Федор Достоевский - The idiot / Идиот

This confidence of a stupid man in his own talents has been wonderfully depicted by Gogol in the amazing character of Pirogoff. Pirogoff has not the slightest doubt of his own genius, – nay, of his SUPERIORITY of genius, – so certain is he of it that he never questions it. How many Pirogoffs have there not been among our writers – scholars – propagandists? I say “have been,” but indeed there are plenty of them at this very day.

Our friend, Gania, belonged to the other class – to the “much cleverer” persons, though he was from head to foot permeated and saturated with the longing to be original. This class, as I have said above, is far less happy. For the “clever commonplace” person, though he may possibly imagine himself a man of genius and originality, none the less has within his heart the deathless worm of suspicion and doubt; and this doubt sometimes brings a clever man to despair. (As a rule, however, nothing tragic happens; – his liver becomes a little damaged in the course of time, nothing more serious. Such men do not give up their aspirations after originality without a severe struggle, – and there have been men who, though good fellows in themselves, and even benefactors to humanity, have sunk to the level of base criminals for the sake of originality.

Gania was a beginner, as it were, upon this road. A deep and unchangeable consciousness of his own lack of talent, combined with a vast longing to be able to persuade himself that he was original, had rankled in his heart, even from childhood.

He seemed to have been born with overwrought nerves, and in his passionate desire to excel, he was often led to the brink of some rash step; and yet, having resolved upon such a step, when the moment arrived, he invariably proved too sensible to take it. He was ready, in the same way, to do a base action in order to obtain his wished-for object; and yet, when the moment came to do it, he found that he was too honest for any great baseness. (Not that he objected to acts of petty meanness – he was always ready for THEM.) He looked with hate and loathing on the poverty and downfall of his family, and treated his mother with haughty contempt, although he knew that his whole future depended on her character and reputation.

Aglaya had simply frightened him; yet he did not give up all thoughts of her – though he never seriously hoped that she would condescend to him. At the time of his “adventure” with Nastasia Philipovna he had come to the conclusion that money was his only hope – money should do all for him.

At the moment when he lost Aglaya, and after the scene with Nastasia, he had felt so low in his own eyes that he actually brought the money back to the prince. Of this returning of the money given to him by a madwoman who had received it from a madman, he had often repented since – though he never ceased to be proud of his action. During the short time that Muishkin remained in Petersburg Gania had had time to come to hate him for his sympathy, though the prince told him that it was “not everyone who would have acted so nobly” as to return the money. He had long pondered, too, over his relations with Aglaya, and had persuaded himself that with such a strange, childish, innocent character as hers, things might have ended very differently. Remorse then seized him; he threw up his post, and buried himself in self-torment and reproach.

He lived at Ptitsin’s, and openly showed contempt for the latter, though he always listened to his advice, and was sensible enough to ask for it when he wanted it. Gavrila Ardalionovitch was angry with Ptitsin because the latter did not care to become a Rothschild. “If you are to be a Jew,” he said, “do it properly – squeeze people right and left, show some character; be the King of the Jews while you are about it.”

Ptitsin was quiet and not easily offended – he only laughed. But on one occasion he explained seriously to Gania that he was no Jew, that he did nothing dishonest, that he could not help the market price of money, that, thanks to his accurate habits, he had already a good footing and was respected, and that his business was flourishing.

“I shan’t ever be a Rothschild, and there is no reason why I should,” he added, smiling; “but I shall have a house in the Liteynaya, perhaps two, and that will be enough for me.” “Who knows but what I may have three!” he concluded to himself; but this dream, cherished inwardly, he never confided to a soul.

Nature loves and favours such people. Ptitsin will certainly have his reward, not three houses, but four, precisely because from childhood up he had realized that he would never be a Rothschild. That will be the limit of Ptitsin’s fortune, and, come what may, he will never have more than four houses.

Varvara Ardalionovna was not like her brother. She too, had passionate desires, but they were persistent rather than impetuous. Her plans were as wise as her methods of carrying them out. No doubt she also belonged to the category of ordinary people who dream of being original, but she soon discovered that she had not a grain of true originality, and she did not let it trouble her too much. Perhaps a certain kind of pride came to her help. She made her first concession to the demands of practical life with great resolution when she consented to marry Ptitsin. However, when she married she did not say to herself, “Never mind a mean action if it leads to the end in view,” as her brother would certainly have said in such a case; it is quite probable that he may have said it when he expressed his elder-brotherly satisfaction at her decision. Far from this; Varvara Ardalionovna did not marry until she felt convinced that her future husband was unassuming, agreeable, almost cultured, and that nothing on earth would tempt him to a really dishonourable deed. As to small mean-nesses, such trifles did not trouble her. Indeed, who is free from them? It is absurd to expect the ideal! Besides, she knew that her marriage would provide a refuge for all her family. Seeing Gania unhappy, she was anxious to help him, in spite of their former disputes and misunderstandings. Ptitsin, in a friendly way, would press his brother-in-law to enter the army. “You know,” he said sometimes, jokingly, “you despise generals and generaldom, but you will see that ‘they’ will all end by being generals in their turn. You will see it if you live long enough!”

“But why should they suppose that I despise generals?” Gania thought sarcastically to himself.

To serve her brother’s interests, Varvara Ardalionovna was constantly at the Epanchins’ house, helped by the fact that in childhood she and Gania had played with General Ivan Fedorovitch’s daughters. It would have been inconsistent with her character if in these visits she had been pursuing a chimera; her project was not chimerical at all; she was building on a firm basis – on her knowledge of the character of the Epanchin family, especially Aglaya, whom she studied closely. All Varvara’s efforts were directed towards bringing Aglaya and Gania together. Perhaps she achieved some result; perhaps, also, she made the mistake of depending too much upon her brother, and expecting more from him than he would ever be capable of giving. However this may be, her manoeuvres were skilful enough. For weeks at a time she would never mention Gania. Her attitude was modest but dignified, and she was always extremely truthful and sincere. Examining the depths of her conscience, she found nothing to reproach herself with, and this still further strengthened her in her designs. But Varvara Ardalionovna sometimes remarked that she felt spiteful; that there was a good deal of vanity in her, perhaps even of wounded vanity. She noticed this at certain times more than at others, and especially after her visits to the Epanchins.