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Kamila Shamsie: A God in Every Stone

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Kamila Shamsie A God in Every Stone

A God in Every Stone: краткое содержание, описание и аннотация

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July 1914. Young Englishwoman Vivian Rose Spencer is running up a mountainside in an ancient land, surrounded by figs and cypresses. Soon she will discover the Temple of Zeus, the call of adventure, and the ecstasy of love. Thousands of miles away a twenty-year old Pathan, Qayyum Gul, is learning about brotherhood and loyalty in the British Indian army. July, 1915. Qayyum Gul is returning home after losing an eye at Ypres, his allegiances in tatters. Viv is following the mysterious trail of her beloved. They meet on a train to Peshawar, unaware that a connection is about to be forged between their lives — one that will reveal itself fifteen years later, on the Street of Storytellers, when a brutal fight for freedom, an ancient artefact and a mysterious green-eyed woman will bring them together again. A powerful story of friendship, injustice, love and betrayal, A GOD IN EVERY STONE carries you across the globe, into the heart of empires fallen and conquered, reminding us that we all have our place in the chaos of history and that so much of what is lost will not be forgotten.

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— Are there really ants which dig out gold from the sand?

— Oh yes! If you weren’t going to kill me I’d show you.

She is startled by the sound of her own laughter. He stands and holds his hand out to her. The Circlet may be lost but they are not so very old yet — and the world is still full of discoveries.

Written by Najeeb Gul, Archaeologist for V.R. Spencer, Archaeologist (Qayyum wants me to add, ‘and campaigner for the freedom from Empire for the peoples of India and Britain’.)

14 August 1947, Caspatyrus, Pakistan.

End Note

The explanation from Olaf Caroe, then secretary to the Chief Commissioner, of what happened to the bodies on the night of 23 April 1930, is as follows:

I received a note on 23rd April evening from Sir Norman Bolton asking me to do what I could to arrange for the burial of as many of the casualties as possible during the night, in order to avoid the danger of a fresh riot occurring over the funeral procession. I spoke to R.S. Mehr Chand Khanna and asked him to bring me some of the leading Khilafists at the Municipal Library. He brought M. Abdurrab Nishtar; M. Ataullah Jan, Municipal Commissioner; M. Aurangzeb Khan, Vakil; Qazi Mohd Aslam, Vakil.

I informed these persons what was required and asked for their co-operation as peace-loving citizens and good Muslims. They agreed to do what they could and asked me to arrange for lorries, saying they would persuade the relatives to agree. I arranged for lorries through Shahji — one of C.C.’s orderlies — who is I believe a Peshawari and a Syed. During the night in this way we sent away seven or eight bodies in lorries. Some of them had no relatives and arrangements were made to pay for a mullah and to carry through the obsequies with all regard to religious rites. The next day Qazi Mohd Aslam came to see me and said that he was making himself unpopular by assisting in the matter. He gave me to understand that he could do no more. I fancy that the association of these four men with the action taken will put an end to any attempt to make capital of the incident. (‘Public and Judicial Department. Civil Disobedience Campaign in NWFP. Response to Patel allegations’. British Library reference number L/PJ/6/2007)

Several eye-witnesses, interviewed in preparation for the Indian National Congress’ ‘Report of the Peshawar Disturbance Inquiry Committee 1930’ describe seeing bodies packed into lorries while the troops fired on roofs and balconies in an attempt to keep witnesses away. The Congress’ list of the dead numbered a hundred and twenty-five, including forty-three missing. The official British inquiry conducted by Justices Sulaiman and Panckridge placed the number killed at thirty.

Acknowledgements

Syeda Meher Taban from the University of Mardan was an excellent guide through old Peshawar; Nidaullah Sehrai at the Peshawar Museum was generous in answering my questions; thanks also to Salman Rahim for making the trip to Peshawar possible. Sana Haroon gave me the run of her library and filled in many blanks in my knowledge. Qayyum Gul would not have entered my imagination if not for Mukulika Banerjee’s The Pathan Unarmed ; J. Kasmin’s collection of artefacts — particularly the Achaemenid lion — brought me closer to Viv. I was extremely fortunate to be able to ask both Tom Holland and Madeleine Miller for Greek translations. (Najeeb didn’t have Tom’s translation of Herodotus at hand, so the version he reads is G. C. Macauley’s translation.) David J. Gill responded to questions from a stranger and was good enough to direct me to his Sifting the Soil of Greece so I might better understand the world of archaeologists before and during the war. Many other reference sources have been of great value, particularly Indian Voices In the Great War (selected by David Omissi), photograph and records of colonial Peshawar from the British Library, and Peshawar: Historic City of the Frontier by Dr Ahmed Hasan Dani. Beatrice Monti provided, yet again, a writing refuge at Santa Maddalena and also gave me the blue of the Mediterranean. Gillian Stern’s editorial acumen was invaluable. Thanks also to John Freeman, Ellah Allfrey and Yuka Igarashi for editorial work on the section of this novel that appeared in Granta 123: Best of Young British Novelists . Thank you to all at A. M. Heath and Bloomsbury — as well as the sub-agents, publishers, translators who help give my novels a place in the world. Finally, my deepest gratitude to my Dream Team of Frances Coady, Victoria Hobbs and Alexandra Pringle.

A Note on the Author

Kamila Shamsie is the author of five novels: In the City by the Sea; Kartography; Salt and Saffron; Broken Verses; and Burnt Shadows ,which was shortlisted for the Orange Prize for Fiction and has been translated into more than twenty languages. Three of her novels have received awards from Pakistan’s Academy of Letters. She is a Fellow of the Royal Society of Literature and in 2013 was named a Granta Best of Young British Novelist. Kamila Shamsie grew up in Karachi and now lives in London.

@kamilashamsie

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