Charles Baxter - Gryphon - New and Selected Stories

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Ever since the publication of
in 1984, Charles Baxter has slowly gained a reputation as one of America’s finest short-story writers. Each subsequent collection—
and
—was further confirmation of his mastery: his gift for capturing the immediate moment, for revealing the unexpected in the ordinary, for showing how the smallest shock can pierce the heart of an intimacy.
brings together the best of Baxter’s previous collections with seven new stories, giving us the most complete portrait of his achievement.
Baxter once described himself as “a Midwestern writer in a postmodern age”: at home in a terrain best known for its blandness, one that does not give up its secrets easily, whose residents don’t always talk about what’s on their mind, and where something out of the quotidian — some stress, the appearance of a stranger, or a knock on the window — may be all that’s needed to force what lies underneath to the surface and to disclose a surprising impulse, frustration, or desire. Whether friends or strangers, the characters in Baxter’s stories share a desire — sometimes muted and sometimes fierce — to break through the fragile glass of convention. In the title story, a substitute teacher walks into a new classroom, draws an outsized tree on the blackboard on a whim, and rewards her students by reading their fortunes using a Tarot deck. In each of the stories we see the delicate tension between what we want to believe and what we need to believe.
By turns compassionate, gently humorous, and haunting,
proves William Maxwell’s assertion that “nobody can touch Charles Baxter in the field that he has carved out for himself.”

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картинка 28

Luis was back on duty. Anders told him what had happened.

“Ah,” Luis said. “She is disappeared.”

“Yes. Do you think I should call the police?”

“No,” Luis said. “I do not think so. They have too many disappeared already.”

“Too many disappeared?”

“Yes. All over this city. Many many disappeared. For how many times do you take this lady out?”

“Once. No, twice.”

“And this time is the time she leave you?”

Anders nodded.

“I have done that,” Luis said. “When I get sick of a woman, I, too, have disappeared. Maybe,” he said suddenly, “she will reappear. Sometimes they do.”

“I don’t think she will.” He sat down on the sidewalk in front of the hotel and cupped his chin in his hands.

“No, no,” Luis said. “You cannot do that in front of the hotel. This looks very bad. Please stand up.” He felt Luis reaching around his shoulders and pulling him to his feet. “What you are acting is impossible after one night,” Luis said. “Be like everyone else. Have another night.” He took off his doorman’s cap and combed his hair with precision. “Many men and women also disappear from each other. It is one thing to do. You had a good time?”

Anders nodded.

“Have another good time,” Luis suggested, “with someone else. Beer, pizza, go to bed. Women who have not disappeared will talk to you, I am sure.”

“I think I’ll call the police,” Anders said.

“Myself, no, I would not do that.”

He dialed a number he found in the telephone book for a local precinct station. As soon as the station officer understood what Anders was saying to him, he became angry, said it wasn’t a police matter, and hung up on him. Anders sat for a moment in the phone booth, then looked up the Church of the Millennium in the directory. He wrote down its address. Someone there would know about her, and explain.

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The cab let him out in front. It was like no other church he had ever seen before. Even the smallest places of worship in his own country had vaulted roofs, steeples, and stained glass. This building seemed to be someone’s remodeled house. On either side of it, two lots down, were two skeletal homes, one of which had been burned and which now stood with charcoal windows and a charcoal portal where the front door had once been. The other house was boarded up; in the evening wind, sheets of newspaper were stuck to its south wall. Across the street was an almost deserted playground. The saddles had been removed from the swing set, and the chains hung down from the upper bar and moved slightly in the wind. Four men stood together under a basketball hoop, talking. One of the men bounced a basketball occasionally.

A signboard had been planted into the ground in front of the church, but so many letters had been removed from it that Anders couldn’t make out what it was supposed to say.

On the steps leading up to the front door he turned around and saw to the - фото 30

On the steps leading up to the front door, he turned around and saw, to the south, the lights of the office buildings of downtown Detroit suspended like enlarged stars in the darkness. After hearing what he thought was some sound in the bushes, he opened the front doors of the church and went inside.

Over a bare wood floor, folding chairs were lined up in five straight rows, facing toward a front chest intended as an altar, and everywhere there was a smell of incense, of ashy pine. Above the chest, and nailed to the far wall where a crucifix might be located in a Protestant church, was a polished brass circle with a nimbus of rays projecting out from its top. The rays were extended along the wall for a distance of about four feet. One spotlight from a corner behind him lit up the brass circle, which in the gloom looked like either a deity-sun or some kind of explosion. The bare walls had been painted with flames: buildings of the city, some he had already seen, painted in flames, the earth in flames. There was an open Bible on the chest, and on one of the folding chairs a deck of playing cards. Otherwise, the room was completely empty. Glancing at a side door, he decided that he had never seen a church so small, or one that filled him with a greater sense of desolation. Behind him, near the door, was a bench. He had the feeling that the bench was filled with the disappeared. He sat down on it, and as he looked at the folding chairs it occurred to him that the disappeared were in fact here now, in front of him, sitting or standing or kneeling.

He composed himself and went back out onto the street, thinking that perhaps a cab would go by, but he saw neither cabs nor cars, not even pedestrians. After deciding that he had better begin walking toward the downtown area, he made his way down two blocks, past a boarded-up grocery store and a vacated apartment building, when he heard what he thought was the sound of footsteps behind him.

He felt the blow at the back of his head; it came to him not as a sensation of pain but as an instant crashing explosion of light in his brain, a bursting circle with a shooting aura irradiating from it. As he turned to fall, he felt hands touching his chest and his trousers; they moved with speed and almost with tenderness, until they found what they were looking for and took it away from him.

He lay on the sidewalk in a state somewhere between consciousness and unconsciousness, hearing the wind through the trees overhead and feeling some blood trickling out of the back of his scalp, until he felt the hands again, perhaps the same hands, lifting him up, putting him into something, taking him somewhere. Inside the darkness he now inhabited, he found that at some level he could still think: Someone hit me and I’ve been robbed. At another, later point, he understood that he could open his eyes; he had that kind of permission. He was sitting in a wheelchair in what was clearly a hospital emergency room. It felt as though someone were pushing him toward a planetary corridor. They asked him questions, which he answered in Swedish. “ Det gör ont, ” he said, puzzled that they didn’t understand him. “ Var är jag? ” he asked. They didn’t know. English was what they wanted. He tried to give them some.

They X-rayed him and examined his cut; he would need four stitches, they said. He found that he could walk. They told him he was lucky, that he had not been badly hurt. A doctor, and then a nurse, and then another nurse told him that he might have been killed — shot or knifed — and that victims of this type, strangers who wandered into the wrong parts of the city, were not unknown. He mentioned the disappeared. They were polite, but said that there was no such phrase in English. When he mentioned the name of his hotel, they said, once again, that he was lucky: it was only a few blocks away, walking distance. They smiled. You’re a lucky man, they said, grinning oddly. They knew something but weren’t saying it.

As the smaller debris of consciousness returned to him, he found himself sitting in a brightly lit room, like a waiting room, near the entryway for emergency medicine. From where he sat, he could see, through his fluent tidal headache, the patients arriving, directed to the Triage Desk, where their conditions were judged.

They brought in a man on a gurney, who was hoarsely shouting. They rushed him through. He was bleeding, and they were holding him down as his feet kicked sideways.

They brought in someone else, a girl, who was stumbling, held up on both sides by friends. Anders heard something that sounded like “Odie.” Who was Odie? Her boyfriend? “Odie,” she screamed. “Get me Odie.”

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