Уилки Коллинз - Rambles Beyond Railways; or, Notes in Cornwall taken A-foot

I have already said, that the stranger must ask his way before he can find out the particular mass of rocks, geographically entitled to the appellation of the "Land's End." He may, however, easily discover when he has reached the district of the "Land's End," by two rather remarkable indications that he will meet with on his road. He will observe, at some distance from the coast, an old milestone marked "I," and will be informed that this is the real original first mile in England; as if all measurement of distances began strictly from the West! A little further on he will come to a house, on one wall of which he will see written in large letters, "This is the first Inn in England," and on the other: "This is the last Inn in England;" as if the recognised beginning, and end too, of the Island of Britain were here, and here only! Having pondered a little on the slightly exclusive view of the attributes of their locality, taken by the inhabitants, he will then be led forward, about half a mile, by his guide, will descend some cliffs, will walk out on a ridge of rocks till he can go no farther—and will then be told that he is standing on the Land's End!

Here, as elsewhere, there are certain "sights" which a stranger is required to examine assiduously, as a duty if not as a pleasure, by guide-book law, rigidly administered by guides. There is, first of all, the mark of a horse's hoof, which is with great care kept sharply modelled (to borrow the painter's phrase), in the thin grass at the edge of a precipice. This mark commemorates the narrow escape from death of a military man who, for a wager, rode a horse down the cliff to the extreme verge of the Land's End; where the poor animal, seeing its danger, turned in affright, reared, and fell back into the sea raging over the rocks beneath. The foolhardy rider had just sense enough left to throw himself off in time—he tumbled on the ground, within a few inches of the precipice, and so barely saved the life which he had richly deserved to lose.

After the mark of the hoof, the traveller is next desired to look at a natural tunnel in the outer cliff, which pierces it through from one end to the other. Then his attention is directed to a lighthouse built on a reef of rocks detached from the land; and he is told of the great waves which break over the top of the building during the winter storms. Lastly, he is requested to inspect a quaint protuberance in a pile of granite at a little distance off, which bears a remote resemblance to a gigantic human face, adorned with a short beard; and which, he is informed, is considered quite a portrait (of all the people in the world to liken it to!) of Dr. Johnson! It is, therefore, publicly known as "Johnson's Head." If it can fairly be compared with any of the countenances of any remarkable characters that ever existed, it may be said to exhibit, in violent exaggeration, the worst physiognomical peculiarities of Nero and Henry the Eighth, combined in one face!

These several local curiosities duly examined, you are at last left free to look at the Land's End in your own way. Before you, stretches the wide, wild ocean; the largest of the Scilly Islands being barely discernible on the extreme horizon, on clear days. Tracts of heath; fields where corn is blown by the wind into mimic waves; downs, valleys, and crags, mingle together picturesquely and confusedly, until they are lost in the distance, on your left. On your right is a magnificent bay, bounded at either extremity by far-stretching promontories rising from a beach of the purest white sand, on which the yet whiter foam of the surf is ever seething, as waves on waves break one behind the other. The whole bold view possesses all the sublimity that vastness and space can bestow; but it is that sublimity which is to be seen, not described, which the heart may acknowledge and the mind contain, but which no mere words may delineate—which even painting itself may but faintly reflect.

However, it is, after all, the walk to the Land's End along the southern coast, rather than the Land's End itself, which displays the grandest combinations of scenery in which this grandest part of Cornwall abounds. There, Nature appears in her most triumphant glory and beauty—there, every mile as you proceed, offers some new prospect, or awakens some fresh impression. All objects that you meet with, great and small, moving and motionless, seem united in perfect harmony to form a scene where original images might still be found by the poet; and where original pictures are waiting, ready composed, for the painter's eye.

On approaching the wondrous landscapes between Trereen and the Land's End, the first characteristic that strikes you, is the change that has taken place in the forms of the cliffs since you left the Lizard Head. You no longer look on variously shaped and variously coloured "serpentine" rocks; it is granite, and granite alone, that appears everywhere—granite, less lofty and less eccentric in form than the "serpentine" cliffs and crags; but presenting an appearance of adamantine solidity and strength, a mighty breadth of outline and an unbroken vastness of extent, nobly adapted to the purpose of protecting the shores of Cornwall, where they are most exposed to the fury of the Atlantic waves. In these wild districts, the sea rolls and roars in fiercer agitation, and the mists fall thicker, and at the same time fade and change faster, than elsewhere. Vessels pitching heavily in the waves, are seen to dawn, at one moment, in the clearing atmosphere—and then, at another, to fade again mysteriously, as it abruptly thickens, like phantom ships. Up on the top of the cliffs, furze and heath in brilliant clothing of purple and yellow, cluster close round great white, weird masses of rock, dotted fantastically with patches of grey-green moss. The solitude on these heights is unbroken—no houses are to be seen—often, no pathway is to be found. You go on, guided by the sight of the sea, when the sky brightens fitfully: and by the sound of the sea, when you stray instinctively from the edge of the cliff, as mist and darkness gather once more densely and solemnly all around you.

Then, when the path appears again—a winding path, that descends rapidly—you gradually enter on a new scene. Old horses startle you, scrambling into perilous situations, to pick dainty bits by the hillside; sheep, fettered by the fore and hind leg, hobble away desperately as you advance. Suddenly, you discern a small strip of beach shut in snugly between protecting rocks. A spring bubbles down from an inland valley; while not far off, an old stone well collects the water into a calm, clear pool. Sturdy little cottages, built of rough granite, and thickly thatched, stand near you, with gulls' and cormorants' eggs set in their loop-holed windows for ornament; great white sections of fish hang thickly together on their walls to dry, looking more like many legs of many dirty duck trousers, than anything else; pigsties are hard-by the cottages, either formed by the Cromlech stones of the Druids, or excavated like caves in the side of the hill. Down on the beach, where the rough old fishing-boats lie, the sand is entirely formed by countless multitudes of the tiniest, fairy-like shells, often as small as a pin's head, and all exquisitely tender in colour and wonderfully varied in form. Up the lower and flatter parts of the hills above, fishing nets are stretched to dry. While you stop to look forth over the quiet, simple scene, wild little children peep out at you in astonishment; and hard-working men and women greet you with a hearty Cornish salutation, as you pass near their cottage doors.

You walk a few hundred yards inland, up the valley, and discover in a retired, sheltered situation, the ancient village church, with its square grey tower surmounted by moss-grown turrets, with its venerable Saxon stone cross in the churchyard—where the turf graves rise humbly by twos and threes, and where the old coffin-shaped stone stands midway at the entrance gates, still used, as in former times, by the bearers of a rustic funeral. Appearing thus amid the noblest scenery, as the simple altar of the prayers of a simple race, this is a church which speaks of religion in no formal or sectarian tone. Appealing to the heart of every traveller be his creed what it may, in loving and solemn accents, it sends him on his way again, up the mighty cliffs and through the mist driving cloud-like over them, the better fitted for his journey forward here; the better fitted, it may be, even for that other dread journey of one irrevocable moment—the last he shall ever take—to his abiding-place among the spirits of the dead!