Stig Dagerman - A Burnt Child

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A Burnt Child: краткое содержание, описание и аннотация

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After the international success of his collection of World War II newspaper articles,
—a book that solidified his status as the most promising and exciting writer in Sweden—Stig Dagerman was sent to France with an assignment to produce more in this journalistic style. But he could not write the much-awaited follow-up. Instead, he holed up in a small French village and in the summer of 1948 created what would be his most personal, poignant, and shocking novel:
.
Set in a working-class neighborhood in Stockholm, the story revolves around a young man named Bengt who falls into deep, private turmoil with the unexpected death of his mother. As he struggles to cope with her loss, his despair slowly transforms to rage when he discovers his father had a mistress. But as Bengt swears revenge on behalf of his mother’s memory, he also finds himself drawn into a fevered and conflicted relationship with this woman—a turn that causes him to question his previous faith in morality, virtue, and fidelity.
Written in a taut and beautifully naturalistic tone, Dagerman illuminates the rich atmospheres of Bengt’s life, both internal and eternal: from his heartache and fury to the moody streets of Stockholm and the Hitchcockian shadows of tension and threat in the woods and waters of Sweden’s remote islands.
remains Dagerman’s most widely read novel, both in Sweden and worldwide, and is one of the crowning works of his short but celebrated career.

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Worn out, he stays in the hollow until somebody calls him. They eat dinner on the porch as usual. It is hot and airless, and the drinking water is almost gone. Down at the mainland, vacationers’ boats are flowing toward the city in a steady stream. They are very quiet: Berit, because she doesn’t really understand; the father, because he’s very hungry and because the hard liquor is gone; and Gun, because she is suddenly afraid of Bengt, who is looking at her as if she’s supposed to be afraid. Bengt isn’t saying anything either, even though he knows he should. And whenever he opens his mouth to say what he ought to say, his heart shrinks and he always says something else: “Can I have another beer?” or “Could you pass some more herring?”

However, he is able to look at her without difficulty. And when he realizes he can frighten her with just one glance, he feels proud. But that night as he lies next to the fiancée, he feels disappointed in himself. Disheartened, he is like a cold stone next to her, and despite this, she tries to fondle him. He is disappointed because he didn’t really get revenge. After they had finished eating, they packed up and then something always got in the way. They all went to bed after they packed, everyone except for Gun, who wasn’t fully ready. Through the sliding door, Bengt can hear that his father is sleeping. Gun isn’t asleep yet. She’s busy with their suitcases in the kitchen. Then he mysteriously senses that the right moment has arrived. Entirely clear-headed and with every word burning on the tip of his tongue, he climbs out of bed. At the same time he has an insatiable thirst. So when the fiancée anxiously asks him where he is going, he answers:

To the kitchen for a drink of water. I’m so damn thirsty.

But there must have been something that frightened her, something in his voice or in his face, because then she tries clinging to him with her hands. He impatiently jerks away. When he entered the main room, he closes the sliding door behind him, stands with a pounding heart and burning feet, and looks straight into the kitchen. Aware of what he is going to do, he is not afraid. A sense of freedom warms him, a certainty that what he is about to do is something that needs to be done, if he didn’t choke, and that everything will be much better afterward. Then he thinks he sees shadows on the floor, shadows of wet footprints. It frightens him a little.

He grows even more afraid as he comes silently closer and finds Gun standing with his mother’s dress in her hands, about to pack it up. In the same moment, it occurs to him that he ought to warn her before he comes in. But when he tries to call her name, his mouth is completely empty—empty of words, anyway. Nevertheless, she must have heard him coming because she shoves the dress into the bottom of a suitcase and sharply turns around and faces him. She looks at him and her eyes are very afraid, bright and afraid. Then she says something very strange.

How old are you, Bengt? She whispers without really knowing why.

Only twenty, he mumbles.

Then he notices he said “only.” Suddenly, he presses himself up against her body, as close as he can, throws his arms around her and kisses her.

Afterward, they part, leaving each other without a word. Gun goes out to the porch and stands motionless by the rail for a long time. Bengt dashes down to the sea, where he undresses on a rock and plunges into the water, sinking lower and lower. It’s the terrible ecstasy inside him that weighs him down. When he floats back up to the surface, he climbs back to shore, slings his clothes over his arm, and runs wet and naked into the cottage. He shuts the door and draws the curtain. Berit is leaning out of her bed. She dries the water off him with her hot hands. She can see he is overjoyed.

Why are you so happy? she whispers, herself happy.

Then, while beaming at her, beaming into her eyes with his delight, he says:

Because it feels so good to swim at night.

But he knows better why he’s so happy.

It isn’t because he has finally exacted his sworn revenge.

It’s because he has been freed from a long-standing jealousy.

A Letter to a Girl in Summer

Dear Berit!

Thanks for your lovely letter. I’m glad to hear that you arrived safely and that your father and mother are doing well. It’s also good to know that I’m welcome up to Härjedalen. But, as you know, there’s unfortunately no way I can come. For one thing, I have to spend the summer studying. Yes, I did do very well on the exam in April, but it’s best if I’m not too confident in the future—besides, you’ve said the same thing yourself. There’s also the question of money. As you know, I have no income of my own, and Papa seems to understand as little as ever that I need money, even though I don’t have time to devote myself to a fruitful job. The other day I even had to sell some of my books at a secondhand shop to get money for some basic necessities. It was a little annoying, since the books have been in the bookcase for a long time and he considers everything in there his personal property, although some of them actually are mine. I got them so long ago that he’s forgotten they don’t belong to him. But you don’t have to worry about my giving him any chances to make a scene. He usually doesn’t notice anything you don’t tell him directly. And why should I trouble someone with things they don’t care about, especially when they don’t even notice them?

In your letter you sounded a little worried about how I’d manage being alone when you’re not in town to look after me. My dear, of course, I feel miserable that you’re gone, sadder than you could imagine! After the wonderful thing that happened to us at Midsummer, you know that you mean everything to me. But once you have a person who means everything to you, you’re never alone again, as you can surely understand. I’m actually doing quite well here. And to study better, sometimes I take my bicycle out and go for a swim. I lie by the water and read, since anyone who’s spent a lot of time studying knows that you are most mentally efficient when you’re able to release your physical energy at the same time. This is quite true for every student—which I’m sure you know from your own experience at school. Yet it’s anything but obvious to Papa. One evening, he made quite a scene when he found out I was out swimming all day. He asked me if that was how I’ve been applying myself. I didn’t answer him, of course, but now I simply let him think I stay home every day. As you know, it’s not particularly nice to lie, but unfortunately, sometimes we’re forced to even when we are personally against it. But the whole thing is quite harmless. Because when all is said and done, it doesn’t really matter where he thinks I spend my days. So I don’t feel the least bit guilty.

When you wrote about how I had threatened to commit suicide, you must have misunderstood me somehow. It’s possible that I do get very depressed now and then, which is a very natural response to Mama’s death and to the pain Papa has caused me. But what I mentioned on that last night on the island, that life is only a postponed suicide, or whatever my exact words were, I don’t want you to take it too seriously, as you have obviously done. I didn’t mean to frighten you at all. As far as I recall, my point was only to get you to understand how depressing our stay on the island was for me in spite of everything, especially since I had to feign pleasure and indifference toward all of Papa’s tactlessness the entire time. Otherwise, I still stand by my theory that, strictly speaking, to live means nothing more than to postpone your own suicide day by day. Surely, you have experienced this as well, even if you can’t bring yourself to put it into words, but you know it subconsciously.

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