David Wallace - Infinite jest

People in the competitive jr. tennis community somehow regarded it as healthy that Mario Incandenza’s perfectly even smile never faltered even through tears at Clipperton’s funeral. The funeral was poorly attended. It turned out Eric Clipperton had hailed from Crawfordsville, Indiana, where his Ma was a late-stage Valium addict and his ex-soybean-farmer Pa, blinded in the infamous hailstorms of B.S. ‘94, now spent all day every day playing with one of those little wooden paddles with a red rubber ball attached by elastic string, paddle-ball, with an understandable lack of success; and the tranquilized and sightless Clippertons had had no clue about where Eric had even disappeared off to most weekends, and bought his explanation that all the tall trophies came from an after-school job as a freelance tennis-trophy designer, the parents apparently being not exactly the two brightest bulbs in the great U.S. parental light-show. They held the interment under a threat of rain in Veedersburg IN, where there’s a budget cemetery, and Himself skipped Indianapolis and took Mario to the first of his life’s two funerals so far; and it was probably moving that Incandenza acceded to Mario’s request that nothing get filmed or documented, at the funeral, for Himself’s jr.-tennis documentary. Mario probably told Lyle all about everything, back down in the weight room, but he sure never told Hal or the Moms; and Himself was already in and out of rehabs and hardly a credible source on much of anything by this point. But Incandenza did let Mario insist that no one else get to clean up the scene in Subdorm C after Enfield’s Finest had come and peered around and drawn a chalk ectoplasm around Clipperton’s sprawled form and written things down in little spiral notebooks which they kept checking against one another with maddening care, and then EMTs had zipped Clipperton up in a huge rubber bag and taken him down and out on a wheeled stretcher with retractable legs they had to retract on all the stairs. Lyle was long gone by this time. It took the bradykinetic Mario all night and two bottles of Ajax Plus to clean the room with his tiny contractured arms and square feet; the 18’s girls in the rooms on either side could hear him falling around in there and picking himself up, again and again; and the finally spotless room in question had been locked ever since, with its tasteless sign — except G. Schtitt holds a special key, and when an E.T.A. jr. whinges too loudly about some tennis-connected vicissitude or hardship or something, he’s invited to go chill for a bit in the Clip-perton Suite, to maybe meditate on some of the other ways to succeed besides votaried self-transcendence and gut-sucking-in and hard daily slogging toward a distant goal you can then maybe, if you get there, live with.

It was Ennet House’s Assistant Director Annie P. who coined the phrase that Don Gately ‘sunlights on the side.’ Five A.M.S a week, whether he’s just getting off all-night Staff duty or not, he has to be on the Inbound Green Line by 0430h. to then catch two more trains to his other job at the Shat-tuck Shelter For Homeless Males down in bombed-out Jamaica Plain. Gately has become, in sobriety, a janitor. He mops down broad cot-strewn floors with anti-fungal delousing solvents. Likewise the walls. He scrubs toilets. The relative cleanliness of the Shattuck’s toilets might seem surprising until you head into the shower area, with your equipment and face-mask. Half the guys in the Shattuck are always incontinent. There’s human waste in the showers on a daily fucking basis. Stavros lets him attach an industrial hose to a nozzle and spray the worst of the shit away from a distance before Gately has to go in there with his mop and brushes and solvents, and his mask.

Cleaning the Shattuck only takes three hours, since he and his partner got the routine down tight. Gately’s partner is also the guy that owns the company that contracts with the Commonwealth for the Shattuck’s maintenance, a guy like forty or fifty, Stavros Lobokulas, a troubling guy with a long cigarette-filter and an enormous collection of women’s-shoes catalogues he keeps piled behind the seats in the cab of his 4x4.

So at like 0800 usually they’re done and by vendor’s contract still get to bill for eight hours (Stavros L. only pays Gately for three, but it’s sub-table), and Gately heads back to Government Center to take the westbound Greenie back up Commonwealth to Ennet House to put on his black eye-patch mask thing and sleep till!2OOh. and the afternoon shift. Stavros L. himself gets a couple hours off to footwear-browse (Gately very much needs to assume that’s all he does with the catalogues, is browse), then has to head over to Pine Street Inn, the biggest and foulest homeless shelter in all of Boston, where Stavros and two other broke and desperate yutzes from another of the halfway houses Stavros cruises for cheap labor will spend four hours cleaning and then bill the state for six.

The inmates at the Shattuck suffer from every kind of physical and psychological and addictive and spiritual difficulty you could ever think of, specializing in ones that are repulsive. There are colostomy bags and projectile vomiting and cirrhotic discharges and missing limbs and misshapen heads and incontinence and Kaposi’s Sarcoma and suppurating sores and all different levels of enfeeblement and impulse-control-deficit and damage. Schizophrenia is like the norm. Guys in D.T.s treat the heaters like TVs and leave broad spatter-paintings of coffee over the walls of the barrackses. There are industrial buckets for A.M. puking that they seem to treat like golfers treat the pin on like a golf course, aiming in its vague direction from a distance. There’s one sort of blocked off and more hidden corner, over near the bank of little lockers for valuables, that’s always got sperm moving slowly down the walls. And way too much sperm for just one or two guys, either. The whole place smells like death no matter what the fuck you do. Gately gets to the shelter at 0459.9h. and just shuts his head off as if his head has a kind of control switch. He screens input with a fucking vengeance the whole time. The barrackses’s cots reek of urine and have insect-activity observable. The state employees who supervise the shelter at night are dead-eyed and watch soft-core tapes behind the desk and are all around Gately’s size and build, and he’s been approached to maybe work there himself, nights, supervising, more than once, and has said Thanks Anyway, and always screws right out of there at O8Olh. and rides the Greenie back up the hill with his Gratitude-battery totally recharged.

Janitoring the Shattuck for Stavros Lobokulas was the menial job Gately had landed with only three days to go on his month’s deadline to find some honest job, as a resident, and he’s kept it ever since.

The males in the Shattuck are supposed to be up and out by O5OOh. regardless of weather or D.T.s, to let Gately and Stavros L. clean. But some never screw out of there on time — and these’re always the worst guys, the ones you don’t want anyplace near you, these ones that won’t leave. They’ll clump behind Gately and watch him jet feces off the shower-tiling, treating it like a sport and yelling encouragement and advice. They’ll cringe and ass-kiss when the supervisor heaves himself on by to tell them to get out and then when he leaves not get out. A couple have those little shaved patches on their arms. They’ll lie in the cots and hallucinate and thrash and scream in the cots and knock army blankets off onto the floors Gately’s trying to mop. They’ll skulk back over to the little dark spermy corner the minute Gately’s got done scrubbing the night’s sperm off and has backed away and started again to inhale.

Maybe the worst is that there’s almost always one or two guys in the Shattuck who Gately knows personally, from his days of addiction and B&E, from before he got to the no-choice point and surrendered his will to staying straight at any cost. These guys are always 25–30 and look 45–60 and are a better ad for sobriety at any cost than any ad agency could come up with. Gately’ll slip them a finski or a pack of Kools and maybe sometimes try and talk a little AA to them, if they seem like maybe they’re ready to give up. With everybody else in the Shattuck Gately adopts this expression where he lets them know he’s ignoring them totally as long as they keep their distance, but it’s a look that says Street and Jail and not to fuck with him. If they get in his way, Gately will stare hard at a point just behind their heads until they move off. The protective face-mask helps.