David Wallace - Brief Interviews with Hideous Men

Plus when he got something that was new or if he cleaned out the machine shed or the cellar oftentimes Daddy would find he had a item he didn’t want anymore and had to get shed of and as it was a long haul to truck it to the dump or the Goodwill in town he’d just call up and put a notice in the Trading Post paper in town to give it away for nothing. Shit like a couch or a freezer or a old tiller. The notice would say Free come and get it. Yet even so it always took some time after it run before one soul even called up and the item would sit around in Daddy’s drive pissing him off until one or two folks in town would finally come out to his place to look at it. And they’d be skittery about it too and their face all closed up like at cards and they’d walk around the thing and poke it with their toe and go Where’d you all get it at what’s the matter with it how come you want shed of it so bad. They’d shake their head and talk to their Mrs. and dither around and about drive Daddy nuts because all he wanted was to give a old tiller away for nothing and get it out of the drive and here it was taking him all this time jickjacking around with these folks to get them to take it. Then so what he up and starts doing one time he wanted to get shed of something is he puts his notice in the Trading Post paper and he puts in some fool price he just makes up there on the phone with the Trading Post fellow. Some fool price next to nothing. Old Harrow With Some Teeth A Little Rusted $5, JCPenny Sleepersofa Green And Yellow $10 and like that. Then oftentimes folks called up the first day the Trading Post run the notice and up and come out from town and even would haul in from further out in some little other towns that got the Trading Post and pull up spraying gravel and scarce even look at the item and press on Daddy to take the 5 or $10 right away before any other folks could take it and if it was something heavy like that one couch I’d help them load it up and they’d up and haul it off right then and there. Their faces was different and their wife’s faces in the truck, fine and showing teeth and him with a arm around the Mrs. and a wave at Daddy as they back out. Tickled to death to get a old harrow for next to nothing. I asked Daddy about what lesson to draw here and he said he figured it’s you don’t try and teach a pig to sing and told me to go on and rake the drive’s gravel back out of the ditch before it fucked up the drain.

Her brassiere’s snaps are in the front. His own forehead snaps clear. He thinks to kneel. But he knows what she might think if he kneels. What cleared his forehead’s lines was a type of revelation. Her breasts have come free. He imagines his wife and son. Her breasts are unconfined now. The bed’s comforter has a tulle hem, like a ballerina’s little hem. This is the younger sister of his wife’s college roommate. Everyone else has gone to the mall, some to shop, some to see a movie at the mall’s multiplex. The sister with breasts by the bed has a level gaze and a slight smile, slight and smoky, media-taught. She sees his color heighten and forehead go smooth in a kind of revelation — why she’d begged off the mall, the meaning of certain comments, looks, distended moments over the week-end he’d thought were his vanity, imagination. We see these things a dozen times a day in entertainment but imagine we ourselves, our own imaginations, are mad. A different man might have said what he’d seen was her hand moved to her bra and freed her breasts. His legs might slightly tremble when she asks what he thinks. Her expression is from Page 18 of the Victoria’s Secret catalogue. She is, he thinks, the sort of woman who’d keep her heels on if he asked her to. Even if she’d never kept heels on before she’d give him a knowing, smoky smile, Page 18. In quick profile as she turns to close the door her breast is a half-globe at the bottom, a ski-jump curve above. The languid half-turn and push of the door are tumid with some kind of significance; he realizes she’s replaying a scene from some movie she loves. In his imagination’s tableau his wife’s hand is on his small son’s shoulder in an almost fatherly way.

