Charles Baxter - The Feast of Love

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The Feast of Love
A Midsummer Night's Dream
In vignettes both comic and sexy, the owner of a coffee shop recalls the day his first wife seemed to achieve a moment of simple perfection, while she remembers the women's softball game during which she was stricken by the beauty of the shortstop. A young couple spends hours at the coffee shop fueling the idea of their fierce love. A professor of philosophy, stopping by for a cup of coffee, makes a valiant attempt to explain what he knows to be the inexplicable workings of the human heart Their voices resonate with each other-disparate people joined by the meanderings of love-and come together in a tapestry that depicts the most irresistible arena of life.

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At one point I looked at the street and saw the Bat just standing and watching, but then he vanished. I should have been concerned, but I wasn’t.

Bradley danced with this black doctor, Dr. Ntegyereize, and she was a much better dancer than he was, but she didn’t seem to care. They looked nice together. You got the feeling that all his life, Bradley had been looking around for an emergency-room physician, and at last he found one, and she was beautiful, besides. People who said that Bradley was unmarketable as a boyfriend and husband would just have to eat their words with a fork and spoon from now on.

He had drawn a picture of Oscar and me riding a dragon, and he put this picture up on the back door into his house, so you’d see it in passing when you went in to the bathroom to do your business.

Late in the afternoon a lot of the guests — our relatives and friends — were getting pretty drunk and/or stoned, but that was okay and totally acceptable behavior at a wedding party. I came out of the house from the bathroom, and I looked at this table, the one Bradley had set for us. The light was shining on it in a certain celestial way, blazing blazing, and for a second the table turned into a bonfire, and so did the food and the wine. The party became, like, incandescent, right in front of my eyes, and I heard voices saying my name, Chloé, like the air was saying it, or God saying it, celebrating me. This table in front of me, the party, was so bright you could be blinded by it. It was just like one of Bradley’s paintings, the one of the table he’d put up in the back of Jitters.

Oscar started dancing with me, whispering love-and-sex stuff in my ear, wrapping himself around me (for a sometimes inarticulate boy, he could sure be eloquent, at least about me, when he whispered to me), and I was afraid I’d take my clothes off there and then, in front of everybody, shameless and crazy with love as I was, giving myself to him body and soul on the lawn, so we excused ourselves from the party and got rice thrown on us and we thanked everyone and we remaindered our sweaty selves into the car (I forgot my shoes in Bradley’s yard), but instead of going to the School of Velocity concert and staying at a motel in East Lansing, we went barefoot back to our little apartment, where we did our lovemaking all night long, my legs wrapped around him oh sweet sweet sweet fucking, like happy birds, which is sort of what you should do anyhow, given the circumstances, newlyweds and everything. We were legal now. We fell asleep at sunrise, birds chirping outside, all our limbs intertwined and confused.

“Sweet dreams, girl,” he said to me.

“Sweet dreams,” I said.

I’D HAD MORE HAPPINESS than most people do in a lifetime, so when Oscar died four months later, I wasn’t ready for it, but I tried to be. I was pregnant by then, and I had memorized every inch of Oscar so I’d never forget any particle of him, inside or out. I didn’t think Mrs. Maggaroulian could be wrong about something that big, and she wasn’t.

ENDS

The Soviets made me change Romeo and Juliet so that it would have a happy ending, a barbarism, because living people can dance, but the dead cannot dance lying down.

— SERGEY PROKOFIEV

TWENTY-TWO

THIS BAREFOOT YOUNGSTER, Chloé, wearing her bridal blue jeans, approached me to make a few inquiries at her wedding party, which happened to be next door at Bradley’s. Why, she asked, did love — by which she appeared to mean sexual love — attract so much, her phrase, weird badness to it? She said that as a philosopher I would know and that she needed to have the answer in a hurry. (I am not a philosopher; I teach philosophy of the antique and outmoded variety, and there is after all a difference between making philosophy and teaching it, a difference of stature and modesty.) Her question was not entirely clear. She stood there beautifully young in the hot sunlight. She referred to “scumbags,” but I grasped her intention. She was holding a beer and grinning quizzically. Her lips were so chapped it must have hurt her to smile.

When I asked about the scumbags, she referred to pornography in a general way and then pointed to a strange little man staring at us from a distance near the street. Who was he? She didn’t say. But he, the strange man, appeared to be the scumbag problem to which she referred.

Oh, I said — I had had some wine myself by that time, my syntax was not of the best — the force of eros, which is godlike and has been known to be such since ancient times and therefore does not have to include morality, being outside of it — think of the Bacchae, the unleashing of this force, the goatish caperings, well, any force as powerful as that is premoral. Eros, I told Chloe, is a devil as well as an angel; the faces are the same but the expressions are dissimilar. Every positive attracts a negative and must contend with it. I mentioned The Marriage of Heaven and Hell, Freud and de Sade, the mingling of the angelic and the demonic, the control of these forces by means of ritual, of which her official marriage was one. I was prepared to speak of Spinoza and Plato, the Symposium and the Phaedrus, but she asked me to dance just as I was about to pontificate.

I taught her to waltz, this young woman in bare feet. Esther danced with the handsome groom, who was similarly unshod, if otherwise decorated with earrings and a necklace of animal teeth. The music was not waltz music, but I hummed it into existence. Her delicate bones under my hand unleashed in me an unexpected surge of protectiveness. She was someone’s daughter. Of her parents, nothing was visible at this party. I took this to mean that at the ceremony itself, her father had not given her away. She had given herself away, courageous girl.

FOLLOWING MY SON Aaron’s last call, I had decided not to interfere again with the misconstrued ironies of his life. I would not bother him with my fatherly intentions. I would not call to ask for his news. What news he had always tended toward the apocalyptic. Let him call me. This was my plan.

I failed to carry it through. Afternoons, I worked in the garden, planting snapdragons and petunias, or weeding, and while I did so, I thought about my son. These thoughts were tormenting, buzzing gnatlike around my head, because they had no content except by way of the images they presented. I added fertilizer to the soil. Aaron on a swing set, Aaron playing touch football, Aaron slouched in a chair reading Churchill’s ghostwritten history of World War Two. I remembered his shy tokens of affection toward his mother and me, pen-and-pencil sets he had bought us, homemade birthday cards, school projects from the elementary grades we had never had the heart to throw out.

I remembered how he got the scar on his forehead and the scar on his knee. I remembered his face as a Bar Mitzvah boy.

I tried to think of my new project, the book about Kierkegaard and his admirer Wittgenstein, but my attention continued to turn in the direction of my son.

At last, giving in to my own myopic affections one Thursday around dinnertime, I called his apartment in Los Angeles. From the phone came the mechanical message that that particular number had been disconnected and was no longer in service. I dialed information and asked for Aaron Ginsberg on Ambrose Street. There was no longer such a person at that address. I obtained the numbers of all the Aaron Ginsbergs without street addresses, the new listings, but none of them were him.

I called the florist in Los Angeles where he had worked intermittently as a delivery person. He had quit, they said. He had moved. To where? He hadn’t told them. He had been soaked into the ethers, and there he was dispersed.

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