Джозеф Конрад - Chance

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Chance: краткое содержание, описание и аннотация

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Chance is narrated by Conrad’s regular narrator, Charles Marlow, but is characterised by a complex, nested narrative in which different narrators take up the story at different points and attempt to interpret various episodes in the life of Miss de Barral, the daughter of a convicted swindler named Smith de Barral (though this character is famous in the world of the novel as a criminal, he may, at least at first, have been merely an incompetent banker). Miss de Barral leads a sheltered life while her father is prosperous, then must rely on the generosity of others, who resent her or have agendas for her, before she escapes by marrying one Captain Anthony. Much of the book involves the musing of the various narrators over what she and the Captain expected from this union, and what they actually got from it. When her father is released from prison, he joins them on ship, and the book heads towards its denouement (source: Wikipedia)

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The effort of it uprooted her from that spot where her little feet seemed dug deep into the thick luxurious carpet, and she retreated backwards to a distant part of the room, hearing herself repeat "You mustn't, you mustn't" as if it were somebody else screaming. She came to a chair and flung herself into it. Thereupon the somebody else ceased screaming and she lolled, exhausted, sightless, in a silent room, as if indifferent to everything and without a single thought in her head.

The next few seconds seemed to last for ever so long; a black abyss of time separating what was past and gone from the reappearance of the governess and the reawakening of fear. And that woman was forcing the words through her set teeth: "You say I mustn't, I mustn't. All the world will be speaking of him like this to–morrow. They will say it, and they'll print it. You shall hear it and you shall read it—and then you shall know whose daughter you are."

Her face lighted up with an atrocious satisfaction. "He's nothing but a thief," she cried, "this father of yours. As to you I have never been deceived in you for a moment. I have been growing more and more sick of you for years. You are a vulgar, silly nonentity, and you shall go back to where you belong, whatever low place you have sprung from, and beg your bread—that is if anybody's charity will have anything to do with you, which I doubt—"

She would have gone on regardless of the enormous eyes, of the open mouth of the girl who sat up suddenly with the wild staring expression of being choked by invisible fingers on her throat, and yet horribly pale. The effect on her constitution was so profound, Mrs. Fyne told me, that she who as a child had a rather pretty delicate colouring, showed a white bloodless face for a couple of years afterwards, and remained always liable at the slightest emotion to an extraordinary ghost–like whiteness. The end came in the abomination of desolation of the poor child's miserable cry for help: "Charley! Charley!" coming from her throat in hidden gasping efforts. Her enlarged eyes had discovered him where he stood motionless and dumb.

He started from his immobility, a hand withdrawn brusquely from the pocket of his overcoat, strode up to the woman, seized her by the arm from behind, saying in a rough commanding tone: "Come away, Eliza." In an instant the child saw them close together and remote, near the door, gone through the door, which she neither heard nor saw being opened or shut. But it was shut. Oh yes, it was shut. Her slow unseeing glance wandered all over the room. For some time longer she remained leaning forward, collecting her strength, doubting if she would be able to stand. She stood up at last. Everything about her spun round in an oppressive silence. She remembered perfectly—as she told Mrs. Fyne—that clinging to the arm of the chair she called out twice "Papa! Papa!" At the thought that he was far away in London everything about her became quite still. Then, frightened suddenly by the solitude of that empty room, she rushed out of it blindly.

