Margaret Mitchell - Gone with the Wind

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The greatest love story of our time, the story of Scarlett O’Hara and Rhett Butler… Margaret Mitchell’s monumental epic of the South won a Pulitzer Prize, gave rise to the most popular motion picture of our time, and inspired a sequel that became the fastest selling novel of the century. It is one of the most popular books ever written; more than 28 million copies of the book have been sold in more than 37 countries. Today, more than half a century after its initial publication, its achievements are unparalleled, and it remains the most revered American saga and the most beloved work by an American writer…

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When the soldiers began arriving almost daily, Mammy protested against their being allowed to use the bedrooms. Always she feared lest some louse had escaped her. Rather than argue the matter, Scarlett turned the parlor with its deep velvet rug into a dormitory. Mammy cried out equally loudly at the sacrilege of soldiers being permitted to sleep on Miss Ellen’s rug but Scarlett was firm. They had to sleep somewhere. And, in the months after the surrender, the deep soft nap began to show signs of wear and finally the heavy warp and woof showed through in spots where heels had worn it and spurs dug carelessly.

Of each soldier, they asked eagerly of Ashley. Suellen, bridling, always asked news of Mr. Kennedy. But none of the soldiers had ever heard of them nor were they inclined to talk about the missing. It was enough that they themselves were alive, and they did not care to think of the thousands in unmarked graves who would never come home.

The family tried to bolster Melanie’s courage after each of these disappointments. Of course, Ashley hadn’t died in prison. Some Yankee chaplain would have written if this were true. Of course, he was coming home but his prison was so far away. Why, goodness, it took days riding on a train to make the trip and if Ashley was walking, like these men… Why hadn’t he written? Well, darling, you know what the mails are now—so uncertain and slipshod even where mail routes are re-established. But suppose—suppose he had died on the way home. Now, Melanie, some Yankee woman would have surely written us about it!… Yankee women! Bah!… Melly, there ARE some nice Yankee women. Oh, yes, there are! God couldn’t make a whole nation without having some nice women in it! Scarlett, you remember we did meet a nice Yankee woman at Saratoga that time—Scarlett, tell Melly about her!

“Nice, my foot!” replied Scarlert. “She asked me how many bloodhounds we kept to chase our darkies with! I agree with Melly. I never saw a nice Yankee, male or female. But don’t cry, Melly! Ashley’ll come home. It’s a long walk and maybe—maybe he hasn’t got any boots.”

Then at the thought of Ashley barefooted, Scarlett could have cried. Let other soldiers limp by in rags with their feet tied up in sacks and strips of carpet, but not Ashley. He should come home on a prancing horse, dressed in fine clothes and shining boots, a plume in his hat. It was the final degradation for her to think of Ashley reduced to the state of these other soldiers.

One afternoon in June when everyone at Tara was assembled on the back porch eagerly watching Pork cut the first half-ripe watermelon of the season, they heard hooves on the gravel of the front drive. Prissy started languidly toward the front door, while those left behind argued hotly as to whether they should hide the melon or keep it for supper, should the caller at the door prove to be a soldier.

Melly and Carreen whispered that the soldier guest should have a share and Scarlett, backed by Suellen and Mammy, hissed to Pork to hide it quickly.

“Don’t be a goose, girls! There’s not enough for us as it is and if there are two or three famished soldiers out there, none of us will even get a taste,” said Scarlett.

While Pork stood with the little melon clutched to him, uncertain as to the final decision, they heard Prissy cry out.

“Gawdlmighty! Miss Scarlett! Miss Melly! Come quick!”

“Who is it?” cried Scarlett, leaping up from the steps and racing through the hall with Melly at her shoulder and the others streaming after her.

Ashley! she thought. Oh, perhaps—

“It’s Uncle Peter! Miss Pittypat’s Uncle Peter!”

They all ran out to the front porch and saw the tall grizzled old despot of Aunt Pitty’s house climbing down from a rat-tailed nag on which a section of quilting had been strapped. On his wide black face, accustomed dignity strove with delight at seeing old friends, with the result that his brow was furrowed in a frown but his mouth was hanging open like a happy toothless old hound’s.

