much like Gavin and who has the same last name as Gavin’s high school girlfriend Anna, whom Gavin last saw a decade ago. Gavin — a former jazz musician, a reluctant broker of foreclosed properties, obsessed with film noir and private detectives — begins his own private investigation in an effort to track down Anna and their apparent daughter who have been on the run all these years from a drug dealer from whom Anna stole $121,000.
In her most ambitious novel yet, Emily Mandel combines her most fully realized characters with perhaps her most fully developed story that examines the difficulty of being the person you'd like to be, loss, the way a small and innocent action (e.g., taking a picture of a girl in a foreclosed house) can have disastrous consequences. The Lola Quartet is a work that pays homage to literary noir, is concerned with jazz, Django Reinhardt, economic collapse, love, Florida’s exotic wildlife problem, crushing tropical heat, the leavening of the contemporary world, compulsive gambling, and the unreliability of memory.
This is literary fiction with a strong detective story element.

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"Not Deval. Anna."

"Can you please just tell me what happened to her after high school? I know you know, and I'm so goddamned tired of asking." Gavin closed his eyes. "I am so dizzy," he said, to no one in particular.

"You lost a lot of blood," Daniel said. He was quiet for a few minutes, and Gavin had almost slipped back into sleep before he spoke again. "How did you know he was in the Draker Motel?"

"I used to be a reporter," Gavin said. "I can follow a story. Do I have to ask the question again?"

Daniel sighed. "Look, she was pregnant," he said. "Sixteen years old."

"Yes, I figured that part out already. She was pregnant and sixteen, and then what?"

"This isn't something I'm proud of. You do stupid things in high school. I made a mistake. But listen, she was pregnant, and she told me the kid was mine."

Gavin opened his eyes. Daniel's face was dim, hard to make out in the swarm of stars. "So what did you do?" he asked.

"I drove her to Utah. We were going to live with my aunt until we could get our own place."

"Why would she go with you? What did you offer her?"

"What do you think I offered her? A getaway car," Daniel said. "If you'd had a car and a place to take her, she'd have said the kid was yours."

"I didn't think she was. " He couldn't focus his thoughts. "I thought she was different than that."

"She was desperate. People are capable of anything when they're desperate. Look, I don't flatter myself. She wasn't in love with me. But you must have known what her family was like. I offered her a lifeline and she took it."

"She never wanted a lifeline," Gavin said. "I was always offering—"

"No, you were always threatening," Daniel said. "You were always threatening to call the authorities, every time she showed up at school with a bruise. That was your idea of helping her? Calling Family Services? They knew all about that household. She spent a year in foster care when she was a little kid. They were at that house all the time."

"She never told me that."

"They could easily have taken her child away from her. She was afraid of being separated from the baby."

"But she always said she didn't want any help." The whole thing was too much for him. The room was tilting, so he closed his eyes again. His throat was dry.

"If someone's drowning in front of you and they say they don't want to be saved, do you take them at their word or do you pull them out of the water? The way you stood by and did nothing."

"I didn't know—"

"You weren't paying attention."

"I need some water," Gavin whispered. "My throat. "

There was a plastic cup of water by the bed. Daniel lifted the cup and guided the straw to Gavin's lips. The water was warm.

"You took her to Utah," Gavin said. "What happened then?"

"The baby wasn't mine. We broke up. She left. She got in some trouble, ended up with Liam Deval."

"Why do I get the impression you're leaving out details?"

"Gavin, does it matter? This was all a decade ago."

"Everything matters, Daniel. Didn't you used to say that in high school?"

"I don't remember saying that."

"If you'll just tell me how to find Anna, I'll stay out of your way. I'll even forget who shot me. I don't know what you and Deval are doing, or why you're helping him. I actually don't even really care, so long as no one shoots me again and Anna and Chloe are safe."

Gavin heard footsteps in the corridor, Eilo's voice. He registered dimly that she'd been here earlier.

"Hello," she said from the doorway. Gavin smiled as best he could. Daniel turned to look at her, and Gavin saw that she didn't recognize him.

