Evelyn Waugh - The Complete Stories Of Evelyn Waugh

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A collection of thirty-nine stories spans the entire career of the literary master and comic genius, from his earliest character sketches and barbed portraits of the British upper class to "Brideshead Revisited" and "Black Mischief".

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The other part of his mail was in marked contrast to this. There was a box of preserved figs from an admirer in Fresno, California; two letters from young ladies who said they were composing papers about his work for their college literary societies, and would he send a photograph; press cuttings describing him as a “popular,” “brilliant,” “meteorically successful,” and “enviable” young novelist; a request for the loan of two hundred pounds from a paralysed journalist; an invitation to luncheon from Lady Metroland; six pages of closely reasoned abuse from a lunatic asylum in the North of England. For the truth, which no one who saw into Simon Lent’s heart could possibly have suspected, was that he was in his way and within his limits quite a famous young man.

There was a last letter with a typewritten address which Simon opened with little expectation of pleasure. The paper was headed with the name of a Film Studio in one of the suburbs of London. The letter was brief and business-like.

Dear Simon Lent (a form of address, he had noted before, largely favoured by the theatrical profession),

I wonder whether you have ever considered writing for the Films. We should value your angle on a picture we are now making. Perhaps you would meet me for luncheon tomorrow at the Garrick Club and let me know your reactions to this. Will you leave a message with my night-secretary some time before 8 a.m. tomorrow morning or with my day-secretary after that hour.

Cordially yours,

Below this were two words written in pen and ink which seemed to be Jewee Mecceee with below them the explanatory typescript ( Sir James Macrae ).

Simon read this through twice. Then he rang up Sir James Macrae and informed his night-secretary that he would keep the luncheon appointment next day. He had barely put down the telephone before the bell rang.

“This is Sir James Macrae’s night-secretary speaking. Sir James would be very pleased if Mr. Lent would come round and see him this evening at his house in Hampstead.”

Simon looked at his watch. It was nearly three. “Well… it’s rather late to go so far tonight…”

“Sir James is sending a car for you.”

Simon was no longer tired. As he waited for the car the telephone rang again. “Simon,” said Sylvia’s voice; “are you asleep?”

“No, in fact I’m just going out.”

Simon … I say, was I beastly tonight?”

“Lousy.”

“Well, I thought you were lousy too.”

“Never mind. See you sometime.”

“Aren’t you going to go on talking?”

“Can’t, I’m afraid. I’ve got to do some work.”

Simon, what can you mean?”

“Can’t explain now. There’s a car waiting.”

“When am I seeing you—tomorrow?”

“Well, I don’t really know. Ring me up in the morning. Good night.”

A quarter of a mile away, Sylvia put down the telephone, rose from the hearthrug, where she had settled herself in the expectation of twenty minutes’ intimate explanation and crept disconsolately into bed.

Simon bowled off to Hampstead through deserted streets. He sat back in the car in a state of pleasant excitement. Presently they began to climb the steep little hill and emerged into an open space with a pond and the tops of trees, black and deep as a jungle in the darkness. The night-butler admitted him to the low Georgian house and led him to the library, where Sir James Macrae was standing before the fire, dressed in ginger-coloured plus fours. A table was laid with supper.

“Evening, Lent. Nice of you to come. Have to fit in business when I can. Cocoa or whisky? Have some rabbit pie, it’s rather good. First chance of a meal I’ve had since breakfast. Ring for some more cocoa, there’s a good chap. Now what was it you wanted to see me about?”

“Well, I thought you wanted to see me .”

“Did I? Very likely. Miss Bentham’ll know. She arranged the appointment. You might ring the bell on the desk, will you?”

Simon rang and there instantly appeared the neat night-secretary.

“Miss Bentham, what did I want to see Mr. Lent about?”

“I’m afraid I couldn’t say, Sir James. Miss Harper is responsible for Mr. Lent. When I came on duty this evening I merely found a note from her asking me to fix an appointment as soon as possible.”

“Pity,” said Sir James. “We’ll have to wait until Miss Harper comes on tomorrow.”

“I think it was something about writing for films.”

“Very likely,” said Sir James. “Sure to be something of the kind. I’ll let you know without delay. Thanks for dropping in.” He put down his cup of cocoa and held out his hand with unaffected cordiality. “Good night, my dear boy.” He rang the bell for the night-butler. “Sanders, I want Benson to run Mr. Lent back.”

“I’m sorry, sir. Benson has just gone down to the studio to fetch Miss Grits.”

“Pity,” said Sir James. “Still, I expect you’ll be able to pick up a taxi or something.”

II

Simon got to bed at half past four. At ten minutes past eight the telephone by his bed was ringing.

“Mr. Lent? This is Sir James Macrae’s secretary speaking. Sir James’s car will call for you at half past eight to take you to the studio.”

“I shan’t be ready as soon as that, I’m afraid.”

There was a shocked pause; then, the day-secretary said: “Very well, Mr. Lent. I will see if some alternative arrangement is possible and ring you in a few minutes.”

In the intervening time Simon fell asleep again. Then the bell woke him once more and the same impersonal voice addressed him.

“Mr. Lent? I have spoken to Sir James. His car will call for you at eight forty-five.”

Simon dressed hastily. Mrs. Shaw had not yet arrived, so there was no breakfast for him. He found some stale cake in the kitchen cupboard and was eating it when Sir James’s car arrived. He took a slice down with him, still munching.

“You needn’t have brought that,” said a severe voice from inside the car. “Sir James has sent you some breakfast. Get in quickly; we’re late.”

In the corner, huddled in rugs, sat a young woman in a jaunty red hat; she had bright eyes and a very firm mouth.

“I expect that you are Miss Harper.”

“No. I’m Elfreda Grits. We’re working together on this film, I believe. I’ve been up all night with Sir James. If you don’t mind I’ll go to sleep for twenty minutes. You’ll find a thermos of cocoa and some rabbit pie in the basket on the floor.”

“Does Sir James live on cocoa and rabbit pie?”

“No; those are the remains of his supper. Please don’t talk. I want to sleep.”

Simon disregarded the pie, but poured some steaming cocoa into the metal cap of the thermos flask. In the corner, Miss Grits composed herself for sleep. She took off the jaunty red hat and laid it between them on the seat, veiled her eyes with two blue-pigmented lids and allowed the firm lips to relax and gape a little. Her platinum-blonde wind-swept head bobbed and swayed with the motion of the car as they swept out of London through converging and diverging tram lines. Stucco gave place to brick and the façades of the tube stations changed from tile to concrete; unoccupied building plots appeared and newly planted trees along unnamed avenues. Five minutes exactly before their arrival at the studio, Miss Grits opened her eyes, powdered her nose, touched her lips with red, and pulling her hat on to the side of her scalp, sat bolt upright, ready for another day.

Sir James was at work on the lot when they arrived. In a white-hot incandescent hell two young people were carrying on an infinitely tedious conversation at what was presumably the table of a restaurant. A dozen emaciated couples in evening dress danced listlessly behind them. At the other end of the huge shed some carpenters were at work building the façade of a Tudor manor house. Men in eye-shades scuttled in and out. Notices stood everywhere. Do not Smoke. Do not Speak. Keep away from the high-power cable .

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