Ги Мопассан - Complete Original Short Stories of Guy De Maupassant

"Each morning his pocket was empty. He had, then, some general store where his riches were piled up. But where? I could not discover it.

"The general, on being informed of Timbuctoo's mighty act of valor, had the headless bodies that had been left in the neighboring village interred at once, that it might not be discovered that they were decapitated. The Prussians returned thither the following day. The mayor and seven prominent inhabitants were shot on the spot, by way of reprisal, as having denounced the Prussians.

"Winter was here. We were exhausted and desperate. There were skirmishes now every day. The famished men could no longer march. The eight 'Turcos' alone (three had been killed) remained fat and shiny, vigorous and always ready to fight. Timbuctoo was even getting fatter. He said to me one day:

"'You much hungry; me good meat.'

"And he brought me an excellent filet. But of what? We had no more cattle, nor sheep, nor goats, nor donkeys, nor pigs. It was impossible to get a horse. I thought of all this after I had devoured my meat. Then a horrible idea came to me. These negroes were born close to a country where they eat human beings! And each day such a number of soldiers were killed around the town! I questioned Timbuctoo. He would not answer. I did not insist, but from that time on I declined his presents.

"He worshipped me. One night snow took us by surprise at the outposts. We were seated, on the ground. I looked with pity at those poor negroes shivering beneath this white frozen shower. I was very cold and began to cough. At once I felt something fall on me like a large warm quilt. It was Timbuctoo's cape that he had thrown on my shoulders.

"I rose and returned his garment, saying:

"'Keep it, my boy; you need it more than I do.'

"'Non, my lieutenant, for you; me no need. Me hot, hot!'

"And he looked at me entreatingly.

"'Come, obey orders. Keep your cape; I insist,' I replied.

"He then stood up, drew his sword, which he had sharpened to an edge like a scythe, and holding in his other hand the large cape which I had refused, said:

"'If you not keep cape, me cut. No one cape.'

"And he would have done it. So I yielded.

"Eight days later we capitulated. Some of us had been able to escape, the rest were to march out of the town and give themselves up to the conquerors.

"I went towards the exercising ground, where we were all to meet, when I was dumfounded at the sight of a gigantic negro dressed in white duck and wearing a straw hat. It was Timbuctoo. He was beaming and was walking with his hands in his pockets in front of a little shop where two plates and two glasses were displayed.

"'What are you doing?' I said.

"'Me not go. Me good cook; me make food for Colonel Algeria. Me eat Prussians; much steal, much.'

"There were ten degrees of frost. I shivered at sight of this negro in white duck. He took me by the arm and made me go inside. I noticed an immense flag that he was going to place outside his door as soon as we had left, for he had some shame."

I read this sign, traced by the hand of some accomplice

"'ARMY KITCHEN OF M. TIMBUCTOO,

"'Formerly Cook to H. M. the Emperor.

"'A Parisian Artist. Moderate Prices.'

"In spite of the despair that was gnawing at my heart, I could not help laughing, and I left my negro to his new enterprise.

"Was not that better than taking him prisoner?

"You have just seen that he made a success of it, the rascal.

"Bezieres to–day belongs to the Germans. The 'Restaurant Timbuctoo' is the beginning of a retaliation."

The five friends had finished dinner, five men of the world, mature, rich, three married, the two others bachelors. They met like this every month in memory of their youth, and after dinner they chatted until two o'clock in the morning. Having remained intimate friends, and enjoying each other's society, they probably considered these the pleasantest evenings of their lives. They talked on every subject, especially of what interested and amused Parisians. Their conversation was, as in the majority of salons elsewhere, a verbal rehash of what they had read in the morning papers.

One of the most lively of them was Joseph de Bardon, a celibate living the Parisian life in its fullest and most whimsical manner. He was not a debauche nor depraved, but a singular, happy fellow, still young, for he was scarcely forty. A man of the world in its widest and best sense, gifted with a brilliant, but not profound, mind, with much varied knowledge, but no true erudition, ready comprehension without true understanding, he drew from his observations, his adventures, from everything he saw, met with and found, anecdotes at once comical and philosophical, and made humorous remarks that gave him a great reputation for cleverness in society.

He was the after dinner speaker and had his own story each time, upon which they counted, and he talked without having to be coaxed.

As he sat smoking, his elbows on the table, a petit verre half full beside his plate, half torpid in an atmosphere of tobacco blended with steaming coffee, he seemed to be perfectly at home. He said between two whiffs:

"A curious thing happened to me some time ago."

"Tell it to us," they all exclaimed at once.

"With pleasure. You know that I wander about Paris a great deal, like book collectors who ransack book stalls. I just look at the sights, at the people, at all that is passing by and all that is going on.

"Toward the middle of September—it was beautiful weather—I went out one afternoon, not knowing where I was going. One always has a vague wish to call on some pretty woman or other. One chooses among them in one's mental picture gallery, compares them in one's mind, weighs the interest with which they inspire you, their comparative charms and finally decides according to the influence of the day. But when the sun is very bright and the air warm, it takes away from you all desire to make calls.

"The sun was bright, the air warm. I lighted a cigar and sauntered aimlessly along the outer boulevard. Then, as I strolled on, it occurred to me to walk as far as Montmartre and go into the cemetery.

"I am very fond of cemeteries. They rest me and give me a feeling of sadness; I need it. And, besides, I have good friends in there, those that one no longer goes to call on, and I go there from time to time.

"It is in this cemetery of Montmartre that is buried a romance of my life, a sweetheart who made a great impression on me, a very emotional, charming little woman whose memory, although it causes me great sorrow, also fills me with regrets—regrets of all kinds. And I go to dream beside her grave. She has finished with life.

"And then I like cemeteries because they are immense cities filled to overflowing with inhabitants. Think how many dead people there are in this small space, think of all the generations of Parisians who are housed there forever, veritable troglodytes enclosed in their little vaults, in their little graves covered with a stone or marked by a cross, while living beings take up so much room and make so much noise —imbeciles that they are!

"Then, again, in cemeteries there are monuments almost as interesting as in museums. The tomb of Cavaignac reminded me, I must confess without making any comparison, of the chef d'oeuvre of Jean Goujon: the recumbent statue of Louis de Breze in the subterranean chapel of the Cathedral of Rouen. All modern and realistic art has originated there, messieurs. This dead man, Louis de Breze, is more real, more terrible, more like inanimate flesh still convulsed with the death agony than all the tortured corpses that are distorted to–day in funeral monuments.

"But in Montmartre one can yet admire Baudin's monument, which has a degree of grandeur; that of Gautier, of Murger, on which I saw the other day a simple, paltry wreath of immortelles, yellow immortelles, brought thither by whom? Possibly by the last grisette, very old and now janitress in the neighborhood. It is a pretty little statue by Millet, but ruined by dirt and neglect. Sing of youth, O Murger!