David Wallace - Infinite jest

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Infinite Jest
Infinite Jest
On this outrageous frame hangs an exploration of essential questions about what entertainment is, and why it has come to so dominate our lives; about how our desire for entertainment interacts with our need to connect with other humans; and about what the pleasures we choose say about who we are. Equal parts philosophical quest and screwball comedy, Infinite Jest bends every rule of fiction without sacrificing for a moment its own entertainment value. The huge cast and multilevel narrative serve a story that accelerates to a breathtaking, heartbreaking, unfogettable conclusion. It is an exuberant, uniquely American exploration of the passions that make us human and one of those rare books that renew the very idea of what a novel can do.

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‘Look kid, I’m gonna screw and let you settle this bullshit and come back up later,’ comes Francis’s voice, subdued and neutral, signifying nothing, and then the rasp of the chair’s legs and the system of grunts that always accompanies F.F.’s getting up from a chair. His white crew cut rises like a slow moon over the Pakistani’s shoulder, which the M.D.’s only sign of acknowledgment of Francis is to sort of tuck his chin down into his shoulder like a violinist, addressing Gately’s sponsor for the first time:

‘Then perhaps you would please, Mr. Gately Senior, if you please help us help your concerned and brave boy here but a boy I believe whose cavalier attitude underestimates the level of coming discomfort which is sadly unnecessary altogether if he will let us help him, sir,’ the Pakistani sings over his shoulder to Ferocious Francis, as if they were the room’s only adults. He’s assuming Ferocious Francis is Gately’s organic Dad.

Gately knows a Crocodile never bothers to correct anybody’s misimpres-sion. He’s halfway to the door, moving with maddening slow care like always, as if walking on ice, twisted and seeming to limp off both legs and heartbreakingly assless in the baggy seat-shiny wide-waled old man’s corduroys he always wears, the back of his red neck complexly creased as he moves off away, lifting one hand in a gesture of acknowledgment and dismissal of the M.D.’s request:

‘Not my business to say one way or the other. Kid’s gonna do what he decides he needs to do for himself. He’s the one that’s feeling it. He’s the only one can decide.’ He either pauses or slows down even further at the open door, looking back at Gately but not meeting his wide eyes. ‘You keep your pecker up, kid, and I’ll bring some of the son of a bitches by to look in again later.’ He slips in ‘Might want to Ask For Some Help, deciding.’ The last of this comes from the white hall as the Pakistani’s glossy head comes back in close with now a tight strained-patience smile, and Gately can hear him inhaling to get ready to say that of course in Grade-II traumas of this severe type the treatment of preferred indication is the admittedly C–II and highly abusable but unsurpassed for effectiveness and tightly controlled administration of one 50-mg. tab in a diluting saline drip q. 3–4 hours of mep—

Gately’s good left hand skins a knuckle shooting out between the bars of the bedside crib-railing and plunging under the M.D.’s lab-coat and fastening onto the guy’s balls and bearing down. The Pakistani pharmacologist screams like a woman. It isn’t rage or the will to harm so much as just no other ideas for keeping the bastard from offering something Gately knows that he’s powerless at this moment to refuse. The sudden exertion sends a blue-green sheet of pain over Gately that makes his eyes roll up as he bears down on the balls, but not enough to crush. The Pakistani curtsies deeply and bends forward, crumpling around Gately’s hand, showing all 112 teeth as he screams higher and higher until he hits a jagged high note like a big opera lady in a Viking helmet so shattering it makes the crib-railings and windowglass shiver and woke Don Gately up with a start, his left arm through the railing and twisted with the force of his attempt to sit up so that the pain now made him hit almost the same high note as the dream’s foreign M.D. The sky outside the window was gorgeous, Dilaudid-colored; the room was full of serious A.M. light; no sleet on the window. The ceiling throbbed a little but did not breathe. The one visitor-chair was back over by the wall. He looked down. Either the stenographer’s notebook and pen had got knocked off his bed or the dream had made up that part, too. The next bed was still empty and made up tight. It came to him all of a sudden why they called them hospital corners. But the railing Joelle van D. had folded down to sit on the bunk in the fucking Erdedy kid’s sweats was still folded down, and the other railing was still up. So there was some like evidence of the one part, that she’d been really there, showing him the pictures. Gately brought his skinned hand gingerly back inside the railing and felt to make sure there really was a big invasive tube going into his mouth, and there was. He could roll his eyes way up and see his heart monitor going silently nuts. Sweat was coming off every part of him, and for the first time in the Trauma Wing he felt like he needed to take a shit, and he had no idea what arrangements there were for taking a shit but suspected they weren’t going to be appetizing at all. Second. Second. He tried to Abide. No single second was past enduring. The intercom was giving triple dings. There really were sounds of other rooms’ TPs, and of a meal cart being rolled down the hall, and the metally smell of food for the edible patients. He couldn’t see anything like a hat-shadow in the hall, but it could have been all the sunlight.

