John Powys - Wood and Stone

One peculiarity he displayed, filled her with shy dismay. Dangelis had a trick of staring at the people with whom he associated, as if with a kind of quizzical analysis. He threw her into a turmoil of wretched embarrassment by some of his glances. She was troubled and frightened, without being able to get at the secret of her agitation. Sometimes she fancied that he was wondering what he could make of her as a model. The idea that anything of this kind should be expected of her filled her with nervous dread. At other times the wild idea passed through her brain that he was making covert overtures to her, of an amorous character. She thought she intercepted once or twice a look upon his face of the particular kind which always filled her with shrinking apprehension. This illusion — if it were an illusion — was far more alarming than any tendency he might display to pounce on her for aesthetic purposes; for the Pariah’s association with the inhabitants of Nevilton House had not given her a pleasing impression of human amorousness.

Shortly after Dangelis arrival, Mr. Romer found it necessary to visit London again for a few days; and the artist was rather relieved than otherwise by his departure. He felt freer, and more at liberty to express his ideas, when left alone with the three women. For himself, however varied their attitude to him might be, he found them all, in their different ways, full of stimulating interest. With Mrs. Romer he soon became perfectly at home; and discovered a mischievous and profane pleasure in the process of exciting and encouraging all her least lady-like characteristics. He would follow her into the spacious Nevilton kitchens, where the good lady was much more at home than in her stately drawing room; and watch with unconventional interest her rambling domestic colloquies with Mrs. Murphy the housekeeper, Jane the cook, and Lily the house-maid.

The men-servants, of whom Mr. Romer kept two, always avoided, with scrupulous refinement, these unusual gatherings. They discoursed, in the pantry, upon their mistress’ dubious behavior, and came to the conclusion that she was no more of a “real lady” than her visitor from America was a “real gentleman.”

Dangelis made some new and amazing discovery in Susan Romer’s character every day. In all his experiences from San Francisco to New York, and from Paris to Vienna, he had never encountered anything in the least resembling her.

He could never make out how deep her apparent simplicity went, nor how ingrained and innate was her lethargic submission to circumstances. Nothing in the woman shocked him; neither her vulgarity nor her grossness. And as for her sly, sleepy, feline malice, he loved to excite and provoke it, as he would have loved to have excited a slumbering animal in a cage. He delighted in the way she wrinkled up her eyes. He delighted in the way she smacked her lips over her food. He loved watching her settling herself to sleep in her high-backed Sheraton chair in the kitchen, or in her more modern lounge in the great entrance hall. He never grew tired of asking her questions about the various personages of Nevilton, their relation to Mr. Romer, and Mr. Romer’s relation to them. He used to watch her sometimes, as in drowsy sensual enjoyment she would bask in the hot sunshine on the terrace, or drift in her slow stealthy manner about the garden-paths, as if she were a great fascinating tame puma. He made endless sketches of her, in his little note-books, some of them of the most fantastic, and even Rabelaisean character. He had certainly never anticipated just this, when he accepted the shrewd financier’s invitation to his Elizabethan home. And if Susan Romer delighted him, Gladys Romer absolutely bewitched him. He treated her as if she were no grown-up young lady, but a romping and quite unscrupulous child; and the wily Gladys, quickly perceiving how greatly he was pleased by any naive display of youthful malice, or greed, or sensuality, or vanity, took good care to put no rein upon herself in the expression of her primitive emotions.

It was with Lacrima that Ralph Dangelis found himself on ground that was less secure, but in the genial aplomb of his all-embracing good-fellowship, it was only by degrees that he became conscious even of this. He found the place not only extraordinarily harmonious to his general temper, but extremely inspiring to his imaginative work. It only needed the securing of a few mechanical contrivances, a studio, for instance, with a north-light, to have made his sojourn at Nevilton one of the most prolific summers, in regard to his art, that he had experienced since his student days in Rome. He began vaguely to wish in the depths of his mind that it were possible for these good Romers to bestow upon him in perpetuity some pleasant airy chamber in their great house, so that he might not have to lose, for many summers to come, these agreeable and scandalous gossippings with the mother and these still more agreeable flirtations with the delicious daughter. This bold and fantastic idea was less a fabric of airy speculation than might have been supposed; for if the American was enchanted with his entertainers, his entertainers, at any rate the mother and the daughter, were extremely well pleased with him. The free sweep of his capacious sympathy, the absence in him of any punctilious gentility, the large and benignant atmosphere he diffused round him, and the mixture of cynical realism with considerate chivalry, were things so different from anything they had been accustomed to, that they both of them would willingly have offered him a suite of apartments in the house, if he could have accepted such an offer.

Dangelis was particularly lucky in arriving at Nevilton at this especial moment. An abnormally retarded spring had led to the most delicious over-lapping in the varied flora of the place. Though June had begun, there were still many flowers lingering in the shadier spots of the woods and ditches, which properly belonged not only to May, but to very early May. Certain, even, of April’s progeny had not completely faded from the late-flowering lanes.

The artist found himself surrounded by a riotous revel of leafy exuberance. The year’s “primal burst” had occurred, not in reluctant spasmodic fits and starts, as is usual in our intermittent fine weather, but in a grand universal outpouring of the earth’s sap. His imagination answered spontaneously to this appeal, and his note-books were speedily filled with hurried passionate sketches, made at all hours of the long bright days, and full of suggestive charm. One particularly lovely afternoon the American found himself wandering slowly up the hill from the little Nevilton station, after a brief excursion to Yeoborough in search of pigments and canvas. He was hoping to take advantage of this auspicious stirring of his imaginative senses, by entering upon some more important and more continuous work. The Nevilton ladies had assured him that it would be quite impossible to find in the little town the kind of materials he needed; and he was returning in high spirits to assure them that he had completely falsified their prediction. He suspected Gladys of having invented this difficulty with a view to confining his labours to such easily shared sketching-trips as she might accompany him upon, but though the fascination of the romping and toying girl still retained, and had even increased, its power over him; he was, in this case, impelled and driven by a force stronger and more dominant than any sensual attraction. He was in a better mood for painting than he had ever been in his life, and nothing could interfere with his resolution to exploit this mood to its utmost limit. With the most precious of his newly purchased materials under his arm and the more bulky ones promised him that same evening, Dangelis, as he drifted slowly up the sunny road chatting amicably with such rural marketers as overtook him, felt in a peculiarly harmonious temper.