David Wallace - Infinite jest

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Infinite Jest
Infinite Jest
On this outrageous frame hangs an exploration of essential questions about what entertainment is, and why it has come to so dominate our lives; about how our desire for entertainment interacts with our need to connect with other humans; and about what the pleasures we choose say about who we are. Equal parts philosophical quest and screwball comedy, Infinite Jest bends every rule of fiction without sacrificing for a moment its own entertainment value. The huge cast and multilevel narrative serve a story that accelerates to a breathtaking, heartbreaking, unfogettable conclusion. It is an exuberant, uniquely American exploration of the passions that make us human and one of those rare books that renew the very idea of what a novel can do.

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[267] I.e. ace/double fault, rather like the ratio of strikeouts to walks for a pitcher.

[268] It was like Steeply’d never seen so many left-handed people: both Hal Incandenza and the boy in black were left-handed, one of the two little girls four courts down was left-handed, deLint was marking the chart with his left hand. Both A.F.R. turncoat Rémy Marathe and Québecer triple-operative Luria P— — were southpaws, though Steeply realized that this could hardly be called significant.

[269]

Saprogenic Greetings*

WHEN YOU CARE ENOUGH TO LET A PROFESSIONAL SAY IT FOR YOU

*a proud member of the ACME Family of Gags ‘N Notions, Pre-Packaged Emotions, Jokes and Surprises and Wacky Disguises

Ms. Helen Steepley And So On November Y.D.A.U.

… (1) Orin Incandenza and I played, practiced, and generally hung out through most of what seemed at the time to be our formative years. We met because I kept encountering him across the net in the local tennis tournaments we played around metro Boston, Boys’ 10’s. We were the two best 10-year-old males in Boston. We soon became practice partners, our mothers driving us every weekday afternoon to a junior development program at the Auburndale Tennis Club in West Newton. After my own parents were horribly killed on the Jamaica Way commuter road one morning in the freak crash of a radio traffic-report helicopter, I became a sort of hanger-on at the Incandenza house out in Weston. When J.O.I, founded the Academy, I was one of the first matriculants. Orin and I were inseparable until around age 15, when I reached my own zenith in terms of early puberty and athletic promise and began to be able to beat him. He took it hard. We were never inseparable again. We spent quantity time together again briefly for a few months the next year, during a period when we both experimented heavily with recreational substances. We both ended up losing enthusiasm for substances after only a couple years, Orin because he had finally entered puberty and had discovered the weaker sex and found he needed all his faculties and guile, myself because a couple of really negative methoxy-psychedelic experiences left me with certain Disabilities that to this day make normal life an exceptional challenge, and which I tend to blame on having done deadly-serious hallucinogens at a sort of larval psychological stage during which no N. American adolescent should be allowed to do hallucinogens. These Disabilities led to my departure from the Enfield Tennis Academy at 17, prior to graduation, and my withdrawal from competitive junior tennis and contemporary life as we know it. Orin was largely burned out on tennis too by 17, though no one in his right mind could have foreseen a defection to organized U.S. football in his future.

A grunting, crunching ballet of repressed homoeroticism, football, Ms. Steepley, on my view. The exaggerated breadth of the shoulders, the masked eradication of facial personality, the emphasis on contact-vs.-avoidance-of-contact. The gains in terms of penetration and resistance. The tight pants that accentuate the gluteals and hamstrings and what look for all the world like codpieces. The gradual slow shift of venue to “artificial surface,” “artificial turf.” Don’t the pants’ fronts look fitted with codpieces? And have a look at these men whacking each other’s asses after a play. It is like Swinburne sat down on his soul’s darkest night and designed an organized sport. And pay no attention to Orin’s defense of football as a ritualized substitute for armed conflict. Armed conflict is plenty ritualized on its own, and since we have real armed conflict (take a spin through Boston’s Roxbury and Mattapan districts some evening) there is no need or purpose for a substitute. Football is pure homophobically repressed nancy-ism, and do not let O. tell you different.

… (3c) I cannot help you too much with the facts surrounding Dr. Incandenza’s suicide. I know that he erased his own cartography in a grisly way. I was told that in the year leading up to his death Dr. Incandenza was abusing ethyl alcohol on a daily basis and was working on a whole new genre of film-cartridge that Orin at the time claimed was driving Dr. Inc insane.

… (3e) The supposed cause of their separation is that Dr. Incandenza began using her in his work more and more extensively and eventually asked her to perform in the prenominate completely radical new type of filmed entertainment that supposedly was driving him to a breakdown. They supposedly became close, James and Jo-Ellen, though Orin in my judgment is not a reliable source of information about their relationship.

The only other apposite fact I have — and I have this not from Orin but from an innocent female relative of mine who was (briefly) in a position to interface with our punter in an intimate and unguarded way impossible between hetero males — is that some incident occurred in the Incandenzas’ Volvo involving one of the windows and a word — all I am given is that O. reports that in the days prior to Dr. Incandenza’s felo de se, a so-called “word” appeared on a “fogged” “window” of Mrs. Inc’s pale yellow Volvo, and the word cast a conjugal pall in all sorts of directions. This is it.

… (5) The “vailed warning” (typo?) you refer to in my postal response to you is simply that you have to take what Orin says in a fairly high-sodium way. I am not sure I would stand and point at Orin as an example of a classic pathological liar, but you have only to watch him in certain kinds of action to see that there can be such a thing as sincerity with a motive. I have no idea what your relationship with Orin is or what your feelings are — and if Orin wishes it I am afraid I can predict your feelings for him will be strong — so I shall just tell you that for instance at E.T.A. I saw Orin in bars or at post-tournament dances go up to a young lady he would like to pick up and use this fail-safe cross-sectional pick-up Strategy that involved an opening like “Tell me what sort of man you prefer, and then I’ll affect the demeanor of that man.” Which in a way of course is being almost pathologically open and sincere about the whole picking-up enterprise, but also has this quality of Look-At-Me-Being-So-Totally-Open-And-Sincere-I-Rise-Above-The-Whole-Disingenuous-Posing-Process-Of-Attracting-Someone-,-And — I-Transcend-The-Common-Disingenuity-In-A-Bar-Herd-In-A-Particularly-Hip-And-Witty-Self-Aware-Way-,-And-If-You-Will-Let-Me-Pick-You-Up-I-Will-Not-Only-Keep — Being — This — Wittily, — Transcendently — Open — , - But — Will — Bring-You — Into — This — World-Of-Social-Falsehood-Transcendence, which of course he cannot do because the whole openness-demeanor thing is itself a purposive social falsehood; it is a pose of poselessness; Orin Incandenza is the least open man I know. Spend a little time with Orin’s Uncle Charles a.k.a. “Gretel the Cross-Sectioned Dairy Cow” Tavis if you want to see real openness in motion, and you will see that genuine pathological openness is about as seductive as Tourette’s syndrome.

It is not that Orin Incandenza is a liar, but that I think he has come to regard the truth as constructed instead of reported. He came by this idea educationally, is all I will add. He studied for almost eighteen years at the feet of the most consummate mind-fucker I have ever met, and even now he remains so flummoxed he thinks the way to escape that person’s influence is through renunciation and hatred of that person. Defining yourself in opposition to something is still being anaclitic on that thing, isn’t it? I certainly think so. And men who believe they hate what they really fear they need are of limited interest, I find.

… Again I will remind you that Orin and I are on the outs a bit at the moment, so some of my judgments may be temporarily short on charity.

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