Роберт Чамберс - The Hidden Children

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Gender roles in the American Revolutionary War period were not exactly a bastion of progressiveness. However, even during a time when most women were encouraged to shrink from conflict and follow the lead of any man in the vicinity, there were a few iconoclastic females who broke this mold. The defiantly independent heroine at the center of The Hidden Children steadfastly refuses to be held down by social conventions she sees as useless.

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"I make them mine!"

"No—nor is it your privilege to offer them!"

"My—what?"

"Privilege!" she said haughtily, flushing clear to her curly hair; and left me checked. She added: "What you offer is impertinence—however kindly meant. No friendship warrants it, and I refuse."

I know not what it was—perhaps my hurt and burning silence under the sudden lash of her rebuff—but presently I felt her hand steal over mine and tighten. And looked up, scowling, to see her eyes brimming with tears and merriment.

"How much of me must you have, Euan? Even my privacy and pride? You have given me friendship; you have clothed me to your fancy. You have had scant payment in exchange—only a poor girl's gratitude. What have I left to offer in return if you bestow more gifts? Give me no more—so that you take from me no more than—gratitude."

"Comrades neither give nor take, Lois. What they possess belongs to both in common."

"I know—it is so said—but—you have had of me for all your bounty only my thanks—and―" she smiled tremulously, "―a wild rose–bud. And you have given so much—so much—and I am far too poor to render―"

"What have I asked of you!" I said impatiently.

"Nothing. And so I am the more inclined to give—I know not what."

"Shall I tell you what to offer me? Then offer me the privilege of giving. It is the rarest gift within your power."

She sat looking at me while the soft colour waned and deepened in her cheeks.

"I—give," she said in a voice scarce audible.

"Then," said I, very happily, "I am free to tell you that I have commanded for your comfort a host of pretty things, and a big box of wood and brass, with a stout hide outside, to keep your clothing in! The lady of Captain Cresson, of the levies, has a noble one. Yours is its mate. And into yours will fit your gowns and shoon, patches and powder, and the hundred articles which every woman needs by day and night. Also I've named you to Mr. Hake, so that, first writing for me upon a slip of paper that I may send it to him—then writing your request to him, you may make draughts for what you need upon our money, which now lies with him. Do you understand me, Lois? You will need money when the army leaves."

Her head moved slightly, acquiescent.

"So far so good, then. Now, when this army moves into the wilderness, and when I go, and you remain, you will have clothing that befits you; you will have means to properly maintain you; and I shall send you by batteau to Mr. Hake, who will find lodging suitable for you—and be your friend, and recommend you to his friends not only for my sake, but, when he sets his eyes on you, for your own sake." I smiled, and added:

"Hiero! Little rosy–throated pigeon of the woods! Loskiel has spoken!"

Now, as I ended, this same and silly wild–thing fell silently a–crying; and never had I dreamed that any maid could be so full o' tears, when by all rights she should have sat dimpling there, happy and gay, and eager as I.

Out o' countenance again, and vexed in my mind, I sat silent, fidgetting, made strange and cold and awkward by her tears. The warm flush of self–approval chilled in my heart; and by and by a vague resentment grew there.

"Euan?" she ventured, lifting her wet eyes.

"What?" said I ungraciously.

"H—have you a hanker? Else I use my scandalous skirt again―"

And the next instant we both were laughing there, she still in tears, I with blithe heart to see her now surrender at discretion, with her grey eyes smiling at me through a starry mist of tears, and the sweet mouth tremulous with her low–voiced thanks.

"Ai–me!" she said. "What manner of boy is this, to hector me and have his will? And now he sits there laughing, and convinced that when the army marches I shall wear his finery and do his bidding. And so I shall—if I remain behind."

"Lois! You can not go to Catharines–town! That's flat!"

"I've wandered hungry and ragged for two years, asking the way. Do you suppose I have endured in vain? Do you suppose I shall give up now?"

"Lois!" I said seriously, "if it is true that the Senecas hold any white captives, their liberation is at hand. But that business concerns the army. And I promise you that if your mother be truly there among those unhappy prisoners she shall be brought back safely from the Vale Yndaia. I will tell Major Parr of this; he shall inform the General. Have no fear or doubt, dear maid. If she is there, and human power can save her, then is she saved already, by God's grace."

She said in a quiet voice:

"I must go with you. And that is why—or partly why—I asked you here tonight. Find me some way to go to Catharines–town. For I must go!"

"Why not inquire of me the road to hell?" I asked impatiently. She said between her teeth:

"Oh, any man might show me that. And guide me, too. Many have offered, Euan."

"What!"

"I ask your pardon. Two years of camps blunts any woman's speech."

"Lois," said I uneasily, "why do you wish to go to Catharines–town, when an armed force is going?"

She sat considering, then, in a low, firm voice:

"To tell you why, is why I asked you here…. And first I must show you what my packet held…. Shall I show you, Euan?"

"Surely, little comrade."

She drew the packet from her bosom, unlaced the thong, unrolled the deer–hide covering.

"Here is a roll of bark," she said. "This I have never had interpreted. Can you read it for me, Euan?"

And there in the lantern light I read it, while she looked down over my shoulder.

"KADON!

"Aesa–yat–yen–enghdon, Lois! "Etho! [1] And here was painted a white dog lying dead, its tongue hanging out sideways. "Hen–skerigh–watonte. "Jatthon–ten–yonk, Lois! "Jin–isaya–dawen–ken–wed–e–wayen. [2] Here was drawn in outline the foot and claws of a forest lynx. "Niyi–eskah–haghs, na–yegh–nyasa–kenra–dake, niya–wennonh!" [3] Then a white symbol.

For a long time I gazed at the writing in shocked silence. Then I asked her if she suspected what was written there in the Canienga dialect.

"I never have had it read. Indians refuse, shake their heads, and look askance at me, and tell me nothing; interpreters laugh at me, saying there is no meaning in the lines. Is there, Euan?"

"Yes," I said.

"You can interpret?"

"Yes."

"Will you?"

I was silent, pondering the fearful meaning which had been rendered plainer and more hideous by the painted symbols.

"It has to do with the magic of the Seneca priesthood," I muttered. "Here is a foul screed—and yet a message, too, to you."

Then, with an effort I found courage to read, as it was written:

"I speak! Thou, Lois, mightest have been destroyed! Thus! (Here the white dog.) But I will frustrate their purpose. Keep listening to me, Lois. That which has befallen you we place it here (or, 'we draw it here'—i. e., the severed foot and claws of a lynx). Being born white (literally, 'being born having a white neck'), this happened." And the ghastly sign of Leshi ended it.

"But what does it all signify?" she asked, bewildered.

And even as she spoke, out of the dull and menacing horror of the symbols, into my mind, leaped terrible comprehension.

I said coolly: "It must have been Amochol—and his Erie sorcerers! How came you in Catharines–town?"

"I? In Catharines–town!" she faltered. "Was I, then, ever there?"

I pointed at the drawing of the dead white dog.

"Somebody saved you from that hellish sacrifice. I tell you it is plain enough to read. The rite is practiced only by the red sorcerers of the Senecas…. Look! It was because your 'neck' was 'white'! Look again! Here is the symbol of the Cat–People—the Eries—the acolytes of Amochol—here! This spread lynx–pad with every separate claw extended! Yet, it is drawn severed—in symbol of your escape. Lois! Lois! It is plain enough. I follow it all—almost all—nearly—but not quite―"

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