David Wallace - Infinite jest

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Infinite Jest
Infinite Jest
On this outrageous frame hangs an exploration of essential questions about what entertainment is, and why it has come to so dominate our lives; about how our desire for entertainment interacts with our need to connect with other humans; and about what the pleasures we choose say about who we are. Equal parts philosophical quest and screwball comedy, Infinite Jest bends every rule of fiction without sacrificing for a moment its own entertainment value. The huge cast and multilevel narrative serve a story that accelerates to a breathtaking, heartbreaking, unfogettable conclusion. It is an exuberant, uniquely American exploration of the passions that make us human and one of those rare books that renew the very idea of what a novel can do.

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Some of the St. Columbkillers were saying it was the longest single blackout they’d ever heard of. This Wayne fellow’d said he had no idea when, why or how he’d ended up so far up north as metro Boston ten years after his last memory. Most compelling, visually, Wayne had had a deep diagonal furrow in his face, extending from right eyebrow to left lip-corner — Joelle traces the length and angle with a ragged-nailed finger across her veil — splaying his nose and upper lip and rendering him so violently cross-eyed he seemed to address both corners of the front row at the same time. This old Wayne boy’d sketched how the facial dent — what Wayne had called ‘the Flaw,’ pointing at it like people might need help seeing what he was talking about — derived from his very own personal hard-drinking alcoholic & chicken-farmer Daddy, in the grip of the post-binge Horrors and seeing subjective pests in a big way, one day, up and hitting Wayne at age nine smack in the face with a hatchet one time when Wayne couldn’t tell him where a certain Ball jar of distilled spirits had been hidden the day before, against the possibility of the Horrors. It had been just him and his Daddy and his Maw — ‘“that was feeble”‘ — and 7.7 acres of chicken farm, Wayne had said. Wayne said the Flaw had just about healed up fine with fresh air and plenty of exercise when his Daddy, trying one Monday P.M. to get outside a late lunch of mush and syrup, up and clutched his skull, turned red and then blue and then purple, and died. Little Wayne had reportedly wiped the face clean of mush, dragged the dead body under the farmhouse porch, wrapped it in Purina Chicken-Chow sacks, and told his feeble Maw his Daddy had gone off to lay up drunk. The diagonal-dented kid had apparently then gone off to school as usual, done some discreet w.o.m. advertising, and had brought home with him a different set of boys each day for almost a week, charging them a fiveski a head to crawl under the porch and eyeball a bona fried dead man. Late Friday P.M., he recollected, he’d set off with hard currency to the billiard establishment where the niggers [349]that sold distilled Ball jars to his late Daddy was at, getting set to ‘ “lay up drunk as a cock on jimson.” ‘ The next thing this Wayne boy says he knows, he wakes up in the partially disconnected NNE pipe, one millennial decade older and with some ‘ “right nasty” ‘ medical issues the timer’s bell prevents him from sharing in detail.

And this old Wayne boy had up and pointed to Joelle to come speak next. ‘Almost as if he knew. As if he gut-intuited some sort of kinship, affinity of origin.’

Gately grunted softly to himself. He figured guys with ten-year blackouts who live in pipes probably didn’t have to much to go on besides your gut-type intuitions. He knew he needed to be reminded that this strange girl was only about three weeks clean and still leaching Substances out of her tissues and still utterly clueless, but he felt like he resented it whenever he got reminded. Joelle had the big flat book in her lap and was looking down at her thumb and flexing it, watching it flex. What was disconcerting was that when her head was down the veil hung loose at the same vertical angle as when her head was up, only now it was perfectly smooth and untextured, a smooth white screen with nothing behind it. A loudspeaker down the hall gave those xylophone dings that meant God knows what all the time.

When Joelle’s head came back up, the reassuring little hills and valleys of veiled features reappeared behind the screen. ‘I’m going to have to take off here in a second,’ she said. ‘I could come on back after, if you want. I can bring anything you think you’d like.’

Gately hiked an eyebrow at her, to get her to smile.

‘Hopefully since your fever went down they said they’ll decide you’re out of the woods and take that out, finally,’ Joelle said, looking at Gately’s mouth. ‘It’s got to hurt, and Pat said you’ll feel better when you can start quote sharing what you’re feeling.’

Gately hiked both eyebrows.

