Ambrose Bierce - The Night-Doings at Deadman's

The old man nodded emphatically, as intimating not merely that he did, but that he did indeed.

“Two years ago,” began Mr. Beeson, “I, with two companions, occupied this house; but when the rush to the Flat occurred we left, along with the rest. In ten hours the Gulch was deserted. That evening, however, I discovered I had left behind me a valuable pistol (that is it) and returned for it, passing the night here alone, as I have passed every night since. I must explain that a few days before we left, our Chinese domestic had the misfortune to die while the ground was frozen so hard that it was impossible to dig a grave in the usual way. So, on the day of our hasty departure, we cut through the floor there, and gave him such burial as we could. But before putting him down I had the extremely bad taste to cut off his pigtail and spike it to that beam above his grave, where you may see it at this moment, or, preferably, when warmth has given you leisure for observation.

“I stated, did I not, that the Chinaman came to his death from natural causes? I had, of course, nothing to do with that, and returned through no irresistible attraction, or morbid fascination, but only because I had forgotten a pistol. This is clear to you, is it not, sir?”

The visitor nodded gravely. He appeared to be a man of few words, if any. Mr. Beeson continued:

“According to the Chinese faith, a man is like a kite: he cannot go to heaven without a tail. Well, to shorten this tedious story - which, however, I thought it my duty to relate - on that night, while I was here alone and thinking of anything but him, that Chinaman came back for his pigtail.

“He did not get it.”

At this point Mr. Beeson relapsed into blank silence. Perhaps he was fatigued by the unwonted exercise of speaking; perhaps he had conjured up a memory that demanded his undivided attention. The wind was now fairly abroad, and the pines along the mountainside sang with singular distinctness. The narrator continued:

“You say you do not see much in that, and I must confess I do not myself.

“But he keeps coming!”

There was another long silence, during which both stared into the fire without the movement of a limb. Then Mr. Beeson broke out, almost fiercely, fixing his eyes on what he could see of the impassive face of his auditor:

“Give it him? Sir, in this matter I have no intention of troubling anyone for advice. You will pardon me, I am sure” - here he became singularly persuasive - “but I have ventured to nail that pigtail fast, and have assumed the somewhat onerous obligation of guarding it. So it is quite impossible to act on your considerate suggestion.

“Do you play me for a Modoc?”

Nothing could exceed the sudden ferocity with which he thrust this indignant remonstrance into the ear of his guest. It was as if he had struck him on the side of the head with a steel gauntlet. It was a protest, but it was a challenge. To be mistaken for a coward - to be played for a Modoc: these two expressions are one. Sometimes it is a Chinaman. Do you play me for a Chinaman? is a question frequently addressed to the ear of the suddenly dead.

Mr. Beeson’s buffet produced no effect, and after a moment’s pause, during which the wind thundered in the chimney like the sound of clods upon a coffin, he resumed:

“But, as you say, it is wearing me out. I feel that the life of the last two years has been a mistake - a mistake that corrects itself; you see how. The grave! No; there is no one to dig it. The ground is frozen, too. But you are very welcome. You may say at Bentley’s - but that is not important. It was very tough to cut: they braid silk into their pigtails. Kwaagh.”

Mr. Beeson was speaking with his eyes shut, and he wandered. His last word was a snore. A moment later he drew a long breath, opened his eyes with an effort, made a single remark, and fell into a deep sleep. What he said was this:

“They are swiping my dust!”

Then the aged stranger, who had not uttered one word since his arrival, arose from his seat and deliberately laid off his outer clothing, looking as angular in his flannels as the late Signorina Festorazzi, an Irish woman, six feet in height, and weighing fifty-six pounds, who used to exhibit herself in her chemise to the people of San Francisco. He then crept into one of the “bunks,” having first placed a revolver in easy reach, according to the custom of the country. This revolver he took from a shelf, and it was the one which Mr. Beeson had mentioned as that for which he had returned to the Gulch two years before.

In a few moments Mr. Beeson awoke, and seeing that his guest had retired he did likewise. But before doing so he approached the long, plaited wisp of pagan hair and gave it a powerful tug, to assure himself that it was fast and firm. The two beds - mere shelves covered with blankets not overclean - faced each other from opposite sides of the room, the little square trapdoor that had given access to the Chinaman’s grave being midway between. This, by the way, was crossed by a double row of spike-heads. In his resistance to the supernatural, Mr. Beeson had not disdained the use of material precautions.

The fire was now low, the flames burning bluely and petulantly, with occasional flashes, projecting spectral shadows on the walls - shadows that moved mysteriously about, now dividing, now uniting. The shadow of the pendent queue, however, kept moodily apart, near the roof at the further end of the room, looking like a note of admiration. The song of the pines outside had now risen to the dignity of a triumphal hymn. In the pauses the silence was dreadful.

It was during one of these intervals that the trap in the floor began to lift. Slowly and steadily it rose, and slowly and steadily rose the swaddled head of the old man in the bunk to observe it. Then, with a clap that shook the house to its foundation, it was thrown clean back, where it lay with its unsightly spikes pointing threateningly upward. Mr. Beeson awoke, and without rising, pressed his fingers into his eyes. He shuddered; his teeth chattered. His guest was now reclining on one elbow, watching the proceedings with the goggles that glowed like lamps.

Suddenly a howling gust of wind swooped down the chimney, scattering ashes and smoke in all directions, for a moment obscuring everything. When the firelight again illuminated the room there was seen, sitting gingerly on the edge of a stool by the hearthside, a swarthy little man of prepossessing appearance and dressed with faultless taste, nodding to the old man with a friendly and engaging smile. “From San Francisco, evidently,” thought Mr. Beeson, who having somewhat recovered from his fright was groping his way to a solution of the evening’s events.

But now another actor appeared upon the scene. Out of the square black hole in the middle of the floor protruded the head of the departed Chinaman, his glassy eyes turned upward in their angular slits and fastened on the dangling queue above with a look of yearning unspeakable. Mr. Beeson groaned, and again spread his hands upon his face. A mild odor of opium pervaded the place. The phantom, clad only in a short blue tunic quilted and silken but covered with grave-mold, rose slowly, as if pushed by a weak spiral spring. Its knees were at the level of the floor, when with a quick upward impulse like the silent leaping of a flame it grasped the queue with both hands, drew up its body and took the tip in its horrible yellow teeth. To this it clung in a seeming frenzy, grimacing ghastly, surging and plunging from side to side in its efforts to disengage its property from the beam, but uttering no sound. It was like a corpse artificially convulsed by means of a galvanic battery. The contrast between its superhuman activity and its silence was no less than hideous!