Джозеф Конрад - Chance

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Chance: краткое содержание, описание и аннотация

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Chance is narrated by Conrad’s regular narrator, Charles Marlow, but is characterised by a complex, nested narrative in which different narrators take up the story at different points and attempt to interpret various episodes in the life of Miss de Barral, the daughter of a convicted swindler named Smith de Barral (though this character is famous in the world of the novel as a criminal, he may, at least at first, have been merely an incompetent banker). Miss de Barral leads a sheltered life while her father is prosperous, then must rely on the generosity of others, who resent her or have agendas for her, before she escapes by marrying one Captain Anthony. Much of the book involves the musing of the various narrators over what she and the Captain expected from this union, and what they actually got from it. When her father is released from prison, he joins them on ship, and the book heads towards its denouement (source: Wikipedia)

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And these things which she could tell herself with a clear conscience served her better than the passionate obstinacy of purpose could serve Roderick Anthony. She was much more sure of herself than he was. Such are the advantages of mere rectitude over the most exalted generosity.

And so they went out to get married, the people of the house where she lodged having no suspicion of anything of the sort. They were only excited at a "gentleman friend" (a very fine man too) calling on Miss Smith for the first time since she had come to live in the house. When she returned, for she did come back alone, there were allusions made to that outing. She had to take her meals with these rather vulgar people. The woman of the house, a scraggy, genteel person, tried even to provoke confidences. Flora's white face with the deep blue eyes did not strike their hearts as it did the heart of Captain Anthony, as the very face of the suffering world. Her pained reserve had no power to awe them into decency.

Well, she returned alone—as in fact might have been expected. After leaving the Registry Office Flora de Barral and Roderick Anthony had gone for a walk in a park. It must have been an East–End park but I am not sure. Anyway that's what they did. It was a sunny day. He said to her: "Everything I have in the world belongs to you. I have seen to that without troubling my brother–in–law. They have no call to interfere."

She walked with her hand resting lightly on his arm. He had offered it to her on coming out of the Registry Office, and she had accepted it silently. Her head drooped, she seemed to be turning matters over in her mind. She said, alluding to the Fynes: "They have been very good to me." At that he exclaimed:

"They have never understood you. Well, not properly. My sister is not a bad woman, but … "

Flora didn't protest; asking herself whether he imagined that he himself understood her so much better. Anthony dismissing his family out of his thoughts went on: "Yes. Everything is yours. I have kept nothing back. As to the piece of paper we have just got from that miserable quill–driver if it wasn't for the law, I wouldn't mind if you tore it up here, now, on this spot. But don't you do it. Unless you should some day feel that—"

He choked, unexpectedly. She, reflective, hesitated a moment then making up her mind bravely.

"Neither am I keeping anything back from you."

She had said it! But he in his blind generosity assumed that she was alluding to her deplorable history and hastened to mutter:

"Of course! Of course! Say no more. I have been lying awake thinking of it all no end of times."

He made a movement with his other arm as if restraining himself from shaking an indignant fist at the universe; and she never even attempted to look at him. His voice sounded strangely, incredibly lifeless in comparison with these tempestuous accents that in the broad fields, in the dark garden had seemed to shake the very earth under her weary and hopeless feet.

She regretted them. Hearing the sigh which escaped her Anthony instead of shaking his fist at the universe began to pat her hand resting on his arm and then desisted, suddenly, as though he had burnt himself. Then after a silence:

"You will have to go by yourself to–morrow. I … No, I think I mustn't come. Better not. What you two will have to say to each other—"

She interrupted him quickly:

"Father is an innocent man. He was cruelly wronged."

"Yes. That's why," Anthony insisted earnestly. "And you are the only human being that can make it up to him. You alone must reconcile him with the world if anything can. But of course you shall. You'll have to find words. Oh you'll know. And then the sight of you, alone, would soothe—"

"He's the gentlest of men," she interrupted again.

Anthony shook his head. "It would take no end of generosity, no end of gentleness to forgive such a dead set. For my part I would have liked better to have been killed and done with at once. It could not have been worse for you—and I suppose it was of you that he was thinking most while those infernal lawyers were badgering him in court. Of you. And now I think of it perhaps the sight of you may bring it all back to him. All these years, all these years—and you his child left alone in the world. I would have gone crazy. For even if he had done wrong—"

"But he hasn't," insisted Flora de Barral with a quite unexpected fierceness. "You mustn't even suppose it. Haven't you read the accounts of the trial?"

"I am not supposing anything," Anthony defended himself. He just remembered hearing of the trial. He assured her that he was away from England, the second voyage of the Ferndale . He was crossing the Pacific from Australia at the time and didn't see any papers for weeks and weeks. He interrupted himself to suggest:

"You had better tell him at once that you are happy."

He had stammered a little, and Flora de Barral uttered a deliberate and concise "Yes."

A short silence ensued. She withdrew her hand from his arm. They stopped. Anthony looked as if a totally unexpected catastrophe had happened.

"Ah," he said. "You mind … "

"No! I think I had better," she murmured.

"I dare say. I dare say. Bring him along straight on board to–morrow. Stop nowhere."

She had a movement of vague gratitude, a momentary feeling of peace which she referred to the man before her. She looked up at Anthony. His face was sombre. He was miles away and muttered as if to himself:

"Where could he want to stop though?"

"There's not a single being on earth that I would want to look at his dear face now, to whom I would willingly take him," she said extending her hand frankly and with a slight break in her voice, "but you—Roderick."

He took that hand, felt it very small and delicate in his broad palm.

"That's right. That's right," he said with a conscious and hasty heartiness and, as if suddenly ashamed of the sound of his voice, turned half round and absolutely walked away from the motionless girl. He even resisted the temptation to look back till it was too late. The gravel path lay empty to the very gate of the park. She was gone—vanished. He had an impression that he had missed some sort of chance. He felt sad. That excited sense of his own conduct which had kept him up for the last ten days buoyed him no more. He had succeeded!

He strolled on aimlessly a prey to gentle melancholy. He walked and walked. There were but few people about in this breathing space of a poor neighbourhood. Under certain conditions of life there is precious little time left for mere breathing. But still a few here and there were indulging in that luxury; yet few as they were Captain Anthony, though the least exclusive of men, resented their presence. Solitude had been his best friend. He wanted some place where he could sit down and be alone. And in his need his thoughts turned to the sea which had given him so much of that congenial solitude. There, if always with his ship (but that was an integral part of him) he could always be as solitary as he chose. Yes. Get out to sea!

The night of the town with its strings of lights, rigid, and crossed like a net of flames, thrown over the sombre immensity of walls, closed round him, with its artificial brilliance overhung by an emphatic blackness, its unnatural animation of a restless, overdriven humanity. His thoughts which somehow were inclined to pity every passing figure, every single person glimpsed under a street lamp, fixed themselves at last upon a figure which certainly could not have been seen under the lamps on that particular night. A figure unknown to him. A figure shut up within high unscaleable walls of stone or bricks till next morning … The figure of Flora de Barral's father. De Barral the financier—the convict.

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