F. Harte - Cressy

"Now hark to me, and don't holler so loud," she said turning his face to her questioning eyes. "What's gone of you anyway, nigger boy?" It should be premised that Cressy's terms of endearment were mainly negro-dialectical, reminiscences of her brief babyhood, her slave-nurse, and the only playmates she had ever known.

Still implacable, the master coldly repeated the counts of his indictment against the girl's strange indifference and still stranger entanglements, winding up by setting forth the whole story of his interview with her mother, his forced defence of the barn, Seth's outspoken accusation, and their silent and furious struggle in the loft. But if he had expected that this daughter of a Southwestern fighter would betray any enthusiasm over her lover's participation in one of their characteristic feuds-if he looked for any fond praise for his own prowess, he was bitterly mistaken. She loosened her arm from his neck of her own accord, unwound the braid, and putting her two little hands clasped between her knees, crossed her small feet before her, and, albeit still in his lap, looked the picture of languid dejection.

"Maw ought to have more sense, and you ought to have lit out of the window after me," she said with a lazy sigh. "Fightin' ain't in your line-it's too much like THEM. That Seth's sure to get even with you."

"I can protect myself," he said haughtily. Nevertheless he had a depressing consciousness that his lithe and graceful burden was somewhat in the way of any heroic expression.

"Seth can lick you out of your boots, chile," she said with naive abstraction. Then, as he struggled to secure an upright position, "Don't git riled, honey. Of course you'd let them kill you before YOU'D give in. But that's their best holt-that's their trade! That's all they can do-don't you see? That's where YOU'RE not like THEM-that's why you're not their low down kind! That's why you're my boy-that's why I love you!"

She had thrown her whole weight again upon his shoulders until she had forced him back to his seat. Then, with her locked hands again around his neck, she looked intently into his face. The varying color dropped from her cheeks, her eyes seemed to grow larger, the same look of rapt absorption and possession that had so transfigured her young face at the ball was fixed upon it now. Her lips parted slightly, she seemed to murmur rather than speak:-

"What are these people to us? What are Seth's jealousies, Uncle Ben's and Masters's foolishness, Paw and Maw's quarr'ls and tantrums to you and me, dear? What is it what THEY think, what they reckon, what they plan out, and what they set themselves against-to us? We love each other, we belong to each other, without their help or their hindrance. From the time we first saw each other it was so, and from that time Paw and Maw, and Seth and Masters, and even YOU and ME, dear, had nothing else to do. That was love as I know it; not Seth's sneaking rages, and Uncle Ben's sneaking fooleries, and Masters's sneaking conceit, but only love. And knowing that, I let Seth rage, and Uncle Ben dawdle, and Masters trifle-and for what? To keep them from me and my boy. They were satisfied, and we were happy."

Vague and unreasoning as he knew her speech to be, the rapt and perfect conviction with which it was uttered staggered him.

"But how is this to end, Cressy?" he said passionately.

The abstracted look passed, and the slight color and delicate mobility of her face returned. "To end, dandy boy?" she repeated lazily. "You didn't think of marrying me-did you?"

He blushed, stammered, and said "Yes," albeit with all his past vacillation and his present distrust of her, transparent on his cheek and audible in his voice.

"No, dear," she said quietly, reaching down, untying her little shoe and shaking the dust and pine needles from its recesses, "no! I don't know enough to be a wife to you, just now, and you know it. And I couldn't keep a house fit for you, and you couldn't afford to keep ME without it. And then it would be all known, and it wouldn't be us two, dear, and our lonely meetings any more. And we couldn't be engaged-that would be too much like me and Seth over again. That's what you mean, dandy boy-for you're only a dandy boy, you know, and they don't get married to backwood Southern girls who haven't a nigger to bless themselves with since the war! No," she continued, lifting her proud little head so promptly after Ford had recovered from his surprise as to make the ruse of emptying her shoe perfectly palpable, "no, that's what we've both allowed, dear, all along. And now, honey, it's near time for me to go. Tell me something good-before I go. Tell me that you love me as you used to-tell me how you felt that night at the ball when you first knew we loved each other. But stop-kiss me first— there, once more-for keeps."

When Uncle Ben, or "Benjamin Daubigny, Esq.," as he was already known in the columns of the "Star," accompanied Miss Cressy McKinstry on her way home after the first display of attention and hospitality since his accession to wealth and position, he remained for some moments in a state of bewildered and smiling idiocy. It was true that their meeting was chance and accidental; it was true that Cressy had accepted his attention with lazy amusement; it was true that she had suddenly and audaciously left him on the borders of the McKinstry woods in a way that might have seemed rude and abrupt to any escort less invincibly good-humored than Uncle Ben, but none of these things marred his fatuous felicity. It is even probable that in his gratuitous belief that his timid attentions had been too marked and impulsive, he attributed Cressy's flight to a maidenly coyness that pleasurably increased his admiration for her and his confidence in himself. In his abstraction of enjoyment and in the gathering darkness he ran against a fir-tree very much as he had done while walking with her, and he confusedly apologized to it as he had to her, and by her own appellation. In this way he eventually overran his trail and found himself unexpectedly and apologetically in the clearing before the school-house.

"Ef this ain't the singlerest thing, miss," he said, and then stopped suddenly. A faint noise in the school-house like the sound of splintered wood attracted his attention. The master was evidently there. If he was alone he would speak to him.

He went to the window, looked in, and in an instant his amiable abstraction left him. He crept softly to the door, tried it, and then putting his powerful shoulder against the panel, forced the lock from its fastenings. He entered the room as Seth Davis, frightened but furious, lifted himself from before the master's desk which he had just broken open. He had barely time to conceal something in his pocket and close the lid again before Uncle Ben approached him.

"What mouut ye be doin' here, Seth Davis?" he asked with the slow deliberation which in that locality meant mischief.

"And what mouut YOU be doin' here, Mister Ben Dabney?" said Seth, resuming his effrontery.

"Well," returned Uncle Ben, planting himself in the aisle before his opponent, "I ain't doin' no sheriff's posse business jest now, but I reckon to keep my hand in far enuff to purtect other folks' property," he added, with a significant glance at the broken lock of the desk.

"Ben Dabney," said Seth in snarling expostulation, "I hain't got no quar'll with ye!"

"Then hand me over whatever you took just now from teacher's desk and we'll talk about that afterwards," said Uncle Ben advancing.

"I tell ye I hain't got no quar'll with ye, Uncle Ben," continued Seth, retreating with a malignant sneer; "and when you talk of protectin' other folks' property, mebbe ye'd better protect YOUR OWN-or what ye'd like to call so-instead of quar'llin' with the man that's helpin' ye. I've got yer the proofs that that sneakin' hound of a Yankee school-master that Cress McKinstry's hell bent on, and that the old man and old woman are just chuckin' into her arms, is a lyin', black-hearted, hypocritical seducer"-