Антон Чехов - The Lady with the Dog and Other Stories

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During the last ten years of his life, Anton Chekhov penned his great plays, spent time treating the sick, and wrote a small number of stories that are considered his masterpieces. The eleven stories collected here-_The Lady with the Little Dog,_ The House with the Mezzanine, My Life, Peasants, A Visit to Friends, Ionych, About Love, In the Ravine, The Bishop, The Bride, and Disturbing the Balance-hail from this fertile period. They reveal a writer who, in response to the techniques of Symbolism and Impressionism, moved beyond nineteenth-century realism to become an innovator of the modern short story, influencing such key twentieth-century literary figures as Ernest Hemingway and William Faulkner.

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"Is this life?…Oh, one can't go on living like this, one can't…. Oh, it's madness, wickedness, not life."

"What humiliation!" she said through her tears. "To live together, to smile at me at the very time when I was burdensome to him, ridiculous in his eyes! Oh, how humiliating!"

She lifted up her head, and looking at me with tear–stained eyes through her hair, wet with her tears, and pushing it back as it prevented her seeing me, she asked:

"They laughed at me?"

"To these men you were laughable—you and your love and Turgenev; they said your head was full of him. And if we both die at once in despair, that will amuse them, too; they will make a funny anecdote of it and tell it at your requiem service. But why talk of them?" I said impatiently. "We must get away from here—I cannot stay here one minute longer."

She began crying again, while I walked to the piano and sat down.

"What are we waiting for?" I asked dejectedly. "It's two o'clock."

"I am not waiting for anything," she said. "I am utterly lost."

"Why do you talk like that? We had better consider together what we are to do. Neither you nor I can stay here. Where do you intend to go?"

Suddenly there was a ring at the bell. My heart stood still. Could it be Orlov, to whom perhaps Kukushkin had complained of me? How should we meet? I went to open the door. It was Polya. She came in shaking the snow off her pelisse, and went into her room without saying a word to me. When I went back to the drawing–room, Zinaida Fyodorovna, pale as death, was standing in the middle of the room, looking towards me with big eyes.

"Who was it?" she asked softly.

"Polya," I answered.

She passed her hand over her hair and closed her eyes wearily.

"I will go away at once," she said. "Will you be kind and take me to the Petersburg Side? What time is it now?"

"A quarter to three."

XIV

When, a little afterwards, we went out of the house, it was dark and deserted in the street. Wet snow was falling and a damp wind lashed in one's face. I remember it was the beginning of March; a thaw had set in, and for some days past the cabmen had been driving on wheels. Under the impression of the back stairs, of the cold, of the midnight darkness, and the porter in his sheepskin who had questioned us before letting us out of the gate, Zinaida Fyodorovna was utterly cast down and dispirited. When we got into the cab and the hood was put up, trembling all over, she began hurriedly saying how grateful she was to me.

"I do not doubt your good–will, but I am ashamed that you should be troubled," she muttered. "Oh, I understand, I understand…. When Gruzin was here to–day, I felt that he was lying and concealing something. Well, so be it. But I am ashamed, anyway, that you should be troubled."

She still had her doubts. To dispel them finally, I asked the cabman to drive through Sergievsky Street; stopping him at Pekarsky's door, I got out of the cab and rang. When the porter came to the door, I asked aloud, that Zinaida Fyodorovna might hear, whether Georgy Ivanitch was at home.

"Yes," was the answer, "he came in half an hour ago. He must be in bed by now. What do you want?"

Zinaida Fyodorovna could not refrain from putting her head out.

"Has Georgy Ivanitch been staying here long?" she asked.

"Going on for three weeks."

"And he's not been away?"

"No," answered the porter, looking at me with surprise.

"Tell him, early to–morrow," I said, "that his sister has arrived from Warsaw. Good–bye."

Then we drove on. The cab had no apron, the snow fell on us in big flakes, and the wind, especially on the Neva, pierced us through and through. I began to feel as though we had been driving for a long time, that for ages we had been suffering, and that for ages I had been listening to Zinaida Fyodorovna's shuddering breath. In semi–delirium, as though half asleep, I looked back upon my strange, incoherent life, and for some reason recalled a melodrama, "The Parisian Beggars," which I had seen once or twice in my childhood. And when to shake off that semi–delirium I peeped out from the hood and saw the dawn, all the images of the past, all my misty thoughts, for some reason, blended in me into one distinct, overpowering thought: everything was irrevocably over for Zinaida Fyodorovna and for me. This was as certain a conviction as though the cold blue sky contained a prophecy, but a minute later I was already thinking of something else and believed differently.

"What am I now?" said Zinaida Fyodorovna, in a voice husky with the cold and the damp. "Where am I to go? What am I to do? Gruzin told me to go into a nunnery. Oh, I would! I would change my dress, my face, my name, my thoughts … everything—everything, and would hide myself for ever. But they will not take me into a nunnery. I am with child."

"We will go abroad together to–morrow," I said.

"That's impossible. My husband won't give me a passport."

"I will take you without a passport."

The cabman stopped at a wooden house of two storeys, painted a dark colour. I rang. Taking from me her small light basket—the only luggage we had brought with us—Zinaida Fyodorovna gave a wry smile and said:

"These are my bijoux ."

But she was so weak that she could not carry these bijoux .

It was a long while before the door was opened. After the third or fourth ring a light gleamed in the windows, and there was a sound of steps, coughing and whispering; at last the key grated in the lock, and a stout peasant woman with a frightened red face appeared at the door. Some distance behind her stood a thin little old woman with short grey hair, carrying a candle in her hand. Zinaida Fyodorovna ran into the passage and flung her arms round the old woman's neck.

"Nina, I've been deceived," she sobbed loudly. "I've been coarsely, foully deceived! Nina, Nina!"

I handed the basket to the peasant woman. The door was closed, but still I heard her sobs and the cry "Nina!"

I got into the cab and told the man to drive slowly to the Nevsky Prospect. I had to think of a night's lodging for myself.

Next day towards evening I went to see Zinaida Fyodorovna. She was terribly changed. There were no traces of tears on her pale, terribly sunken face, and her expression was different. I don't know whether it was that I saw her now in different surroundings, far from luxurious, and that our relations were by now different, or perhaps that intense grief had already set its mark upon her; she did not strike me as so elegant and well dressed as before. Her figure seemed smaller; there was an abruptness and excessive nervousness about her as though she were in a hurry, and there was not the same softness even in her smile. I was dressed in an expensive suit which I had bought during the day. She looked first of all at that suit and at the hat in my hand, then turned an impatient, searching glance upon my face as though studying it.

"Your transformation still seems to me a sort of miracle," she said. "Forgive me for looking at you with such curiosity. You are an extraordinary man, you know."

I told her again who I was, and why I was living at Orlov's, and I told her at greater length and in more detail than the day before. She listened with great attention, and said without letting me finish:

"Everything there is over for me. You know, I could not refrain from writing a letter. Here is the answer."

On the sheet which she gave there was written in Orlov's hand:

"I am not going to justify myself. But you must own that it was your mistake, not mine. I wish you happiness, and beg you to make haste and forget.

"Yours sincerely,

"G. O.

"P. S.—I am sending on your things."

The trunks and baskets despatched by Orlov were standing in the passage, and my poor little portmanteau was there beside them.

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