Уилки Коллинз - The Evil Genius - A Domestic Story

Catherine could not feel that she had deserved such an answer as this. “Did I plan the deception?” she asked. “Did I tell the lie?”

Mrs. Presty was not in the least offended. “You are comparatively innocent, my dear,” she admitted, with an air of satirical indulgence. “You only consented to the deception, and profited by the lie. Suppose we own the truth? You are afraid.”

Catherine owned the truth in the plainest terms:

“Yes, I am afraid.”

“And you leave it to me?”

“I leave it to you.”

Mrs. Presty complacently closed her book. “I was quite prepared to hear it,” she said; “all the unpleasant complications since your Divorce—and Heaven only knows how many of them have presented themselves—have been left for me to unravel. It so happens—though I was too modest to mention it prematurely—that I have unraveled this complication. If one only has eyes to see it, there is a way out of every difficulty that can possibly happen.” She pushed the book that she had been reading across the table to Catherine. “Turn to page two hundred and forty,” she said. “There is the way out.”

The title of the book was “Disasters at Sea”; and the page contained the narrative of a shipwreck. On evidence apparently irresistible, the drowning of every soul on board the lost vessel had been taken for granted—when a remnant of the passengers and crew had been discovered on a desert island, and had been safely restored to their friends. Having read this record of suffering and suspense, Catherine looked at her mother, and waited for an explanation.

“Don’t you see it?” Mrs. Presty asked.

“I can’t say that I do.”

The old lady’s excellent temper was not in the least ruffled, even by this.

“Quite inexcusable on my part,” she acknowledged; “I ought to have remembered that you don’t inherit your mother’s vivid imagination. Age has left me in full possession of those powers of invention which used to amaze your poor father. He wondered how it was that I never wrote a novel. Mr. Presty’s appreciation of my intellect was equally sincere; but he took a different view. ‘Beware, my dear,’ he said, ‘of trifling with the distinction which you now enjoy: you are one of the most remarkable women in England—you have never written a novel.’ Pardon me; I am wandering into the region of literary anecdote, when I ought to explain myself. Now pray attend to this:—I propose to tell Kitty that I have found a book which is sure to interest her; and I shall direct her attention to the lamentable story which you have just read. She is quite sharp enough (there are sparks of my intellectual fire in Kitty) to ask if the friends of the poor shipwrecked people were not very much surprised to see them again. To this I shall answer: ‘Very much, indeed, for their friends thought they were dead.’ Ah, you dear dull child, you see it now!”

Catherine saw it so plainly that she was eager to put the first part of the experiment to an immediate trial.

Kitty was sent for, and made her appearance with a fishing-rod over her shoulder. “I’m going to the brook,” she announced; “expect some fish for dinner to-day.”

A wary old hand stopped Catherine, in the act of presenting “Disasters at Sea,” to Kitty’s notice; and a voice, distinguished by insinuating kindness, said to the child: “When you have done fishing, my dear, come to me; I have got a nice book for you to read.—How very absurd of you, Catherine,” Mrs. Presty continued, when they were alone again, “to expect the child to read, and draw her own conclusions, while her head is full of fishing! If there are any fish in the brook, she won’t catch them. When she comes back disappointed and says: ‘What am I to do now?’ the ‘Disasters at Sea’ will have a chance. I make it a rule never to boast; but if there is a thing that I understand, it’s the management of children. Why didn’t I have a large family?”

Attended by the faithful Susan, Kitty baited her hook, and began to fish where the waters of the brook were overshadowed by trees.

A little arbor covered by a thatched roof, and having walls of wooden lattice-work, hidden by creepers climbing over them inside and out, offered an attractive place of rest on this sheltered side of the garden. Having brought her work with her, the nursemaid retired to the summer-house and diligently plied her needle, looking at Kitty from time to time through the open door. The air was delightfully cool, the pleasant rippling of the brook fell soothingly on the ear, the seat in the summer-house received a sitter with the softly-yielding submission of elastic wires. Susan had just finished her early dinner: in mind and body alike, this good girl was entirely and deservedly at her ease. By finely succeeding degrees, her eyelids began to show a tendency downward; her truant needle-work escaped from her fingers, and lay lazily on her lap. She snatched it up with a start, and sewed with severe resolution until her thread was exhausted. The reel was ready at her side; she took it up for a fresh supply, and innocently rested her head against the leafy and flowery wall of the arbor. Was it thought that gradually closed her eyes again? or was it sleep? In either case, Susan was lost to all sense of passing events; and Susan’s breathing became musically regular, emulous of the musical regularity of the brook.

As a lesson in patience, the art of angling pursued in a shallow brook has its moral uses. Kitty fished, and waited, and renewed the bait and tried again, with a command of temper which would have been a novelty in Susan’s experience, if Susan had been awake. But the end which comes to all things came also to Kitty’s patience. Leaving her rod on the bank, she let the line and hook take care of themselves, and wandered away in search of some new amusement.

Lingering here and there to gather flowers from the beds as she passed them, Kitty was stopped by a shrubbery, with a rustic seat placed near it, which marked the limits of the garden on that side. The path that she had been following led her further and further away from the brook, but still left it well in view. She could see, on her right hand, the clumsy old wooden bridge which crossed the stream, and served as a means of communication for the servants and the tradespeople, between the cottage and the village on the lower ground a mile away.

The child felt hot and tired. She rested herself on the bench, and, spreading the flowers by her side, began to arrange them in the form of a nosegay. Still true to her love for Sydney, she had planned to present the nosegay to her mother, offering the gift as an excuse for returning to the forbidden subject of her governess, and for asking when they might hope to see each other again.

Choosing flowers and then rejecting them, trying other colors and wondering whether she had accomplished a change for the better, Kitty was startled by the sound of a voice calling to her from the direction of the brook.

She looked round, and saw a gentleman crossing the bridge. He asked the way to Brightwater Cottage.

There was something in his voice that attracted her—how or why, at her age, she never thought of inquiring. Eager and excited, she ran across the lawn which lay between her and the brook, before she answered the gentleman’s question.

As they approached each other, his eyes sparkled, his face flushed; he cried out joyfully, “Here she is!”—and then changed again in an instant. A horrid pallor overspread his face as the child stood looking at him with innocent curiosity. He startled Kitty, not because he seemed to be shocked and distressed, she hardly noticed that; but because he was so like—although he was thinner and paler and older—oh, so like her lost father!