It’s not even that he decides to kneel — he simply finds he feels weight against his knees. His position might make her think he wants her underwear off. His face is at the height of her underwear as she walks toward him. He can feel the weave of his slacks’ fabric, the texture of the carpet below that, over that, against his knees. Her expression is a combination of seductive and aroused, with an overlay of slight amusement meant to convey sophistication, the loss of all illusions long ago. It’s the sort of expression that looks devastating in a photograph but becomes awkward when it’s maintained over real time. When he clasps his hands in front of his chest it’s now clear he is kneeling to pray. There can now be no mistaking what he’s doing. His color is very high. Her breasts stop their slight tremble and sway when she stops. She’s now on the same side of the bed but not yet right up against him. His gaze at the room’s ceiling is supplicatory. His lips are soundlessly moving. She stands confused. Her awareness of her own nudity becomes a different kind of awareness. She’s not sure how to stand or look while he’s gazing so intently upward. His eyes are not closed. Her sister and her husband and kids and the man’s wife and tiny son have taken the man’s Voyager minivan to the mall. She crosses her arms and looks briefly behind her: the door, her blouse and brassiere, the wife’s antique dresser stippled with sunlight through the window’s leaves. She could try, for just a moment, to imagine what is happening in his head. A bathroom scale barely peeking out from below the foot of the bed, beneath the gauzy hem of the comforter. Even for an instant, to try putting herself in his place.

The question she asks makes his forehead pucker as he winces. She has crossed her arms. It’s a three-word question.

‘It’s not what you think,’ he says. His eyes never leave the middle distance between the ceiling and themselves. She’s now aware of just how she’s standing, how silly it might look through a window. It’s not excitement that’s hardened her nipples. Her own forehead forms a puzzled line.

He says, ‘It’s not what you think I’m afraid of.’

And what if she joined him on the floor, just like this, clasped in supplication: just this way.

Here is a weird one for you. It was a couple of years ago, and I was 19, and getting ready to move out of my folks’ house, and get out on my own, and one day as I was getting ready, I suddenly get this memory of my father waggling his dick in my face one time when I was a little kid. The memory comes up out of nowhere, but it is so detailed and solid-seeming, I know it is totally true. I suddenly know it really happened, and was not a dream, even though it had the same kind of bizarre weirdness to it dreams have. Here is the sudden memory. I was around 8 or 9, and I was down in the rec room by myself, after school, watching TV. My father came down and came into the rec room, and was standing in front of me, like between me and the TV, not saying anything, and I didn’t say anything. And, without saying anything, he took his dick out, and started kind of waggling it in my face. I remember nobody else was home. I think it was winter, because I remember it was cold down in the rec room, and I had Mom’s TV afghan wrapped around me. Part of the total weirdness of the incident of my father waggling his dick at me down there was that, the whole time, he did not say anything (I would have remembered it if he said anything), and there was nothing in the memory about what his face looked like, like what his expression looked like. I do not remember if he even looked at me. All I remember was the dick. The dick, like, claimed all of my attention. He was just sort of waggling it in my face, without saying anything or making any type of comment, shaking it kind of like you do in the can, like when you are shaking off, but, also, there was something threatening and a little bully-seeming about the way he did it, I remember, too, like the dick was a fist he was putting in my face and daring me to say anything, and I remember I was wrapped up in the afghan, and could not get up or move out of the way of the dick, and all I remembered doing was sort of moving my head all over the place, trying to get it out of my face (the dick). It was one of those totally bizarre incidents which are so weird, it seems like it is not happening even while it is happening. The only time I even had glimpsed my father’s dick before was in locker rooms. I remember my head kind of moving around all over the place, on my neck, and the dick kind of following me all over the place, and having totally bizarre thoughts going through my head while he did it, like, ‘I am moving my head just like a snake,’ etc. He did not have a boner. I remember the dick was a little bit darker than the rest of him, and big, with a big ugly vein down one side of it. The little hole-thing at the end looked slitty and pissed off, and it opened and closed a little as my father waggled the dick, keeping the dick threateningly in my face no matter where I moved my head around to. That is the memory. After I had it (the memory), I went around my folks’ house in a haze, in, like, a daze, totally freaked out, not telling anybody about it, and not asking anything. I know that was the only time my father ever did anything like that. This was when I was packing, and going around to stores getting old boxes to move with. Sometimes, I walked around my folks’ house in shock, feeling totally weird. I kept thinking about the sudden memory. I went into my folks’ room, and down to the rec room. The rec room had a new entertainment system, instead of the old TV, but my Mom’s TV afghan was still there, spread over the back of the couch when not in use. It was still the same afghan as in the memory. I kept trying to think about why my father would do something like that, and what he could have been thinking of, like, what it could have meant, and trying to remember if there had been any kind of look or emotion, during it, on his face.