Уилки Коллинз - Rambles Beyond Railways; or, Notes in Cornwall taken A-foot

We mount the side of an immense rock which projects far out into the sea, and is the largest of the surrounding group. It is called Asparagus Island, from the quantity of wild asparagus growing among the long grass on its summit. Half way up, we cross an ugly chasm. The guide points to a small chink or crevice, barely discernible in one side of it, and says "Devil's Bellows!" Then, first courteously putting my toes for me into a comfortable little hole in the perpendicular rock side, which just fits them, he proceeds to explain himself. Through the base of the opposite extremity of the island there is a natural channel, into which the sea rushes furiously at high tide: and finding no other vent but the little crevice we now look down on, is expelled through it in long, thin jets of spray, with a roaring noise resembling the sound of a gigantic bellows at work. But the sea is not yet high enough to exhibit this phenomenon, so the guide takes my toes out of the hole again for me, just as politely as he put them in; and forthwith leads the way up higher still—expounding as he goes, the whole art and mystery of climbing, which he condenses into this axiom:—"Never loose one hand, till you've got a grip with the other; and never scramble your toes about, where toes have no business to be."

At last we reach the topmost ridge of the island, and look down upon the white restless water far beneath, and peep into one or two deserted gulls' nests, and gather wild asparagus—which I can only describe as bearing no resemblance at all, that I could discover, to the garden species. Then, the guide points to another perpendicular rock, farther out at sea, looming dark and phantom-like in the mist, and tells me that he was the man who built the cairn of stones on its top: and then he proposes that we shall go to the opposite extremity of the ridge on which we stand, and look down into "The Devil's Throat."

This desirable journey is accomplished with the greatest ease on his part, and with considerable difficulty and delay on mine—for the wind blows fiercely over us on the height; our rock track is narrow, rugged, and slippery; the sea roars bewilderingly below; and a single false step would not be attended with agreeable consequences. Soon, however, we begin to descend a little from our "bad eminence," and come to a halt before a wide, tunnelled opening, slanting sharply downwards in the very middle of the island—a black, gaping hole, into the bottom of which the sea is driven through some unknown subterranean channel, roaring and thundering with a fearful noise, which rises in hollow echoes through the aptly-named "Devil's Throat." About this hole no grass grew: the rocks rose wild, jagged, and precipitous, all around it. If ever the ghastly imagery of Dante's terrible "Vision" was realized on earth, it was realized here.

At this place, close to the mouth of the hole, the guide suggests that we shall sit down and have a little talk!—and very impressive talk it is, when he begins the conversation by bawling into my ear (and down the Devil's Throat at the same time) to make himself heard above the fierce roaring beneath us. Now, his tale is of tremendous jets of water which he has seen, during the storms of winter, shot out of the hole before which we sit, into the creek of the sea below—now, he tells me of a shipwreck off Asparagus Island, of half-drowned sailors floating ashore on pieces of timber, and dashed out to sea again just as they touched the strand, by a jet from the Devil's Throat—now, he points away in the opposite direction, under one of the steeple-shaped rocks, and speaks of a chase after smugglers that began from this place; a desperate chase, in which some of the smugglers' cargo, but not one of the smugglers themselves, was seized—now, he talks of another great hole in the landward rocks, where the sea may be seen boiling within: a hole into which a man who was fishing for fragments of a wreck fell and was drowned; his body being sucked away through some invisible channel, never to be seen again by mortal eyes.

Anon, the guide's talk changes from tragedy to comedy. He begins to recount odd adventures of his own with strangers. He tells me of a huge fat woman who was got up to the top of Asparagus Island, by the easiest path, and by the exertions of several guides; who, left to herself, gasped, reeled, and fell down immediately; and was just rolling off, with all the momentum of sixteen stone, over the precipice below her, when she was adroitly caught, and anchored fast to the ground, by the ankle of one leg and the calf of the other. Then he speaks of an elderly gentleman, who, while descending the rocks with him, suddenly stopped short at the most dangerous point, giddy and panic-stricken, pouring forth death-bed confessions of all his sins, and wildly refusing to move another inch in any direction. Even this man the guide got down in safety at last, by making stepping places of his hands, on which the elderly gentleman lowered himself as on a ladder, ejaculating incoherently all the way, and trembling in great agony long after he had been safely landed on the sands.

