Emily St. John Mandel - The Lola Quartet

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The Lola Quartet: краткое содержание, описание и аннотация

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Gavin Sasaki is a promising young journalist in New York City, until he’s fired in disgrace following a series of unforgivable lapses in his work. It’s early 2009, and the world has gone dark very quickly; the economic collapse has turned an era that magazine headlines once heralded as the second gilded age into something that more closely resembles the Great Depression. The last thing Gavin wants to do is return to his hometown of Sebastian, Florida, but he’s drifting toward bankruptcy and is in no position to refuse when he’s offered a job by his sister, Eilo, a real estate broker who deals in foreclosed homes.
Eilo recently paid a visit to a home that had a ten-year-old child in it, a child who looks very much like Gavin and who has the same last name as Gavin’s high school girlfriend Anna, whom Gavin last saw a decade ago. Gavin — a former jazz musician, a reluctant broker of foreclosed properties, obsessed with film noir and private detectives — begins his own private investigation in an effort to track down Anna and their apparent daughter who have been on the run all these years from a drug dealer from whom Anna stole $121,000.
In her most ambitious novel yet, Emily Mandel combines her most fully realized characters with perhaps her most fully developed story that examines the difficulty of being the person you'd like to be, loss, the way a small and innocent action (e.g., taking a picture of a girl in a foreclosed house) can have disastrous consequences. The Lola Quartet is a work that pays homage to literary noir, is concerned with jazz, Django Reinhardt, economic collapse, love, Florida’s exotic wildlife problem, crushing tropical heat, the leavening of the contemporary world, compulsive gambling, and the unreliability of memory.
This is literary fiction with a strong detective story element.

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"Daniel, she's not some figment—"

"You know, there's something my dad used to say to me, Gavin. He said, 'You start telling lies, son, no one ever believes you after that. It's like diving into a lake, and your clothes are never dry again.' So you're telling me this story about a phantom kid, but the thing is, Gavin, your clothes are all wet." He opened the door to the room. Gavin was at a loss for words, a little shaky, still trying to reconcile this man with the scrawny kid who'd played bass beside him in high school, trying to understand. "You've already done a swan dive, as far as I'm concerned."

H e c r o s s e d out the question mark after Sasha buying baby clothes at the mall in his notebook, and set the stolen glass dog on the windowsill. It was the only adornment in the square white room. He liked the way the light struck it. Under The Lola Quartet he wrote the names of the members besides him— Daniel Smith (bass), Sasha Lyon (drums), Jack Baranovsky (piano/saxophone)— considered a moment, and went to the kitchen to search for a phone book.

There were ten Baranovskys in the city of Sebastian and none of them were Jack, but he remembered Jack's childhood address and found it in the directory, the third Baranovsky from the top. He called Jack's mother. Jack still lived in Sebastian, she told him. She gave him an address on Mortimer Street.

"Perhaps it'll be good for him to see you," she said.

It took him some time to find Jack's house. It was in one of the oldest parts of the suburbs, a run-down district near Sebastian's empty downtown core. The streets here were set in a grid, small houses crowded together behind unmown lawns. The end-of-afternoon light cast the street in a beautiful glow but the disintegration was obvious. There were rooftops with tarps over them, camping trailers parked in driveways with children sitting on their steps. Gavin slowed the car, counting off numbers.

The house at 1196 Mortimer was set back from the street on a weed-choked lot, the front lawn half— taken over by exuberant palm fronds. There were broken bottles in the weeds by the driveway. The cement steps and the walkway were cracked. He rang the doorbell and waited for what seemed like a long time. The neighborhood was quiet. He heard cicadas and crickets and frogs, distant voices, a car. The smell of a barbecue in someone's yard. There was a flutter of movement in a curtained window across the street.

The girl who opened the door was young, perhaps thirteen years old. There was something unkempt about her, neglected, glassy eyes and unbrushed hair. She needed a bath. She was very pretty, but she had the look of a girl for whom beauty had been a mixed blessing.

"Hello," he said. "Is Jack Baranovsky here?"

It seemed to take a moment for the question to travel through the air between them. When it reached her she blinked and nodded slowly.

"Can I come in? He's a friend of mine."

The delay was shorter this time. "Okay," she said. She stepped aside, and when he walked in he almost gagged. The smell of the house was mold, mostly, but also someone had spilled beer on a carpet. The air was still and hot.

