Уилки Коллинз - Basil

I gave up the struggle. I longed to be alone again. My friend soon found that my forced spirits were flagging; he tried to rouse me, tried to talk for two, ordered more wine, but everything failed. Yawning at last, in undisguised despair, he suggested a visit to the theatre.

I excused myself—professed illness—hinted that the wine had been too much for me. He laughed, with something of contempt as well as good-nature in the laugh; and went away to the play by himself evidently feeling that I was still as bad a companion as he had found me at college, years ago.

As soon as we parted I felt a sense of relief. I hesitated, walked backwards and forwards a few paces in the street; and then, silencing all doubts, leaving my inclinations to guide me as they would—I turned my steps for the third time in that one day to Hollyoake Square.

The fair summer evening was tending towards twilight; the sun stood fiery and low in a cloudless horizon; the last loveliness of the last quietest daylight hour was fading on the violet sky, as I entered the square.

I approached the house. She was at the window—it was thrown wide open. A bird-cage hung rather high up, against the shutter-panel. She was standing opposite to it, making a plaything for the poor captive canary of a piece of sugar, which she rapidly offered and drew back again, now at one bar of the cage, and now at another. The bird hopped and fluttered up and down in his prison after the sugar, chirping as if he enjoyed playing his part of the game with his mistress. How lovely she looked! Her dark hair, drawn back over each cheek so as just to leave the lower part of the ear visible, was gathered up into a thick simple knot behind, without ornament of any sort. She wore a plain white dress fastening round the neck, and descending over the bosom in numberless little wavy plaits. The cage hung just high enough to oblige her to look up to it. She was laughing with all the glee of a child; darting the piece of sugar about incessantly from place to place. Every moment, her head and neck assumed some new and lovely turn—every moment her figure naturally fell into the position which showed its pliant symmetry best. The last-left glow of the evening atmosphere was shining on her—the farewell pause of daylight over the kindred daylight of beauty and youth.

I kept myself concealed behind a pillar of the garden-gate; I looked, hardly daring either to move or breathe; for I feared that if she saw or heard me, she would leave the window. After a lapse of some minutes, the canary touched the sugar with his beak.

“There, Minnie!” she cried laughingly, “you have caught the runaway sugar, and now you shall keep it!”

For a moment more, she stood quietly looking at the cage; then raising herself on tip-toe, pouted her lips caressingly to the bird, and disappeared in the interior of the room.

The sun went down; the twilight shadows fell over the dreary square; the gas lamps were lighted far and near; people who had been out for a breath of fresh air in the fields, came straggling past me by ones and twos, on their way home—and still I lingered near the house, hoping she might come to the window again; but she did not re-appear. At last, a servant brought candles into the room, and drew down the Venetian blinds. Knowing it would be useless to stay longer, I left the square.

I walked homeward joyfully. That second sight of her completed what the first meeting had begun. The impressions left by it made me insensible for the time to all boding reflections, careless of exercising the smallest self-restraint. I gave myself up to the charm that was at work on me. Prudence, duty, memories and prejudices of home, were all absorbed and forgotten in love—love that I encouraged, that I dwelt over in the first reckless luxury of a new sensation.

I entered our house, thinking of nothing but how to see her, how to speak to her, on the morrow; murmuring her name to myself; even while my hand was on the lock of my study door. The instant I was in the room, I involuntarily shuddered and stopped speechless. Clara was there! I was not merely startled; a cold, faint sensation came over me. My first look at my sister made me feel as if I had been detected in a crime.

She was standing at my writing-table, and had just finished stringing together the loose pages of my manuscript, which had hitherto laid disconnectedly in a drawer. There was a grand ball somewhere, to which she was going that night. The dress she wore was of pale blue crape (my father’s favourite colour, on her). One white flower was placed in her light brown hair. She stood within the soft steady light of my lamp, looking up towards the door from the leaves she had just tied together. Her slight figure appeared slighter than usual, in the delicate material that now clothed it. Her complexion was at its palest: her face looked almost statue-like in its purity and repose. What a contrast to the other living picture which I had seen at sunset!

The remembrance of the engagement that I had broken came back on me avengingly, as she smiled, and held my manuscript up before me to look at. With that remembrance there returned, too—darker than ever—the ominous doubts which had depressed me but a few hours since. I tried to steady my voice, and felt how I failed in the effort, as I spoke to her:

“Will you forgive me, Clara, for having deprived you of your ride to-day? I am afraid I have but a bad excuse—”

“Then don’t make it, Basil; or wait till papa can arrange it for you, in a proper parliamentary way, when he comes back from the House of Commons to-night. See how I have been meddling with your papers; but they were in such confusion I was really afraid some of these leaves might have been lost.”

“Neither the leaves nor the writer deserve half the pains you have taken with them; but I am really sorry for breaking our engagement. I met an old college friend—there was business too, in the morning—we dined together—he would take no denial.”

“Basil, how pale you look! Are you ill?”

“No; the heat has been a little too much for me—nothing more.”

“Has anything happened? I only ask, because if I can be of any use—if you want me to stay at home—”

“Certainly not, love. I wish you all success and pleasure at the ball.”

For a moment she did not speak; but fixed her clear, kind eyes on me more gravely and anxiously than usual. Was she searching my heart, and discovering the new love rising, an usurper already, in the place where the love of her had reigned before?

Love! love for a shopkeeper’s daughter! That thought came again, as she looked at me! and, strangely mingled with it, a maxim I had often heard my father repeat to Ralph—“Never forget that your station is not yours, to do as you like with. It belongs to us, and belongs to your children. You must keep it for them, as I have kept it for you.”

“I thought,” resumed Clara, in rather lower tones than before, “that I would just look into your room before I went to the ball, and see that everything was properly arranged for you, in case you had any idea of writing tonight; I had just time to do this while my aunt, who is going with me, was upstairs altering her toilette. But perhaps you don’t feel inclined to write?”

“I will try at least.”

“Can I do anything more? Would you like my nosegay left in the room?—the flowers smell so fresh! I can easily get another. Look at the roses, my favourite white roses, that always remind me of my own garden at the dear old Park!”

“Thank you, Clara; but I think the nosegay is fitter for your hand than my table.”

“Good night, Basil.”

“Good night.”

She walked to the door, then turned round, and smiled as if she were about to speak again; but checked herself, and merely looked at me for an instant. In that instant, however, the smile left her face, and the grave, anxious expression came again. She went out softly. A few minutes afterwards the roll of the carriage which took her and her companion to the ball, died away heavily on my ear. I was left alone in the house—alone for the night.