‘And you can tell me what you’d like brought. Who you’d want to have come. Whom.’

Moving his left arm north along his chest and throat to get the left hand up to feel at his mouth made the whole right side sing with pain. A skin-warmed plastic tube led in from the right side and was taped to his right cheek and went into his mouth and went down his throat past where his fingers could feel at the back of his mouth. He hadn’t been able to feel it in his mouth or going down the back of his throat to he didn’t want to know where, or even the tape on his cheek. He’d had like this like tube in his throat the whole time and hadn’t even known it. It had been in there so long by the time he came up for air he’d gotten like unconsciously used to it and hadn’t even known it was there. Maybe it was a feeding tube. The tube was probably why he could only mew and grunt. He probably didn’t have permanent voice damage. Thank God. He made his thoughts capitalized and Thanked God several times. He pictured himself at a lavish Commitment podium, like at an AA convention, off-handedly saying something that got an enormous laugh.

Either Joelle had some sort of problem with her thumb or she’d just got really interested in watching the thumb flex and twiddle. She was saying ‘It’s strange, not knowing it’s coming, then standing up there to speak. Folks you don’t know. Things I don’t realize I think til I say them. On the show I was used to knowing quite well what I thought before I spoke. This isn’t like that.’ She seemed to be addressing herself to the thumb. ‘I took a page from your manual and shared my complaint about the “But For the Grace of God,” and you were right, they just laughed. But I also … I hadn’t realized til I found myself telling them that I’d stopped seeing the “One Day at a Time” and “Keep It in the Day” as trite cliches. Patronizing.’ Gately noticed she still talks about Recovery-issues in a stiff proper intellectualish way she doesn’t talk about other stuff with. Her way of still keeping it all at arm’s length a little. A mental thumb to pretend to look at while she talks. It was all right; Gately’s own way of keeping it at arm’s length at the start had involved an actual arm. He pictured her laughing as he tells her that, the veil billowing mightily in and out. He smiled around the tube, which Joelle saw as encouragement. She said ‘And why Pat in counselling keeps telling me just to build a wall around each individual 24-hour period and not look over or back. And not to count days. Even when you get a chip for 14 days or 30 days, not to add them up. In counselling I’d just smile and nod. Being polite. But standing up there last night, I didn’t even share it aloud, but I realized suddenly that this was why I’d never been able to stay off the stuff for more than a couple weeks. I’d always break down, go back. Freebase.’ She looks up at him. ‘I ‘based, you know. You knew that. You all see the Intake forms.’

Gately smiles.

She said ‘This was why I couldn’t get off and stay off. Just as the cliche warns. I literally wasn’t keeping it in the day. I was adding the clean days up in my head.’ She cocked her head at him. ‘Did you ever hear of this fellow Evel Knievel? This motorcycle-jumper?’

Gately nods slightly, being careful of a tube he now feels. This is why his throat had had that raped feeling in it. The tube. He actually has an old cutout action picture of the historical Evel Knievel, from an old Life magazine, in a white leather Elvisish suit, in the air, aloft, haloed in spotlights, upright on a bike, a row of well-waxed trucks below.

‘At St. Collie only the Crocodiles’d heard of him. My own Daddy’d followed him, cut out pictures, as a boy.’ Gately can tell she’s smiling under there. ‘But what I used to do, I’d throw away the pipe and shake my fist at the sky and say As God is my fucking witness NEVER AGAIN, as of this minute right here I QUIT FOR ALL TIME.’ She also has this habit of absently patting the top of her head when she talks, where little barrettes and spongy clamps hold the veil in place. ‘And I’d bunker up all white-knuckled and stay straight. And count the days. I was proud of each day I stayed off. Each day seemed evidence of something, and I counted them. I’d add them up. Line them up end to end. You know?’ Gately knows very well but doesn’t nod, lets her do this on just her own steam. She says ‘And soon it would get… improbable. As if each day was a car Knievel had to clear. One car, two cars. By the time I’d get up to say like maybe about 14 cars, it would begin to seem like this staggering number. Jumping over 14 cars. And the rest of the year, looking ahead, hundreds and hundreds of cars, me in the air trying to clear them.’ She left her head alone and cocked it. ‘Who could do it? How did I ever think anyone could do it that way?’

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