James Agee - A Death In The Family

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THE TRUSTEES OF COLUMBIA UNIVERSITY IN THE CITY OF NEW YORK
To all persons to whom these presents may come greeting be it known that JAMES AGEE has been awarded THE PULITZER PRIZE IN LETTERS FICTION for A DEATH IN THE FAMILY in accordance with the provisions of the statutes of the University governing such award.
In witness whereof we have caused this certificate to be signed by the President of the University and our corporate seal to be hereto affixed in the City of New York on the fifth day of May in the year of our Lord one thousand nine hundred and fifty eight.
Grayson Kirk
PRESIDENT
James Agee’s novel A Death in the Family is a classic American story, chronicling just a few days in 1915 during which a husband and father is called out of town to be with his own father, who has had a heart attack, and while returning is killed in a car accident. Agee patterned the story closely after his own life, focusing on a boy who is the same age that he was when his father died. The narrative shifts from one perspective to another, including the young widow and her two children and her atheistic father and the dead man’s alcoholic brother, to name just a few, in an attempt to capture the ways in which one person’s loss immediately and powerfully affects everyone around.
The book was published in 1957 by McDowell, Obolensky, two years after Agee’s death from heart failure at the age of 46, and was awarded the 1958 Pulitzer Prize for Fiction. Although Agee had worked on it for almost a decade, he had not produced a definitive final draft, and so his publishers had to put the book together in a way that they believed would make the most sense. They have indicated places where they added materials that come from outside of the flow of the story, such as the opening section “ Knoxville: Summer, 1915,” which was first published in the 1940s. Critics agree that the end product is a consistent novel, one of the most moving works ever written about one of the most traumatic experiences a child could ever face.

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When they were gone she continued to look up and down the street as far as she could see. There was the strong carbon light at the corner, and there was the glow of an unseen light at a more distant corner to the west; and of another, still more distant, to the east. There was no sound, and there were no lights on in any of the houses. The air moved mildly on her forehead. She turned, and saw that her aunt was watching her, and looked into her eyes.

"Time to sleep," she said.

She closed the door; they continued to look at each other.

"It was just about this time last night," she said.

Hannah sighed, very low; after a moment she touched Mary's hand. Still they stood and looked at each other.

"Yes, just about," Mary whispered strangely.

Through the silence they began to hear the kitchen clock.

"Let's not even try to talk now," Mary said. "We're both worn out."

"Let me fix you a good hot toddy," Hannah said, as they turned towards the living room. "Help you sleep."

"I honestly don't think I'll need it, Aunt Hannah."

I'll make one and you take it or not as you like, Hannah wanted to say; suddenly she realized: I'm only trying to think I'm useful. She said nothing.

There was an odd kind of shyness or constraint between them, which neither could understand. They stood still again, just inside the living room; the silence was somewhat painful for both of them, each on the other's account. Does she really want me to stay, Hannah wondered; what earthly use am I! Does she think I don't want her to stay, Mary wondered, just because I can't talk? No, she's no talker.

"I just can't talk just now," she said.

"Of course you can't, child."

Hannah felt that she probably ought to take charge of everything, but she felt still more acutely that she should be at the service of Mary's wishes, or lack of them for that matter, she told herself.

I can't stand to send her to bed, Mary thought.

"It's all ready," she said abruptly and, she feared, rather ruthlessly, and walked quickly across to the downstairs bedroom door and opened it. "See?" She walked in and turned on the light and faced her aunt. "I got it ready in case Jay," she said, and absently smoothed the pillow. "Just as well I did."

"You go straight to bed, Mary," Hannah said. "Let me help if I…"

Mary went into the kitchen; then Hannah could hear her in the hall; after a moment she came back. "Here's a clean nightgown," she said, "and a wrapper," putting them across her aunt's embarrassed hands. "It'll be big, I'm afraid, the wrapper, it's-was-it's Jay's, but if you'll turn up the sleeves it'll do in a pinch, I guess." She went past Hannah into the living room.

"I'll see to that, Mary," Hannah hurried after her; she was already gathering tumblers towards the tray.

"Great-goodness!" Mary exclaimed. She lifted the bottle. "Do you mean to say I drank all that?" It was three-quarters empty.