The dream’s vividness had been either fever or Disease, but either way it had fucking seriously rattled his cage. He heard the singsong voice promising about increasing discomfort. His shoulder beat like a big heart, and the pain was sickeninger than ever. No single second was past standing. Memories of good old Demerol rose up, clamoring to be Entertained. The thing in Boston AA is they try to teach you to accept occasional cravings, the sudden thoughts of the Substance; they tell you that sudden Substance-cravings will rise unbidden in a true addict’s mind like bubbles in a toddler’s bath. It’s a lifelong Disease: you can’t keep the thoughts from popping in there. The thing they try to teach you is just to Let Them Go, the thoughts. Let them come as they will, but do not Entertain them. No need to invite a Substance-thought or — memory in, offer it a tonic and your favorite chair, and chat with it about old times. The thing about Demerol wasn’t just the womb-warm buzz of a serious narcotic. It was more like the, what, the aesthetics of the buzz. Gately’d always found Demerol with a slight Talwin kicker such a smooth and orderly buzz. A somehow deliciously symmetrical buzz: the mind floats easy in the exact center of a brain that floats cushioned in a warm skull that itself sits perfectly centered on a cushion of soft air some neckless distance above the shoulders, and inside all is a somnolent hum. Chest rises and falls on its own, far away. The easy squeak of your head’s blood is like bedsprings in the friendly distance. The sun itself seems to be smiling. And when you nod off, you sleep like a man of wax, and awaken in the same last position you remember falling asleep in.

And pain of all sorts becomes a theory, a news-item in the distant colder climes way below the warm air you hum on, and what you feel is mostly gratitude at your abstract distance from anything that doesn’t sit inside concentric circles and love what’s happening.

Gately takes advantage of the fact that he’s already facing ceilingward to seriously Ask For Help with the obsession. He thinks hard about anything else at all. Heading out w/ old Gary Carty in the pre-dawn reek of low tide off Beverly to bring up lobster traps. The M.P. and the flies. His mother sleeping slack-mouthed on a chintz divan. Cleaning the very grossest corner of the Shattuck Shelter. The billow of the veiled girl’s veil. The traps’ little cages of cross-hatched bars, the lobsters’ eyes’ stalks always poking through the squares so the eyes looked out at open sea. Or the bumper stickers on the M.P.’s old Ford — SEEEEE YAAAAAAAü and DON’T TAILGATE ME OR I’LL FLICK A BOOGER ON YOUR WINDSHIELD! and MIA: Infinite jest - изображение 6 and I HAVEN’T HAD SEX IN SO LONG I FORGET WHO GETS TIED UP! The fish asking about what’s water. The sharp-nosed round-cheeked dead-eyed nurse with a weird Germanish accent that would sell Gately little sampler bottles of Sanofi-Winthrop Demerol syrup, 80 mg./bottle, vilely banana-flavored, then would lie back slack and dead-eyed while Gately X’d her, barely breathing, in an airless Ipswich apartment whose weird brown windowshades filled the place with light the color of weak tea. Named Egede or Egette, she eventually started telling Gately she couldn’t come close to coming unless he burned her with a cigarette, which marked the first time Gately seriously tried to quit smoking.

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