"Do you know where Jack is?"

"There," she said. She made a vague motion toward the back of the house.

The room he found at the end of the hallway was a kitchen, but it also seemed to be serving as a living room and a library. An overstuffed sofa took up half the room, books stacked precariously on the grimy linoleum all around it. The countertop by the stove was a mess of takeout containers, flies moving lazily above them. But here at least was a little more air, a sliding glass door open to an overgrown backyard.

The man reading on the sofa looked up, and for a moment Gavin didn't recognize him. He was unshaven and his eyes were red. He badly needed a haircut. His clothes hung off him, and Gavin understood why his mother had sounded so sad on the phone.

"Jack."

"Hello," Jack said. He put his book down. There was no recognition in his eyes, but the sight of a man he didn't recognize in his kitchen didn't seem to trouble him.

" Gavin Sasaki. High school. The Lola Quartet."

"Oh, wow. Gavin." His face lit up like a child's. "Hey, sit down. I don't get that many visitors. It's so nice of you to come."

"Hey, of course." There was a shifting movement of cockroaches along the edges of the room. "I'm back in Florida for a while, thought I'd look you up. How've you been?"

"Oh, I'm good ," Jack said. He was beaming. "I'm good, you know, just staying with a friend for a while."

"So you don't live here?"

Jack gestured through the sliding glass door, and for the first time Gavin noticed the tent out back. It was on a raised cement platform under an orange tree.

"Nah, it's my friend Laila's house. I'm just camping here for a while," Jack said. "I always really liked camping, you know?"

"I didn't know that. Jack, who's that girl who answered the door?"

"Oh, that's Grace," Jack said. "She's Laila's little sister or her stepsister or something. I think she's just here for the summer." He blinked very slowly. "How are you doing? You doing okay?"

"No," Gavin said. "Not really." The Jack he remembered, the Jack who'd leaned on the band-room door frame and flirted with every girl passing by in the hallway, seemed very far from here.

"Well, I'm sorry to hear that." Jack really did sound sorry. "Things get bad sometimes."

"Are all these books yours?"

"All of them," Jack said. Gavin knelt to examine the stacks. Mostly jazz history, a few musicians' memoirs, a lot of Whitney Balliett. American Singers, New York Jazz Notes, Django Reinhardt: A Life in Music.

"It's a good collection." Jack was beaming when Gavin looked up. "Do you still have that synesthesia thing you used to talk about in high school? You still see music?"

" Still the brightest thing in the room," Jack said.

"I always wished I could see it too." Gavin stood, but standing over Jack was a little awkward, so he sat on an arm of the sofa. "Jack, can I ask you something?"

"Sure, sure. Ask me about anything except college. I don't like talking about college very much."

"Do you remember that night when we played the concert behind the school?"

Jack blinked, concentrating. "Why? What concert?"

"I was just thinking about it the other day. It was the last performance we did. We played 'Bei Mir Bist Du Schön' twice and Taylor was singing."

" 'Bei Mir Bist Du Schön.' " Jack sounded doubtful. "I think I remember that one."

"We used to win competitions with that song," Gavin said. "But this concert, we were playing on the back of Taylor's dad's pickup truck. We drove it onto school grounds and parked behind the gym, used it as a stage."

"But how would we all fit in the bed of a pickup truck? Me, you, Sasha, Daniel, the double bass, the drum kit?"

Gavin was silent. He couldn't remember how they'd all fit. It seemed improbable in retrospect.

"I mean, the drums alone," Jack said. "Drum kits are kind of big."

"Okay, so maybe it wasn't in the back of a pickup truck," Gavin said, "maybe I'm remembering wrong, but it was definitely behind the school in the unbelievable heat. And then Anna came up to the edge of where the swing kids were dancing and threw a paper airplane, and—"

"A paper airplane?"

"My point is, Anna came to the concert that night," Gavin said. "You remember her? My high school girlfriend?"

"Sure. Short blond hair, real pretty."

"Well, she was pretty, but her hair was long and dark. That was the last time I saw her. Do you know what happened to her? Back then, or after high school?"

Jack shrugged and looked away. His smile was gone. He was fum bling in his pocket. "Hey," he said, "you don't mind, do you? I've got this back problem." He held up an unlabeled bottle of pills.

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