James Agee - A Death In The Family

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THE TRUSTEES OF COLUMBIA UNIVERSITY IN THE CITY OF NEW YORK
To all persons to whom these presents may come greeting be it known that JAMES AGEE has been awarded THE PULITZER PRIZE IN LETTERS FICTION for A DEATH IN THE FAMILY in accordance with the provisions of the statutes of the University governing such award.
In witness whereof we have caused this certificate to be signed by the President of the University and our corporate seal to be hereto affixed in the City of New York on the fifth day of May in the year of our Lord one thousand nine hundred and fifty eight.
Grayson Kirk
PRESIDENT
James Agee’s novel A Death in the Family is a classic American story, chronicling just a few days in 1915 during which a husband and father is called out of town to be with his own father, who has had a heart attack, and while returning is killed in a car accident. Agee patterned the story closely after his own life, focusing on a boy who is the same age that he was when his father died. The narrative shifts from one perspective to another, including the young widow and her two children and her atheistic father and the dead man’s alcoholic brother, to name just a few, in an attempt to capture the ways in which one person’s loss immediately and powerfully affects everyone around.
The book was published in 1957 by McDowell, Obolensky, two years after Agee’s death from heart failure at the age of 46, and was awarded the 1958 Pulitzer Prize for Fiction. Although Agee had worked on it for almost a decade, he had not produced a definitive final draft, and so his publishers had to put the book together in a way that they believed would make the most sense. They have indicated places where they added materials that come from outside of the flow of the story, such as the opening section “ Knoxville: Summer, 1915,” which was first published in the 1940s. Critics agree that the end product is a consistent novel, one of the most moving works ever written about one of the most traumatic experiences a child could ever face.

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They heard her let out a long, tired, angry breath and they could hear her joints snapping as she sprinted up the stairs. They were sitting exactly where she had left them. Rufus thought, Maybe she will say we were good children, but without a word she finished with Catherine's stockings. She gave Rufus a new white shirt from which he slowly and with fascination drew the pins, running them between his teeth as he watched Aunt Hannah help Catherine into her new dress, which was white, speckled with small dark blue flowers. Catherine stood holding the hem and looking at the skirt and at her white-stockinged feet, which she could see through the skirt. "And now your necktie," Aunt Hannah said. She took his dark blue tie and made expert motions beneath his chin while alternately he tried to watch her hands and looked into her intent eyes behind their heavy lenses. Her eyes looked stern and sad and exhausted.

Then she cleaned their nails and combed and brushed their hair, and put a clean handkerchief in Rufus' breast pocket and blacked their shoes. "Now wait a moment," she said, leaving the room. They heard her rap softly on their mother's door.

"Mary?" she said.

"Yes," they heard dimly.

"The children are ready. Shall I bring them in?"

"Yes do, Hannah; thank you."

"Come in now and see your mother," she told them from the door.

They followed her in.

"Oh, they look very nice;" she exclaimed, in a voice so odd that it seemed to the children that she must be sorry that they did. Yet by her face they could see that she was not sorry. "Hannah, thank you so much, I don't know what I'd have…"

But Hannah had left the room and closed the door.

They stood and looked at her with curiosity. Her eyes seemed larger and brighter than usual; her hair was done up as carefully as if she were going to a party. She wore her wrapper and where it opened in front they could see that she had on something dull and black underneath. Her face was like folded gray cloths.

She watched them look at her; they did not move. Her face altered as if a very low light had gone on behind it.

"Come here, my darlings," she said, and smiled, and squatted with her hands out towards them.

Rufus came shyly; Catherine ran. She took one of them in each arm.

"There, my darlings," she said above them, "there, there, my dear ones. Mother's here. Mother's here. Mother has wanted to see you more, these last days; a lot more: she just-couldn't, Rufus and Catherine. Just couldn't do it." When she said "couldn't" she held them very tightly and they knew they were loved. "Little Catherine"-and she held Catherine's head still more tightly to her-"bless her soul! and Rufus"-she held him away and looked into his eyes-"you both know how much Mother loves you, with all her heart and soul, all her life-you know, don't you? Don't you?" Rufus, puzzled but moved, nodded politely, and again she caught him to her. "Of course you do," she said, as if she were not speaking to them. "Of course you do.