"I'll just be another minute, ma'am," Daniel said. He leaned over the bed. "Do I have your word?"

"Yes."

"Go to the Starlight Diner on Route 77," he said softly. "Her sister works the night shift. Maybe she'll tell you where to find her."

"I don't want to talk to Sasha. I want to talk to Anna."

"She switched motels last night. Sasha's the only one who knows where she is."

"Was she there when I was shot? In the room, with Deval?"

"No." Daniel was looking at the floor. "I'm sorry about what happened," he said. "All of it." He stood then and turned away from the bed.

.

On h i s first day home from the hospital Gavin lay on the sofa in Eilo's living room looking up at the underside of the freeway across the yard. The bullet had struck the bone between his elbow and his shoulder. His arm was fractured. He would have extravagant scars. A little higher and he would have been crippled. "There's not a surgeon alive who can repair a shattered shoulder socket," a doctor at the hospital had told him. "You're a lucky man." He knew he was lucky but every movement was painful. Eilo came in sometimes to see how he was. He heard the sounds of distant telephones from the office, the soft percussion of Eilo's fists against the heavy bag.

After two or three hours on the sofa he forced himself to sit up, and in the swampy shadows under the freeway he thought he saw something move. A quick inhuman movement, a lizard perhaps. He was thinking of Nile monitors, of anacondas, of the extremities of nature, William Chandler in the swamps. This place is slipping away from us, Chandler had said. These new animals. This sure as hell isn't the Florida I grew up in.

"I don't understand what happened," Eilo had said. Speaking cautiously, the way she almost always spoke to him now. The bullet had pushed him into a different world, one she didn't inhabit, and he could see her calculations every time she looked at him: if he had been shot he must be involved in something. If he was involved in something, perhaps it would follow him here. She had taken to double-checking that the doors were locked.

"It was a mistake," he'd told her. "Someone thought I was someone else and shot me by accident. I just got the wrong room."

"But why were you there?"

"I thought a friend from New York was staying at the motel. Did

you see the police report?" But he saw the doubt in her eyes and he knew she was thinking about the New York Star. Liar. Liar. "Tell me about my medical expenses," he said.

"Don't worry about that," she said. "I've made some money."

"Eilo, you can't. "

"I've always tried to take care of you." Eilo was quiet for a moment, sitting on the edge of the sofa. "Why were you at the motel?"

"I was looking for her."

"For Anna?"

"Anna and the little girl."

"Did you find them?"

"No," Gavin said.

"And it was a coincidence that you were shot?"

"It had nothing to do with anything. I just got the wrong room."

She left him alone then, and a few minutes later he heard the muted sounds of her fists hitting the heavy bag.

He w o k e on Eilo's sofa at two in the morning. The freeway was a blaze of light high over the lawn. He lay for a while in the half-light, got up with difficulty and went to the bathroom to splash cold water on his face. He hadn't shaved in a few days but he thought he didn't look too bad, except for the pallor and the dark circles under his eyes, and anyway the thought of shaving was exhausting. His car was at his apartment, he realized, and it occurred to him that he wouldn't want to drive it with one hand anyway. He called a taxi company and went outside to wait on the front lawn. At this hour the neighborhood was silent and the taxi almost silent too, the only car on the street when it came for him. The letters on the side door read Greenlight Taxi Co. The car was the color of a lime.

"Do you know the Starlight Diner?" Gavin asked. " Route 77?"

"Sure," the driver said. "Good pancakes there."

The Starlight Diner was some distance from Eilo's house, not far from Gavin's apartment. There are certain restaurants meant to be viewed at night and the Starlight was among them. A gleaming chrome-and-red-Naugahyde interior visible from the parking lot, a neon sign shining over a bank of flowers near the front door. It was close to three a.m. when the taxi dropped him off. He opened the door of the diner awkwardly— the sling made everything difficult— and glanced around, but he didn't see anyone who looked like Sasha. Daniel had said she worked the night shift, but perhaps there was more than one night shift, or more than one Starlight Diner on Route 77, or it was her night off.

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