Джозеф Конрад - A Set of Six

"He had sent for a gun to the plains.

"It was long in coming, but at last it came. It was a seven–pounder field gun. Dismounted and lashed crosswise to two long poles, it had been carried up the narrow paths between two mules with ease. His wild cry of exultation at daybreak when he saw the gun escort emerge from the valley rings in my ears now.

"But, senores, I have no words to depict his amazement, his fury, his despair and distraction, when he heard that the animal loaded with the gun–carriage had, during the last night march, somehow or other tumbled down a precipice. He broke into menaces of death and torture against the escort. I kept out of his way all that day, lying behind some bushes, and wondering what he would do now. Retreat was left for him, but he could not retreat.

"I saw below me his artillerist, Jorge, an old Spanish soldier, building up a sort of structure with heaped–up saddles. The gun, ready loaded, was lifted on to that, but in the act of firing the whole thing collapsed and the shot flew high above the stockade.

"Nothing more was attempted. One of the ammunition mules had been lost, too, and they had no more than six shots to fire; ample enough to batter down the gate providing the gun was well laid. This was impossible without it being properly mounted. There was no time nor means to construct a carriage. Already every moment I expected to hear Robles' bugle–calls echo amongst the crags.

"Peneleo, wandering about uneasily, draped in his skins, sat down for a moment near me growling his usual tale.

"'Make an entrada—a hole. If make a hole, bueno. If not make a hole, then vamos—we must go away.'

"After sunset I observed with surprise the Indians making preparations as if for another assault. Their lines stood ranged in the shadows of the mountains. On the plain in front of the fort gate I saw a group of men swaying about in the same place.

"I walked down the ridge disregarded. The moonlight in the clear air of the uplands was bright as day, but the intense shadows confused my sight, and I could not make out what they were doing. I heard the voice of Jorge, the artillerist, say in a queer, doubtful tone, 'It is loaded, senor.'

"Then another voice in that group pronounced firmly the words, 'Bring the riata here.' It was the voice of Gaspar Ruiz.

"A silence fell, in which the popping shots of the besieged garrison rang out sharply. They, too, had observed the group. But the distance was too great and in the spatter of spent musket–balls cutting up the ground, the group opened, closed, swayed, giving me a glimpse of busy stooping figures in its midst. I drew nearer, doubting whether this was a weird vision, a suggestive and insensate dream.

"A strangely stifled voice commanded, 'Haul the hitches tighter.'

"'Si, senor,' several other voices answered in tones of awed alacrity.

"Then the stifled voice said: 'Like this. I must be free to breathe.'

"Then there was a concerned noise of many men together. 'Help him up, hombres. Steady! Under the other arm.'

"That deadened voice ordered: 'Bueno! Stand away from me, men.'

"I pushed my way through the recoiling circle, and heard once more that same oppressed voice saying earnestly: 'Forget that I am a living man, Jorge. Forget me altogether, and think of what you have to do.'

"'Be without fear, senor. You are nothing to me but a gun–carriage, and I shall not waste a shot.'

"I heard the spluttering of a port–fire, and smelt the saltpetre of the match. I saw suddenly before me a nondescript shape on all fours like a beast, but with a man's head drooping below a tubular projection over the nape of the neck, and the gleam of a rounded mass of bronze on its back.

"In front of a silent semicircle of men it squatted alone, with Jorge behind it and a trumpeter motionless, his trumpet in his hand, by its side.

"Jorge, bent double, muttered, port–fire in hand: 'An inch to the left, senor. Too much. So. Now, if you let yourself down a little by letting your elbows bend, I will … '

"He leaped aside, lowering his port–fire, and a burst of flame darted out of the muzzle of the gun lashed on the man's back.

"Then Gaspar Ruiz lowered himself slowly. 'Good shot?' he asked.

"'Full on, senor.'

"'Then load again.'

"He lay there before me on his breast under the darkly glittering bronze of his monstrous burden, such as no love or strength of man had ever had to bear in the lamentable history of the world. His arms were spread out, and he resembled a prostrate penitent on the moonlit ground.

"Again I saw him raised to his hands and knees and the men stand away from him, and old Jorge stoop glancing along the gun.

"'Left a little. Right an inch. Por Dios, senor, stop this trembling. Where is your strength?'

"The old gunner's voice was cracked with emotion. He stepped aside, and quick as lightning brought the spark to the touch–hole.

"'Excellent!' he cried, tearfully; but Gaspar Ruiz lay for a long time silent, flattened on the ground.

"'I am tired,' he murmured at last. 'Will another shot do it?'

"'Without doubt,' said Jorge, bending down to his ear.

"'Then—load,' I heard him utter distinctly. 'Trumpeter!'

"'I am here, senor, ready for your word.'

"'Blow a blast at this word that shall be heard from one end of Chile to the other,' he said, in an extraordinarily strong voice. 'And you others stand ready to cut this accursed riata, for then will be the time for me to lead you in your rush. Now raise me up, and you, Jorge—be quick with your aim.'

"The rattle of musketry from the fort nearly drowned his voice. The palisade was wreathed in smoke and flame.

"'Exert your force forward against the recoil, mi amo,' said the old gunner, shakily. 'Dig your fingers into the ground. So. Now!'

"A cry of exultation escaped him after the shot. The trumpeter raised his trumpet nearly to his lips and waited. But no word came from the prostrate man. I fell on one knee, and heard all he had to say then.

"'Something broken,' he whispered, lifting his head a little, and turning his eyes towards me in his hopelessly crushed attitude.

"'The gate hangs only by the splinters,' yelled Jorge.

"Gaspar Ruiz tried to speak, but his voice died out in his throat, and I helped to roll the gun off his broken back. He was insensible.

"I kept my lips shut, of course. The signal for the Indians to attack was never given. Instead, the bugle–calls of the relieving force for which my ears had thirsted so long, burst out, terrifying like the call of the Last Day to our surprised enemies.

"A tornado, senores, a real hurricane of stampeded men, wild horses, mounted Indians, swept over me as I cowered on the ground by the side of Gaspar Ruiz, still stretched out on his face in the shape of a cross. Peneleo, galloping for life, jabbed at me with his long chuso in passing—for the sake of old acquaintance, I suppose. How I escaped the flying lead is more difficult to explain. Venturing to rise on my knees too soon some soldiers of the 17th Taltal regiment, in their hurry to get at something alive, nearly bayoneted me on the spot. They looked very disappointed, too, when, some officers galloping up drove them away with the flat of their swords.

"It was General Robles with his staff. He wanted badly to make some prisoners. He, too, seemed disappointed for a moment. 'What! Is it you?' he cried. But he dismounted at once to embrace me, for he was an old friend of my family. I pointed to the body at our feet, and said only these two words:

"'Gaspar Ruiz.'

"He threw his arms up in astonishment.

"'Aha! Your strong man! Always to the last with your strong man. No matter. He saved our lives when the earth trembled enough to make the bravest faint with fear. I was frightened out of my wits. But he—no! Que guape! Where's the hero who got the best of him? ha! ha! ha! What killed him, chico?'