Charles Baxter - The Feast of Love

“I dunno,” Chloe said. “A used casket.” She turned to me. “Diana, whattya think?”

“I think it’s all right,” I said. “I don’t think Oscar would’ve minded.”

“I guess not.”

“Good,” Mr. Kleinschmidt said, “that’s settled. Now we need something for the cremains.”

“The cremains?”

“Well, that’s the word we use. You know. The… ashes. The urn.” We followed him to the back of the room, where there was a display of these commodities in an alcove. It looked like a sculpture collection of Bakelite canisters and wooden boxes. One of them was green ceramic of some sort, with a bronze dolphin frolicking on the side.

“Not that one,” Chloé said. “I don’t think Oscar liked dolphins.” She waited. “Well, he never met one.” She pointed. “That one. That’s the one I want.” She had indicated a polished and gleaming mahogany box about a foot and a half in each direction like a knickknack box that happened to be a bit too large for the dresser. “He’d like that one,” she said.

Just about then Chloé’s forehead began to get damp, and she put her hand on my shoulder. Her eyes, which are unusually bright, had gone stoned-or-bored-gauzy. I was about to ask her how she was feeling when her eyes rolled up, and she fainted. I grabbed her around the shoulders in time before she hit the floor.

Kleinschmidt and I managed to haul her upstairs, he carrying her by the shoulders, while I took her legs. It wouldn’t do for Kleinschmidt to carry her alone. We laid Chloé out on the sofa. He pulled out some smelling salts from his desk. “Happens all the time,” he said. “Men and women. You’d be surprised.”

“No, I wouldn’t,” I said.

After she came to, she rubbed at her scalp and said, “Hey.” She tried a smile. “Hello, again. Diana, I was just wondering where Oscar was. I guess I was wondering that when I passed out.”

“He’s dead,” I told her. “Oscar died, Chloé.”

“Oh, yeah, I know that. I meant his body. You know: what’s left of him.”

“Downstairs,” Kleinschmidt said. “In the rear of the building.”

“Can I see it?”

“Why don’t you come back after lunch?” Kleinschmidt suggested. “We’d need some time to get it ready.”

“Okay,” Chloe said. “I could eat about a month of cheeseburgers anyway. Gotta keep my strength up, right?”

I took her to a restaurant where, I’m glad to say, she ate like a horse, shoveling it all down, cheeseburgers, fries, salad, and a chocolate malt. She didn’t even stop to talk. “I’m nauseous in the morning but by lunchtime I’m starving,” she said, munching on a ketchup-covered french fry. I liked almost everything about her, including the way she chewed with her mouth open and how she disapproved of the meager dieter’s salad I had ordered. “You could just go outside and eat grass,” she said, pointing at it. “It’d be cheaper. Maybe more nutritious, too, except for the herbicides.” When we returned to the funeral home, she was ushered toward a viewing room. “Want to come along?” she asked me. I said no.

About twenty minutes later, she came back out and said, “Well, that’s done.”

“How’d he look?” I asked her.

“He didn’t look like himself anymore,” she said, working up to a concentrated scowl. “So what I gotta do is, I gotta remember him, instead.”

AFTER THE VIEWING and the cremation, Chloé and Oscar’s friends had a party-wake for the two of them. There was a controlled tumult of drinking and dancing and stories about Oscar. She took the wooden box containing his ashes along, and put it on a shelf near the stereo system. I asked her about drugs. She told me — I was being the starchy big sister — that, pregnant as she was, she wasn’t drinking or smoking anything at the party. She had made a resolution about that. After all, it was Oscar’s baby too she was carrying, and she didn’t want to fuck it up with anything toxic, she wanted it to come out big and strong. Those were her words. Big and strong.

The next time I went back to Jitters for my morning cup of coffee, the box with Oscar’s ashes in it was sitting on the shelf on the back wall, near the signboard listing the varieties of coffees and drinks. That box looked as if it belonged exactly in that spot. There he was, Oscar, a bit more anonymous now, back at Jitters, following his death leave.

Bradley and I had gone back to being wary friends. Whatever had gotten into us, to think that we would be successful partners? It was an embarrassing interlude, our marriage, of which we were both slightly ashamed. Still, we greeted each other with pleasure, those mornings when I came into his shop for coffee, and he was there, the Toad, behind the counter.

Chloé managed her grieving in an absentminded way, but she managed it all the same. She told me that she knew Oscar was dead, but she didn’t believe it. I didn’t ask her what she meant by that, but I should have.

I DON’T KNOW if David and I will stay together. Our lovemaking is so stormy and theatrical that we keep tearing into each other, and when we do, we tear holes. Sometimes what we do is more like fighting than love. We slam each other around. I think we’re trying to find each other’s souls, knowing they must be in there somewhere, close to our undernourished hearts. You shouldn’t envy us, sexy as we might appear to be. It’s not sustainable. No one could endure it. This intensity can’t continue forever. But it’s the way we are, hard-assed and mean and a bit selfish, and yet the main point to make here is that we’re obsessed with each other and are willing to admit it now, for all the good it does two people like us to be in love, if that’s what it is, which is very little good at all. We probably shouldn’t be in love. Dragons shouldn’t be characters in love stories. We should turn our attention to something else. The orgasms I have with him go up to my shoulders and down my arms and leave me beleaguered for hours afterward. The thing that we create when we’re together is wondrous but certainly not wonderful. I hate the idea of marriage. I hate seeing couples in cars going the other way on the highway. It makes me cringe. I go into rages.

On some days I’d like to be more like Chloé, who has star quality, but I’m not like her, and I won’t be. I’m bad, because I lack usable tenderness and I don’t have a shred of kindness, but I’m not a villain and never have been. That’s what you should remember about me.

BEFORE I MET OSCAR, I was fine. But then I met him, and I knew him, and I loved him, and he died, and after that, in an Oscarless world, I couldn’t go back to the way I was before I knew him, because I wasn’t the same person anymore. He mutated me.

First off, I had to do some serious crying. It got me nowhere, but I did it anyway. It felt like work, like building a fence or doing hard labor. I was okay during the day, most days, but I’d wake up crying and go to sleep crying, first in chairs, then in bed. I’d wake up and the pillow was still wet. In the morning I’d cry into my cereal, my tears dropping into the milk. I’d cry in the shower, and then I’d cry at work during my breaks. At home I watched TV and wept all the way through an infomercial for exercise equipment. So I guess I wasn’t okay during the day after all.

It didn’t help that Oscar showed up in my dreams constantly. Talking and jiving, his cap on backward, wearing his wedding ring, he’d go on and on about bands he liked and games he wanted to see, curious about my news just as if nothing special had happened. I kept telling him to get actual, that he’d died, and he’d say, No no, honey, you got it all wrong. Oh, man, look at my hand. And I’d look at his hand that he held out, and I’d grab it, reaching out in dreamtime, doubting him, and it was there all right, but the touch of it, the tight tough skin exactly Oscar’s, would startle me with terror and love, and I’d wake up by myself in my apartment in the dark like a flashlight you’ve just switched on, with the traffic moving on the street outside the window and the headlights lighting the ceiling, and this big broken hole in me that Oscar had left behind, by dying.