Everyone ran down the steps to greet him, black and white shaking his hand and asking questions, but Melly’s voice rose above them all.

“Auntie isn’t sick, is she?”

“No’m. She’s po’ly, thank God,” answered Peter, fastening a severe look first on Melly and then on Scarlett, so that they suddenly felt guilty but could think of no reason why. “She’s po’ly but she is plum outdone wid you young Misses, an’ ef it come right down to it, Ah is too!”

“Why! Uncle Peter! What on earth—”

“Y’all nee’n try ter ’scuse you’seffs. Ain’ Miss Pitty writ you an’ writ you ter come home? Ain’ Ah seed her write an’ seed her a-cryin’ w’en y’all writ her back dat you got too much ter do on disyere ole farm ter come home?”

“But, Uncle Peter—”

“Huccome you leave Miss Pitty by herseff lak dis w’en she so scary lak? You know well’s Ah do Miss Pitty ain’ never live by herseff an’ she been shakin’ in her lil shoes ever since she come back frum Macom. She say fer me ter tell y’all plain as Ah knows how dat she jes’ kain unnerstan’ y’all desertin’ her in her hour of need.”

“Now, hesh!” said Mammy tartly, for it sat ill upon her to hear Tara referred to as an “ole farm.” Trust an ignorant city-bred darky not to know the difference between a farm and a plantation. “Ain’ us got no hours of need? Ain’ us needin’ Miss Scarlett an’ Miss Melly right hyah an’ needin’ dem bad? Huccome Miss Pitty doan ast her brudder fer ’sistance, does she need any?”

Uncle Peter gave her a withering look.

“Us ain’ had nuthin’ ter do wid Mist’ Henry fer y’ars, an’ us is too ole ter start now.” He turned back to the girls, who were trying to suppress their smiles. “You young Misses ought ter tek shame, leavin’ po’ Miss Pitty ’lone, wid half her frens daid an’ de other half in Macom, an’ ’Lanta full of Yankee sojers an’ trashy free issue niggers.”

The two girls had borne the castigation with straight faces as long as they could, but the thought of Aunt Pitty sending Peter to scold them and bring them back bodily to Atlanta was too much for their control. They burst into laughter and hung on each other’s shoulders for support. Naturally, Pork and Dilcey and Mammy gave vent to loud guffaws at hearing the detractor of their beloved Tara set at naught. Suellen and Carreen giggled and even Gerald’s face wore a vague smile. Everyone laughed except Peter, who shifted from one large splayed foot to the other in mounting indignation.

“Whut’s wrong wid you, nigger?” inquired Mammy with a grin. “Is you gittin’ too ole ter perteck yo’ own Missus?”

Peter was outraged.

“Too ole! Me too ole? No, Ma’m! Ah kin perteck Miss Pitty lak Ah allus done. Ain’ Ah perteck her down ter Macom when us refugeed? Ain’ Ah perteck her w’en de Yankees come ter Macom an’ she so sceered she faintin’ all de time? An’ ain’ Ah ’quire disyere nag ter bring her back ter ’Lanta an’ perteck her an’ her pa’s silver all de way?” Peter drew himself to his full height as he vindicated himself. “Ah ain’ talkin’ about perteckin’. Ah’s talkin’ ’bout how it look.”

“How who look?”

“Ah’m talkin’ ’bout how it look ter folks, seein’ Miss Pitty livin’ ’lone. Folks talks scan’lous ’bout maiden ladies dat lives by deyseff,” continued Peter, and it was obvious to his listeners that Pittypat, in his mind, was still a plump and charming miss of sixteen who must be sheltered against evil tongues. “An’ Ah ain’ figgerin’ on havin’ folks criticize her. No, Ma’m… An’ Ah ain’ figgerin’ on her takin’ in no bo’ders, jes’ fer comp’ny needer. Ah done tole her dat. ‘Not w’ile you got yo’ flesh an’ blood dat belongs wid you,’ Ah says. An’ now her flesh an’ blood denyin’ her. Miss Pitty ain’ nuthin’ but a chile an’—”

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