This last story ended, it is settled that we shall descend again to the beach. Stimulated by the ease with which my worthy leader goes down beneath me, I get over-confident in my dexterity, and begin to slip here, and slide there, and come to awkward pauses at precipitous places, in what would be rather an alarming manner, but for the potent presence of the guide, who is always beneath me, ready to be fallen upon. Sometimes, when I am holding on with all the necessary tenacity of grip, as regards my hands, but, "scrambling my toes about" in a very disorderly and unworkmanlike fashion, he pops his head up from below for me to sit on; and puts my feet into crevices for me, with many apologies for taking the liberty! Sometimes, I fancy myself treading on what feels like soft turf; I look down, and find that I am standing like an acrobat on his shoulders, and hear him civilly entreating me to take hold of his jacket next, and let myself down over his body to the ledge where he is waiting for me. He never makes a false step, never stumbles, scrambles, hesitates, or fails to have a hand always at my service. The nautical metaphor of "holding on by your eyelids" becomes a fact in his case. He really views his employer, as porters are expected to view a package labelled " glass with care ." I am firmly persuaded that he could take a drunken man up and down Asparagus Island, without the slightest risk either to himself or his charge; and I hold him in no small admiration, when, after landing on the sand with something between a tumble and a jump, I find him raising me to my perpendicular almost before I have touched the ground, and politely hoping that I feel quite satisfied, hitherto, with his conduct as a guide.

We now go across the beach to explore some caves—dry at low water—on the opposite side. Some of these are wide, lofty, and well-lighted from without. We walk in and out and around them, as if in great, irregular, Gothic halls. Some are narrow and dark. Now, we crawl into them on hands and knees; now, we wriggle onward a few feet, serpent-like, flat on our bellies; now, we are suddenly able to stand upright in pitch darkness, hearing faint moaning sounds of pent-up winds, when we are silent, and long reverberations of our own voices, when we speak. Then, as we turn and crawl out again, we soon see before us one bright speck of light that may be fancied miles and miles away—a star shining in the earth—a diamond sparkling in the bosom of the rock. This guides us out again pleasantly; and, on gaining the open air, we find that while we have been groping in the darkness, a change has been taking place in the regions of light, which has altered and is still altering the aspect of the whole scene.

It is now two o'clock. The tide is rising fast; the sea dashes, in higher and higher waves, on the narrowing beach. Rain and mist are both gone. Overhead, the clouds are falling asunder in every direction, assuming strange momentary shapes, quaint airy resemblances of the forms of the great rocks among which we stand. Height after height along the distant cliffs dawns on us gently; great golden rays shoot down over them; far out on the ocean, the waters flash into a streak of fire; the sails of ships passing there, glitter bright; yet a moment more, and the glorious sunlight bursts out over the whole view. The sea changes soon from dull grey to bright blue, embroidered thickly with golden specks, as it rolls and rushes and dances in the wind. The sand at our feet grows brighter and purer to the eye; the sea-birds flying and swooping above us, look like flashes of white light against the blue firmament; and, most beautiful of all, the wet serpentine rocks now shine forth in full splendour beneath the sun; every one of their exquisite varieties of colour becomes plainly visible—silver grey and bright yellow, dark red, deep brown, and malachite green appear, here combined in thin intertwined streaks, there outspread in separate irregular patches—glorious ornaments of the sea-shore, fashioned by no human art!—Nature's own home-made jewellery, which the wear of centuries has failed to tarnish, and the rage of tempests has been powerless to destroy!