"Now," she said, after a moment. She stood up and drew them by their hands to the bed. They sat down and she sat in a chair and looked at them for a few seconds without speaking.

"Now," she said again. "I want to tell you about Daddy, because this morning, soon now, we're all going down to Grampa's and Grandma's, and see him once more, and tell him good-bye." Catherine's face brightened; her mother shook her head and placed a quieting hand on Catherine's knees, saying, "No, Catherine, it won't be like you think, that's what I must tell you about him. So listen very carefully, you too, Rufus."

She waited until she was sure they were listening carefully.

"You both understand what has happened to Daddy, don't you. That something happened in the auto, and God took him from us, very quickly, without any pain, and took him away to heaven. You understand that, don't you?"

They nodded.

"And you understand, that when God takes you away to heaven you can never come back?"

"Never come back?" Catherine asked.

She stroked Catherine's hair away from her face. "No, Catherine, not ever, in any way we can see and talk to. Daddy's soul will always be thinking of us, just as we will always think of him, but we will never see him again, after today." Catherine looked at her very intently; her face began to redden. "You must learn to believe that and know it, darling Catherine. It's so."

She seemed to be about to cry; she swallowed; and Catherine seemed to accept it as true.

"We'll always remember him," she told both of them. "Always. And he'll be thinking of us. Every day. He's waiting for us in heaven. And someday, if we're good, when God comes for us, He'll take us to heaven too and we'll see Daddy there, and all be together again, forever and ever."

Amen, Rufus almost said; then realized that this was not a prayer.

"But when we see Daddy today, children, his soul won't be there. It'll just be Daddy's body. Very much as you've always seen him. But because his soul has been taken away, he will be lying down, and he will lie very still. It will be just as if he were asleep, so you must both be just as quiet as if he were asleep and you didn't want to wake him. Quieter."

"But I do," said Catherine.

"But Catherine, you can't, dear, you mustn't even think of trying. Because Daddy is dead now, and when you are dead that means you go to sleep and you never wake up-until God wakes you."

"Well when will He?"

"We don't know, Rufus, but probably a long, long time from now. Long after we are all dead."

Rufus wondered what was the good of that, then, but he was sure he should not ask.

"So I don't want you to wonder about it, children. Daddy may seem very queer to you, because he's so still, but that's-just simply the way he's got to look."

Suddenly she pressed her lips tightly together and they trembled violently. She clenched her cheekbone against her left shoulder, squeezing their hands with her trembling hands, and tears slipped from her tightly shut eyes. Rufus watched her with awe, Catherine with forlorn worry. She suddenly hissed out, "Just-a-minute," with her eyes still closed, startling and shocking Catherine, so that she looked as if she were ready to cry. But before Catherine could commit herself to crying, her hands relaxed, pressing them gently, and she raised her head and opened her clear eyes, saying, "Now Mother must get dressed, and I want you to take Catherine downstairs, Rufus, and both of you be very quiet and good till I come down. And don't make any bother for Aunt Hannah, because she's been wonderful to all of us and she's worn out.

"You be good," she said, smiling and looking at them in turn. "I'll be down in a little while."

"Come on, Catherine," Rufus said.

"I'm coming," Catherine replied, looking at him as if he had spoken of her unjustly.

"Mama"; Rufus stopped near the door. Catherine hesitated, bewildered.

"Yes, Rufus?"

"Are we orphans, now?"

"Orphans?"

"Like the Belgians," he informed her. "French. When you haven't got any daddy or mamma because they're killed in the war you're an orphan and other children send you things and write you letters."

She must have been unfamiliar with the word, for she seemed to have to think very hard before she answered. Then she said, "Of course you're not orphans, Rufus, and I don't want you going around saying that you are. Do you hear me? Because it isn't so. Orphans haven't got either a father or a mother, you see, and nobody to take care of them or love them. You see? That's why other children send things. But you both have your mother. So you aren't orphans. Do you see? Do you?" He nodded; Catherine nodded because he did. "And Rufus." She looked at him very searchingly; without quite knowing why, he felt he had been discovered in a discreditable secret. "Don't be sorry you're not an orphan. You be thankful. Orphans sound lucky to you because they're far away and everyone talks about them now. But they're very, very unhappy little children. Because nobody loves them. Do you understand?"

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