David Wallace - The Pale King - An Unfinished Novel

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The agents at the IRS Regional Examination Center in Peoria, Illinois, appear ordinary enough to newly arrived trainee David Foster Wallace. But as he immerses himself in a routine so tedious and repetitive that new employees receive boredom-survival training, he learns of the extraordinary variety of personalities drawn to this strange calling. And he has arrived at a moment when forces within the IRS are plotting to eliminate even what little humanity and dignity the work still has.
The Pale King

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‘I have an unusually high tolerance for pain.’

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‘Well, my dad used to like to mow the lawn in little patches and strips. He’d do the east corner of the front yard, come in the house for a while, then do the southwest strip of the back lawn and a little square at the south fence, come back in, and like that. He had a lot of little rituals like that, it’s how he was. You know? It took a while to realize he did this with the lawn because he liked the feeling of being done. Of having a job and feeling like he did it and it was done. It’s a solid little feeling, it’s like you’re a machine that knows it’s running well and doing what it was made to do. You know? By dividing the lawn into like seventeen small little sections, which our mom thought was nuts as usual, he could feel the feeling of finishing a job seventeen times instead of just once. Like, “I’m done. I’m done again. Again, hey look, I’m done.”

‘Well, some of the same thing is at work here. In Rotes. I like it. An average 1040 takes around twenty-two minutes to go through and examine and fill out the memo on. Maybe a little longer depending on your criteria, some teams tweak the criteria. You know. But never more than half an hour. Each completed one gives you that solid little feeling.

‘The thing here is that the returns never stop. There’s always a next one to do. You never really finish. But on the other hand, it was the same with the lawn, you know? At least when it rained enough. By the time he got around to the last little section he’d marked off, the first patch would be ready to mow again. He liked a short, groomed-looking lawn. He spent a lot of time out there, come to think of it. A lot of his time.’

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‘It was on either Twilight Zone or Outer Limits— one of those. A claustrophobic guy who gets worse and worse until he’s so claustrophobic that he starts screaming and carrying on, and they trundle him off to a mental asylum, and in the asylum they put him in isolation in a straitjacket in a tiny little room with a drain in the floor, a room the size of a closet, which you can see would be the worst thing possible for a claustrophobic, but they explain to him through a slit in the door that it’s the rules and procedures, that if somebody’s screaming they have to be put in isolation. Hence, the guy’s damned, he’s in there for life — because as long as he’s screaming and trying to beat himself unconscious against the wall of the room, they’re going to keep him in that little room, and as long as he’s in that little room, he’s going to be screaming, because the whole problem is that he’s a claustrophobic. He’s a living example of how there has to be some slack or play in the rules and procedures for certain cases, or else sometimes there’s going to be some ridiculous foul-up and someone’s going to be in a living hell. The episode was even called “Rules and Procedures,” and none of us ever forgot it.’

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‘I don’t believe I have anything to say that isn’t in the code or Manual.’

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‘Mother called it being in a stare. She referred to my father in this, a habit he had in the midst of almost whatever. He was a kindly individual, a bookkeeper for the school district. Being in a stare referred to staring fixedly and without expression at something for extensive periods of time. It can happen when you haven’t had enough sleep, or too much sleep, or if you’ve overeaten, or are distracted, or merely daydreaming. It is not daydreaming, however, because it involves gazing at something. Staring at it. Usually something straight ahead — a shelf on a bookcase, or the centerpiece on the dining room table, or your daughter or child. But in a stare, you are not really looking at this thing you are seeming to stare at, you are not even really noticing it — however, neither are you thinking of something else. You in truth are not doing anything, mentally, but you are doing it fixedly, with what appears to be intent concentration. It is as if one’s concentration becomes stuck the way an auto’s wheels can be stuck in the snow, turning rapidly without going forward, although it looks like intent concentration. And now I too do this. I find myself doing it. It’s not unpleasant, but it is strange. Something goes out of you — you can feel your face merely hanging loose, with no muscles or expression. It frightens my children, I know. As if your face, like your attention, belongs to someone else. Sometimes now in the mirror, in the bathroom, I’ll come to myself and catch myself in a stare, without any recognition. The man has been dead for twelve years now.

‘This is the new challenge of it here. From outside the examiner, there was no guarantee that anyone could distinguish the difference between doing the job well and being in what she called the stare, staring at the returns files but not engaged by them, not truly paying attention. So long as you processed your given number of returns each day for throughput, they could not be sure. Not that I did this, my being in stares occurs after the day here, or before, when preparing. But I know they would worry: Who is the good examiner, and who is fooling them, spending their day in a stare, or thinking of other things. This can happen. But now, this year, they can know, they know who is doing the job. It becomes true later, the difference. Because they now log your eventuated revenue instead of your throughput. This is the change for us. Now it is easier, we are looking for something, what will cause ER, not just how many returns can one put through. This helps us pay attention.’

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‘Our house was outside of the city, off one of the blacktop roads. We had us a big dog that my daddy would keep on a chain in the front yard. A big part German shepherd. I hated the chain but we didn’t have a fence, we were right off the road there. The dog hated that chain. But he had dignity. What he’d do, he’d never go out to the length of the chain. He’d never even get out to where the chain got tight. Even if the mailman pulled up, or a salesman. Out of dignity, this dog pretended like he chose this one area to stay in that just happened to be inside the length of the chain. Nothing outside of that area right there interested him. He just had zero interest. So he never noticed the chain. He didn’t hate it. The chain. He just up and made it not relevant. Maybe he wasn’t pretending — maybe he really up and chose that little circle for his own world. He had a power to him. All of his life on that chain. I loved that damn dog.’

§ 15

An obscure but true piece of paranormal trivia: There is such a thing as a fact psychic. Sometimes in the literature also known as a data mystic, and the syndrome itself as RFI (= Random-Fact Intuition ). These subjects’ sudden flashes of insight or awareness are structurally similar to but usually far more tedious and quotidian than the dramatically relevant foreknowledge we normally conceive as ESP or precognition. This, in turn, is why the phenomenon is so little studied or publicized, and why those possessed of RFI almost universally refer to it as an affliction or disability. In what few reputable studies and monographs exist, examples nevertheless abound; indeed, abundance, together with irrelevance and the interruption of normal thought and attention, composes the essence of the RFI phenomenon. The middle name of the childhood friend of a stranger they pass in a hallway. The fact that someone they sit near in a movie was once sixteen cars behind them on I-5 near McKittrick CA on a warm, rainy October day in 1971. They come out of nowhere, are inconvenient and discomfiting like all psychic irruptions. It’s just that they’re ephemeral, useless, undramatic, distracting. What Cointreau tasted like to someone with a mild head cold on the esplanade of Vienna’s state opera house on 2 October 1874. How many people faced southeast to witness Guy Fawkes’s hanging in 1606. The number of frames in Breathless. That someone named Fangi or Fangio won the 1959 Grand Prix. The percentage of Egyptian deities that have animal faces instead of human faces. The length and average circumference of Defense Secretary Caspar Weinberger’s small intestine. The exact (not estimated) height of Mount Erebus, though not what or where Mount Erebus is.

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