"No. Andrew had some, so did I, so did J-your father."

"But-just one apiece, Aunt Hannah. I must have. Nearly all of it."

"It hasn't had any effect."

"How on earth!" She held the low whiskey close to her eyes and looked at it as if she were threading a needle. "Well I most certainly don't need a hot toddy," she said.

"I never heard of such a thing!" she exclaimed quietly.

"Aspirin, perhaps."

"Aspirin?"

"You might wake up with a headache."

"It must just, Papa, Papa says, he said it sometimes doesn't, in a state of shock or things… Aunt Hannah?" She called more loudly. "Aunt Hannah?" Mustn't wake them, she remembered. She waited. Her aunt came in from the hall with a glass of water and two aspirins.

"Here," she said, "you take these."

"But I…"

"Just swallow them. You don't want to wake up with a headache and they'll help you sleep, too."

She took them docilely; Hannah loaded and lifted the tray.

Chapter 13

Along Laurel, it was much darker; heavy leaves obscured the one near street lamp. Andrew could hear only their footsteps; his father and mother, he realized, could hear nothing even of that. How still we see thee lie. Yes, and between the treetops; the pale scrolls and porches and dark windows of the homes drifting past their slow walking, and not a light in any home, and so for miles, in every street of home and of business; above thy deep and dreamless sleep, the silent stars go by.

He helped his mother from the curb; this slow and irregular rattling of their little feet.

The stars are tired by now. Night's nearly over.

He helped her to the opposite curb.

Upon their faces the air was so marvelously pure, aloof and tender; and the silence of the late night in the city, and the stars, were secret and majestic beyond the wonder of the deepest country. Little houses, bigger ones, scrolled and capacious porches, dark windows, leaves of trees already rich with May, homes of rooms which chambered sleep as honey is cherished, drifted past their slow walking and were left behind, and not a light in any home. Along Laurel Avenue it was still darker. The lamp behind them no longer cast their shadows; in the light of the lamp ahead, a small and distant bit of pavement looked scalded with emptiness, a few leaves were touched to acid flame, the spindles and turned posts of one porch were rigidly white. Helping his mother along through the darkness, Andrew was walking much more slowly than he was used to walking, and all these things entered him calmly and thoroughly. Full as his heart was, he found that he was involved at least as deeply in the loveliness and unconcern of the spring night, as in the death. It's as if I didn't even care, he reflected, but he didn't mind. He knew he cared; he felt gratitude towards the night and towards the city he ordinarily cared little for. How still we see thee lie, he heard his mind say. He said the words over, drily within himself, and heard the melody; a child's voice, his own, sang it in his mind.

Hm.

He tried to remember when he had last walked in the open night at such an hour. He wasn't sure he even… God, years. Seven-about sixteen, when he still thought he was Shelley, watching the river. Leaning on the bridge rail and literally praying with gratitude for being alive.

Instinctively, he turned his head so that his parents could not see his face.

I don't want to see it, either, he thought.

By that time, Jay was trying to teach himself law.

Above thy deep and dreamless sleep, the silent stars go by.

The words had always touched him; every year they still brought back Christmas to him, for some reason, as nothing else could. Now they seemed to him as beautiful as any poetry he had ever known.

He said them over to himself very slowly and calmly: just a statement.

They do indeed, he thought, looking up. They do indeed. And God, how tired they look!

It's the time of night.

The silent stars go by, he said aloud, not whispering, but so quietly he was sure they would not hear.

His eyes sprang full of tears; his throat, his chest knotted into a deep sob which he subdued, and the tears itched on his cheeks.

Yet in thy dark streets shineth, he sang loudly, almost in fury, within himself: the everlasting light! and upon these words a sob leapt up through him which he could not subdue but could only hope to conceal.

They did not notice.

This is crazy, he told himself incredulously. No sense in this at all!

Everlasting light!

The hopes and fears, a calm and implacable voice continued within him; he spoke quietly: Of all the years.

Are met in thee tonight, he whispered: and in the middle of a wide plain, the middle of the dark and silent city, slabbed beneath shadowless light, he saw the dead man, and struck his thigh with his fists with all his strength.

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