Hideo Furukawa - Belka, Why Don't You Bark?

When the heir to the empire comes to Mino, the lives of young Oguna and Toko change forever. Oguna is drafted to become a shadow prince, a double trained to take the place of the hunted royal. But soon Oguna is given the Mirror Sword, and his power to wield it threatens the entire nation. Only Toko can stop him, but to do so she needs to gather four magatama, beads with magical powers that can be strung together to form the Misumaru of Death. Toko’s journey is one of both adventure and self-discovery, and also brings her face to face with the tragic truth behind Oguna’s transformation. A story of two parallel quests, of a pure love tried by the power of fate, the second volume of Tales of the Magatama is as thrilling as Dragon Sword and Wind Child .

SUMMER, FIREWORKS AND MY CORPSE

–OTSUICHI

Two short novels, including the title story and Black Fairy Tale , plus a bonus short story. Summer is a simple story of a nine-year-old girl who dies while on summer vacation. While her youthful killers try to hide her body, she tells us the story—from the point of view of her dead body—of the children’s attempt to get away with murder.

Black Fairy Tale is classic J-horror: a young girl loses an eye in an accident, but receives a transplant. Now she can see again, but what she sees out of her new left eye is the experiences and memories of its previous owner. Its previous deceased owner.

ZOO

–OTSUICHI

A man receives a photo of his girlfriend every day in the mail… so that he can keep track of her body’s decomposition. A deathtrap that takes a week to kill its victims. Haunted parks and airplanes held in the sky by the power of belief. These are just a few of the stories by Otsuichi, Japan’s master of dark fantasy.

ALL YOU NEED IS KILL

–HIROSHI SAKURAZAKA

When the alien Mimics invade, Keiji Kiriya is just one of many recruits shoved into a suit of battle armor called a Jacket and sent out to kill. Keiji dies on the battlefield, only to be reborn each morning to fight and die again and again. On his 158th iteration, he gets a message from a mysterious ally—the female soldier known as the Full Metal Bitch. Is she the key to Keiji’s escape or his final death?

SLUM ONLINE

–HIROSHI SAKURAZAKA

Etsuro Sakagami is a college freshman who feels uncomfortable in reality, but when he logs onto the combat MMO Versus Town , he becomes “Tetsuo,” a karate champ on his way to becoming the most powerful martial artist around. While his relationship with new classmate Fumiko goes nowhere, Etsuro spends his days and nights online in search of the invincible fighter Ganker Jack. Drifting between the virtual and the real, will Etsuro ever be ready to face his most formidable opponent?

BATTLE ROYALE: THE NOVEL

–KOUSHUN TAKAMI

Koushun Takami’s notorious high-octane thriller envisions a nightmare scenario: a class of junior high school students is taken to a deserted island where, as part of a ruthless authoritarian program, they are provided arms and forced to kill until only one survivor is left standing. Criticized as violent exploitation when first published in Japan—where it became a runaway best seller— Battle Royale is a Lord of the Flies for the twenty-first century, a potent allegory of what it means to be young and (barely) alive in a dog-eat-dog world.

MARDOCK SCRAMBLE

–TOW UBUKATA

Why me? It was to be the last thought a young prostitute, Rune-Balot, would ever have… as a human anyway. Taken in by a devious gambler named Shell, she became a slave to his cruel desires and would have been killed by his hand if not for the self-aware Universal Tool (and little yellow mouse) known as Oeufcoque. Now a cyborg, Balot is not only nigh invulnerable, but has the ability to disrupt electrical systems of all sorts. But even these powers may not be enough for Balot to deal with Shell, who offloads his memories to remain above the law, the immense assassin Dimsdale-Boiled, or the neon-noir streets of Mardock City itself.

THE CAGE OF ZEUS

–SAYURI UEDA

The Rounds are humans with the sex organs of both genders. Artificially created to test the limits of the human body in space, they are now a minority, despised and hunted by the terrorist group the Vessel of Life. Aboard Jupiter-I, a space station orbiting the gas giant that shares its name, the Rounds have created their own society with a radically different view of gender and of life itself. Security chief Shirosaki keeps the peace between the Rounds and the typically gendered “Monaurals,” but when a terrorist strike hits the station, the balance of power is at risk… and an entire people is targeted for genocide.

MM9

–HIROSHI YAMAMOTO

Japan is beset by natural disasters all the time: typhoons, earthquakes, and… giant monster attacks. A special anti-monster unit called the Meteorological Agency Monsterological Measures Department (MMD) has been formed to deal with natural disasters of high “monster magnitude.” The work is challenging, the public is hostile, and the monsters are hungry, but the MMD crew has science, teamwork… and a legendary secret weapon on their side. Together, they can save Japan, and the universe!

THE STORY OF IBIS

–HIROSHI YAMAMOTO

In a world where humans are a minority and androids have created their own civilization, a wandering storyteller meets the beautiful android Ibis. She tells him seven stories of human/android interaction in order to reveal the secret behind humanity’s fall. The tales that Ibis tells are science fiction stories about the events surrounding the development of artificial intelligence (AI) in the twentieth and twenty-first centuries. At a glance, these stories do not appear to have any sort of connection, but what is the true meaning behind them? What are Ibis’s real intentions? VISIT US AT WWW.HAIKASORU.COM

Belka, Why Don’t You Bark?

Beruka, hoenainoka? © Hideo Furukawa, 2005

Originally published in Japan by Bungei Shunju in 2005 (hardcover) and 2008 (paperback).

English translation Copyright © Michael Emmerich 2012

All rights reserved.

Cover design by Sam Elzway

This book has been selected by the Japanese Literature Publishing Project (JLPP), an initiative of the Agency for Cultural Affairs of Japan.

No portion of this book may be reproduced or transmitted in any form or by any means without written permission from the copyright holders.

HAIKASORU

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Furukawa, Hideo, 1966–

[Beruka, hoenainoka? English]

Belka, why don’t you bark? / by Hideo Furukawa ; translated by Michael Emmerich.

p. cm.

ISBN 978-1-4215-4937-8

I. Emmerich, Michael. II. Title.

PL870.R85B4713 2012

895.6’36--dc23

2012028981

The rights of the author of the work in this publication to be so identified have been asserted in accordance with the Copyright, Designs and Patents Act 1988. A CIP catalogue record for this book is available from the British Library.

Haikasoru eBook edition

ISBN: 978-1-4215-5089-3