* * * * *

With that fatal diffidence in well doing, inherent in the present condition of humanity, the Fynes continued to watch at their window. "It's always so difficult to know what to do for the best," Fyne assured me. It is. Good intentions stand in their own way so much. Whereas if you want to do harm to anyone you needn't hesitate. You have only to go on. No one will reproach you with your mistakes or call you a confounded, clumsy meddler. The Fynes watched the door, the closed street door inimical somehow to their benevolent thoughts, the face of the house cruelly impenetrable. It was just as on any other day. The unchanged daily aspect of inanimate things is so impressive that Fyne went back into the room for a moment, picked up the paper again, and ran his eyes over the item of news. No doubt of it. It looked very bad. He came back to the window and Mrs. Fyne. Tired out as she was she sat there resolute and ready for responsibility. But she had no suggestion to offer. People do fear a rebuff wonderfully, and all her audacity was in her thoughts. She shrank from the incomparably insolent manner of the governess. Fyne stood by her side, as in those old–fashioned photographs of married couples where you see a husband with his hand on the back of his wife's chair. And they were about as efficient as an old photograph, and as still, till Mrs. Fyne started slightly. The street door had swung open, and, bursting out, appeared the young man, his hat (Mrs. Fyne observed) tilted forward over his eyes. After him the governess slipped through, turning round at once to shut the door behind her with care. Meantime the man went down the white steps and strode along the pavement, his hands rammed deep into the pockets of his fawn overcoat. The woman, that woman of composed movements, of deliberate superior manner, took a little run to catch up with him, and directly she had caught up with him tried to introduce her hand under his arm. Mrs. Fyne saw the brusque half turn of the fellow's body as one avoids an importunate contact, defeating her attempt rudely. She did not try again but kept pace with his stride, and Mrs. Fyne watched them, walking independently, turn the corner of the street side by side, disappear for ever.

The Fynes looked at each other eloquently, doubtfully: What do you think of this? Then with common accord turned their eyes back to the street door, closed, massive, dark; the great, clear–brass knocker shining in a quiet slant of sunshine cut by a diagonal line of heavy shade filling the further end of the street. Could the girl be already gone? Sent away to her father? Had she any relations? Nobody but de Barral himself ever came to see her, Mrs. Fyne remembered; and she had the instantaneous, profound, maternal perception of the child's loneliness—and a girl too! It was irresistible. And, besides, the departure of the governess was not without its encouraging influence. "I am going over at once to find out," she declared resolutely but still staring across the street. Her intention was arrested by the sight of that awful, sombrely glistening door, swinging back suddenly on the yawning darkness of the hall, out of which literally flew out, right out on the pavement, almost without touching the white steps, a little figure swathed in a holland pinafore up to the chin, its hair streaming back from its head, darting past a lamp–post, past the red pillar–box … "Here," cried Mrs. Fyne; "she's coming here! Run, John! Run!"

Fyne bounded out of the room. This is his own word. Bounded! He assured me with intensified solemnity that he bounded; and the sight of the short and muscular Fyne bounding gravely about the circumscribed passages and staircases of a small, very high class, private hotel, would have been worth any amount of money to a man greedy of memorable impressions. But as I looked at him, the desire of laughter at my very lips, I asked myself: how many men could be found ready to compromise their cherished gravity for the sake of the unimportant child of a ruined financier with an ugly, black cloud already wreathing his head. I didn't laugh at little Fyne. I encouraged him: "You did!—very good … Well?"

His main thought was to save the child from some unpleasant interference. There was a porter downstairs, page boys; some people going away with their trunks in the passage; a railway omnibus at the door, white–breasted waiters dodging about the entrance.

He was in time. He was at the door before she reached it in her blind course. She did not recognize him; perhaps she did not see him. He caught her by the arm as she ran past and, very sensibly, without trying to check her, simply darted in with her and up the stairs, causing no end of consternation amongst the people in his way. They scattered. What might have been their thoughts at the spectacle of a shameless middle– aged man abducting headlong into the upper regions of a respectable hotel a terrified young girl obviously under age, I don't know. And Fyne (he told me so) did not care for what people might think. All he wanted was to reach his wife before the girl collapsed. For a time she ran with him but at the last flight of stairs he had to seize and half drag, half carry her to his wife. Mrs. Fyne waited at the door with her quite unmoved physiognomy and her readiness to confront any sort of responsibility, which already characterized her, long before she became a ruthless theorist. Relieved, his mission accomplished, Fyne closed hastily the door of the sitting–room.

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