Шарлотта Бронте - Shirley

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Robert Moore is a harsh mill-owner who pushes his workers so far that one of them tries to kill him. While dealing with the attempt on his life, Robert is also confronted with two very different women. One is Caroline Helstone, a shy girl virtually imprisoned in her uncle’s rectory and in love with Robert. The other is Shirley, a wealthy, outgoing woman who reject’s Robert’s self-seeking offer of marriage.

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Not only was Miss Ainley poorer, but she was even plainer than the other old maid. In her first youth she must have been ugly; now, at the age of fifty, she was very ugly. At first sight, all but peculiarly well–disciplined minds were apt to turn from her with annoyance, to conceive against her a prejudice, simply on the ground of her unattractive look. Then she was prim in dress and manner; she looked, spoke, and moved the complete old maid.

Her welcome to Caroline was formal, even in its kindness—for it was kind; but Miss Helstone excused this. She knew something of the benevolence of the heart which beat under that starched kerchief; all the neighbourhood—at least all the female neighbourhood—knew something of it. No one spoke against Miss Ainley except lively young gentlemen and inconsiderate old ones, who declared her hideous.

Caroline was soon at home in that tiny parlour. A kind hand took from her her shawl and bonnet, and installed her in the most comfortable seat near the fire. The young and the antiquated woman were presently deep in kindly conversation, and soon Caroline became aware of the power a most serene, unselfish, and benignant mind could exercise over those to whom it was developed. She talked never of herself, always of others. Their faults she passed over. Her theme was their wants, which she sought to supply; their sufferings, which she longed to alleviate. She was religious, a professor of religion—what some would call "a saint;" and she referred to religion often in sanctioned phrase—in phrase which those who possess a perception of the ridiculous, without owning the power of exactly testing and truly judging character, would certainly have esteemed a proper subject for satire, a matter for mimicry and laughter. They would have been hugely mistaken for their pains. Sincerity is never ludicrous; it is always respectable. Whether truth—be it religious or moral truth—speak eloquently and in well–chosen language or not, its voice should be heard with reverence. Let those who cannot nicely, and with certainty, discern the difference between the tones of hypocrisy and those of sincerity, never presume to laugh at all, lest they should have the miserable misfortune to laugh in the wrong place, and commit impiety when they think they are achieving wit.

Not from Miss Ainley's own lips did Caroline hear of her good works, but she knew much of them nevertheless. Her beneficence was the familiar topic of the poor in Briarfield. They were not works of almsgiving. The old maid was too poor to give much, though she straitened herself to privation that she might contribute her mite when needful. They were the works of a Sister of Charity—far more difficult to perform than those of a Lady Bountiful. She would watch by any sick–bed; she seemed to fear no disease. She would nurse the poorest whom none else would nurse. She was serene, humble, kind, and equable through everything.

For this goodness she got but little reward in this life. Many of the poor became so accustomed to her services that they hardly thanked her for them. The rich heard them mentioned with wonder, but were silent, from a sense of shame at the difference between her sacrifices and their own. Many ladies, however, respected her deeply. They could not help it. One gentleman—one only—gave her his friendship and perfect confidence. This was Mr. Hall, the vicar of Nunnely. He said, and said truly, that her life came nearer the life of Christ than that of any other human being he had ever met with. You must not think, reader, that ill sketching Miss Ainley's character I depict a figment of imagination. No. We seek the originals of such portraits in real life only.

Miss Helstone studied well the mind and heart now revealed to her. She found no high intellect to admire—the old maid was merely sensible—but she discovered so much goodness, so much usefulness, so much mildness, patience, truth, that she bent her own mind before Miss Ainley's in reverence. What was her love of nature, what was her sense of beauty, what were her more varied and fervent emotions, what was her deeper power of thought, what her wider capacity to comprehend, compared to the practical excellence of this good woman? Momently, they seemed only beautiful forms of selfish delight; mentally, she trod them under foot.

It is true she still felt with pain that the life which made Miss Ainley happy could not make her happy. Pure and active as it was, in her heart she deemed it deeply dreary, because it was so loveless—to her ideas, so forlorn. Yet, doubtless, she reflected, it needed only habit to make it practicable and agreeable to any one. It was despicable, she felt, to pine sentimentally, to cherish secret griefs, vain memories, to be inert, to waste youth in aching languor, to grow old doing nothing.

"I will bestir myself," was her resolution, "and try to be wise if I cannot be good."

She proceeded to make inquiry of Miss Ainley if she could help her in anything. Miss Ainley, glad of an assistant, told her that she could, and indicated some poor families in Briarfield that it was desirable she should visit, giving her likewise, at her further request, some work to do for certain poor women who had many children, and who were unskilled in using the needle for themselves.

Caroline went home, laid her plans, and took a resolve not to swerve from them. She allotted a certain portion of her time for her various studies, and a certain portion for doing anything Miss Ainley might direct her to do. The remainder was to be spent in exercise; not a moment was to be left for the indulgence of such fevered thoughts as had poisoned last Sunday evening.

To do her justice, she executed her plans conscientiously, perseveringly. It was very hard work at first—it was even hard work to the end—but it helped her to stem and keep down anguish; it forced her to be employed; it forbade her to brood; and gleams of satisfaction chequered her gray life here and there when she found she had done good, imparted pleasure, or allayed suffering.

Yet I must speak truth. These efforts brought her neither health of body nor continued peace of mind. With them all she wasted, grew more joyless and more wan; with them all her memory kept harping on the name of Robert Moore; an elegy over the past still rung constantly in her ear; a funereal inward cry haunted and harassed her; the heaviness of a broken spirit, and of pining and palsying faculties, settled slow on her buoyant youth. Winter seemed conquering her spring; the mind's soil and its treasures were freezing gradually to barren stagnation.

Chapter XI

Fieldhead

Yet Caroline refused tamely to succumb. She had native strength in her girl's heart, and she used it. Men and women never struggle so hard as when they struggle alone, without witness, counsellor, or confidant, unencouraged, unadvised, and unpitied.

Miss Helstone was in this position. Her sufferings were her only spur, and being very real and sharp, they roused her spirit keenly. Bent on victory over a mortal pain, she did her best to quell it. Never had she been seen so busy, so studious, and, above all, so active. She took walks in all weathers, long walks in solitary directions. Day by day she came back in the evening, pale and wearied–looking, yet seemingly not fatigued; for still, as soon as she had thrown off her bonnet and shawl, she would, instead of resting, begin to pace her apartment. Sometimes she would not sit down till she was literally faint. She said she did this to tire herself well, that she might sleep soundly at night. But if that was her aim it was unattained; for at night, when others slumbered, she was tossing on her pillow, or sitting at the foot of her couch in the darkness, forgetful, apparently, of the necessity of seeking repose. Often, unhappy girl! she was crying—crying in a sort of intolerable despair, which, when it rushed over her, smote down her strength, and reduced her to childlike helplessness.

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