John Powys - After My Fashion

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After My Fashion has an unusual publishing history. Although it was John Cowper Powys third novel written in 1920, it wasn't published until 1980. It seems that when his US publisher turned it down Powys made no effort to place it elsewhere. Indeed, when Powys had finished a book he tended to be oddly indifferent to its fate.
The novel has two other unusual features: its locations (Sussex and Greenwich Village) and Isadora Duncan being the inspiration for Elise, the dancer and mistress of the protagonist, Richard Storm (based quite largely on Powys himself).
As one would expect from Powys the writing is vivid, not least in the descriptions of the Sussex landscape and the bohemian milieu of Greenwich Village.

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‘There’s a much closer link between us than you can understand. But goodbye — I wish you joy of your preciouls possession.’

The dancer’s eyes were blazing with anger now. But Nelly looked straight into her face. ‘It may interest you to know that Richard and I are expecting to have a child. I ought not really to have risked the shock of this interview. You can better understand now, perhaps, how impertinent and ill-bred you seem to me in coming between us just now. You talked of illusion. But it seems to me that the illusion is yours and a crude and vulgar one. It is the illusion of thinking that you could do anything worse to me than destroy my happiness. That you have done by your interference. But your power for evil stops there.’

Having flung this parting shot the young girl turned her back on her enemy and without waiting for the elevator ran down the two flights of stairs and walked out of the building.

She moved now with a very different step from the one with which she had approached the place. Some curious power of battle seemed to possess her, quite different from anything she had felt before. She emerged into the great gaudy avenue with her nerves strung-up and her heart bitter and hard.

There was a child leaning over the stone fountain in front of the Plaza Hotel whose appearance made her, for a moment, recall what she herself had once been; a flicker of faint amusement crossed her face as she thought of those early days and how far she had travelled since then. Had all this happened in Sussex, she thought, would she have had the courage to fight so fiercely for her own hand as she was prepared to do now? Was she too, like the rest, acquiring a new spirit in this New World?

She paused and looked at the watch on her wrist. It was nearly two o’clock. She remembered that her husband’s train left at three. From where did these Atlantic City trains start? The Pennsylvania Station! Yes, that was it. She had seen someone off from that very place only a few weeks ago.

She mounted to the top of one of the green buses, and then left it at Thirty-third Street for a cross-town car.

Walking down the stately arcade of the grandest of all railway stations, she paused at the top of the great flight of granite steps leading into the enormous concourse.

She was impressed, even in the midst of her agitated thoughts, by the superb magnificence of that imperial architecture. The feelings that passed through her must have resembled those of some unhappy Celtic captive, conveyed with her unborn child into the forum of the classical city. In spite of herself she was conscious of a sort of exultation as she looked at these huge columns and embossed roof. Something in the tremendousness of that weight of primitive stone, measured and carved in such grand outlines, lifted her above herself and beyond herself. Here at any rate was a beauty and nobility that had something in common with her Sussex Downs.

What amazing cooperation between brain and hand had been needed to produce a thing like this! She found herself thinking suddenly of an argument in support of Karmakoff’s theories; an argument based on the difference between this building and the vulgar individualistic palaces on the avenue she had just left!

She lifted her head and tried to read the time by the huge clock which hung above her; but she was too close beneath it for the great hands to be intelligible. She felt as if she had indeed reached some fulcral or pivotal point in space where time issued its mandates but was itself obliterated by some formidable super-time.

She looked at her own watch. It was twenty-five minutes past two. The thought struck her, how living and human a thing a timepiece was, whether large or small, and how terribly like little goblins — so nice or so hateful — these ‘ones’ and ‘twos’ and ‘threes’ and all the rest of them were!

Suddenly she remembered she had had no lunch. After hesitating for a moment between the spacious restaurant on one side and the lunch counter on the other, she hurriedly entered the latter place. Seating herself on one of the revolving stools she ordered a cup of coffee and a roll. She was not sufficiently accustomed to this kind of public feeding to be quite at her ease. The long counters were not crowded; but to her English fancy every eye there was regarding her with a questioning stare, and the Negro who waited upon her embarrassed her by his Southern affability.

She kept her eye on the clock while she ate, anxious to make sure she caught her husband before he went past the barrier to his train; and at twenty minutes to three she paid her bill and ran down the granite steps.

It was only when she reached the iron gates marked atlantic city express that she realized how vague her notions were as to what she would do when her husband did appear.

She had come here blindly to see him, just as blindly and instinctively as she had gone to see Elise. In neither case had she formulated any project. In both cases a vague fighting spirit had driven her on.

Would Elise be with him when he came to the train? She had not precisely thought of that , though she had suspected that they were going down there together. But how could the dancer escape from her engagement at the theatre? That , again, was an aspect of the affair that she had not considered.

Without losing sight of the iron barrier, whose gate was already opened now, Nelly ran quickly to a newspaper stand and possessed herself of an Evening Post .

Returning to her place of observation she rapidly turned over the pages of this paper until she came to the theatre announcements.

She had no difficulty in finding the theatre notice she wanted and the first thing that met her eyes was the phrase, ‘Change of Programme‘. The name of Elise Angel was not mentioned at all! Hurriedly she scanned the opera and concert notices. Yes! there it was. Beginning next Saturday at the Morgan Hall,’ a series of Classical Dances by the famous Elise Angel from Paris’. So the woman was just now entirely free, and that was the reason why Richard was hurrying down to Atlantic City!

As the full force of this discovery dawned upon her she realized how far she had been from actually grasping the situation in its true meaning. She had, after all, only half believed it. She had, after all, really expected to find her husband alone here — and either to persuade him not to go, or to go down with him herself.

It was now suddenly borne in upon her that he was actually coming, with Elise, here to this barrier, to go off together to the great pleasure place.

By one of those sudden telepathic flashes of insight which remain at present inexplicable, but to which women are more subject than men, and women in Nelly’s condition most subject of all, she knew in a single moment that her husband and Elise were, at that very second, coming down the arcade.

With an instinct of desperate panic she fled across the aisle of this cathedral of commerce and slipped into the waiting room. Here, pressing her face to the glass, she watched the iron gate she had just quitted, her body cold as ice and her hands trembling.

Yes! There they were. There they came!

She drew back from the window as if she had been shot and, covering her face with her hands, sank into one of the waiting-room seats.

Here she remained absolutely motionless; her body heavy as lead, a curious dull pain in her forehead, and all her pulses numbed.

The last traveller of the three o’clock train hurried through the closing gates. The trainmen on the platform, below the iron stairs, blew their whistles … Richard and Elise, seated opposite one another in a Pullman car, sighed a mutual sigh of miserable tension, half-relief and half-remorse; while the great clock above the steps moved forward its hand, oblivious, indifferent, worked by punctual machinery.

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