Ayn Rand - Atlas Shrugged

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Atlas Shrugged: краткое содержание, описание и аннотация

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Rand's most notable novel asks the question: What happens to the world when the prime movers [inventors and scientists] go on strike? Narrator Scott Brick takes listeners on a journey so extraordinary they'll hardly notice the book's length. While his performance offers little in the way of theatrics, Brick is capable of garnering sympathy and, perhaps most importantly, devout attention for Rand's plot and characters. On the surface, Brick's voice is a cool, unrelenting force determined to capture every facet of Rand's complex story. But amid his calm and collected delivery, he taps into a more colorful emotional palette that will keep listeners involved. Brick's subtle delivery holds far more than meets the ear. L.B. © AudioFile 2009, Portland, Maine --This text refers to the Audio CD edition.

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His look of accusation, as he whirled to Rearden, broke against the faintly contemptuous reproof of Rearden's voice: "That's no way to guard a building—if this is what you allowed to happen. Better let me have the prisoner, before anything happens to him—if you don't want me to report you for negligence, as well as insubordination."

The chief dropped heavily back on his chair, slumped forward across the table and looked up at Rearden with a glance that made his emaciated face resemble the animals that were beginning to stir in the cages.

"Who is the prisoner?" he asked.

"My good man," said Rearden, "if your immediate superiors did not see fit to tell you, I certainly will not."

"They didn't see fit to tell me about your coming here, either!" yelled the chief, his voice confessing the helplessness of anger and broadcasting the vibrations of impotence to his men. "How do I know you're on the level? With the phone out of order, who's going to tell me? How am I to know what to do?"

"That's your problem, not mine."

"I don't believe you!" His cry was too shrill to project conviction, "I don't believe that the government would send you on a mission, when you're one of those vanishing traitors and friends of John Galt who—"

"But haven't you heard?"

"What?"

"John Galt has made a deal with the government and has brought us all back."

"Oh, thank God!" cried one of the guards, the youngest.

"Shut your mouth! You're not to have any political opinions!" snapped the chief, and jerked back to Rearden. "Why hasn't it been announced on the radio?"

"Do you presume to hold opinions on when and how the government should choose to announce its policies?"

In the long moment of silence, they could hear the rustle of the animals clawing at the bars of their cages.

"I think I should remind you," said Rearden, "that your job is not to question orders, but to obey them, that you are not to know or understand the policies of your superiors, that you are not to judge, to choose or to doubt."

"But I don't know whether I'm supposed to obey you!"

"If you refuse, you'll take the consequences."

Crouching against the table, the chief moved his glance slowly, appraisingly, from Rearden's face to the two gunmen in the corners. The gunmen steadied their aim by an almost imperceptible movement. A nervous rustle went through the room. An animal squeaked shrilly in one of the cages.

"I think I should also tell you," said Rearden, his voice faintly harder, "that I am not alone. My friends are waiting outside."

"Where?"

"All around this room."

"How many?"

"You'll find out—one way or the other."

"Say, Chief," moaned a shaky voice from among the guards, "we don't want to tangle with those people, they're—"

"Shut up!" roared the chief, leaping to his feet and brandishing his gun in the direction of the speaker. "You're not going to turn yellow on me, any of you bastards!" He was screaming to ward off the knowledge that they had. He was swaying on the edge of panic, fighting against the realization that something somehow had disarmed his men. "There's nothing to be scared of!" He was screaming it to himself, struggling to recapture the safety of his only sphere: the sphere of violence. "Nothing and nobody! I'll show you'" He whirled around, his hand shaking at the end of his sweeping arm, and fired at Rearden.

Some of them saw Rearden sway, his right hand gripping his left shoulder. Others, in the same instant, saw the gun drop out of the chief's hand and hit the floor in time with his scream and with the spurt of blood from his wrist. Then all of them saw Francisco d'Anconia standing at the door on the left, his soundless gun still aimed at the chief.

All of them were on their feet and had drawn their guns, but they lost that first moment, not daring to fire.

"I wouldn't, if I were you," said Francisco.

"Jesus!" gasped one of the guards, struggling for the memory of a name he could not recapture. "That's . . . that's the guy who blew up all the copper mines in the world!"

"It is," said Rearden.

They had been backing involuntarily away from Francisco—and turned to see that Rearden still stood at the entrance door, with a pointed gun in his right hand and a dark stain spreading on his left shoulder.

"Shoot, you bastards!" screamed the chief to the wavering men.

"What are you waiting for? Shoot them down!" He was leaning with one arm against the table, blood running out of the other. "I'll report any man who doesn't fight! I'll have him sentenced to death for it!"

"Drop your guns," said Rearden.

The seven guards stood frozen for an instant, obeying neither.

"Let me out of here!" screamed the youngest, dashing for the door on the right.

He threw the door open and sprang back: Dagny Taggart stood on the threshold, gun in hand.

The guards were drawing slowly to the center of the room, righting an invisible battle in the fog of their minds, disarmed by a sense of unreality in the presence of the legendary figures they had never expected to see, feeling almost as if they were ordered to fire at ghosts.

"Drop your guns," said Rearden. "You don't know why you're here.

We do. You don't know who your prisoner is. We do. You don't know why your bosses want you to guard him. We know why we want to get him out. You don't know the purpose of your fight. We know the purpose of ours. If you die, you won't know what you're dying for. If we do, we will."

"Don't . . . don't listen to him!" snarled the chief. "Shoot! I order you to shoot!"

One of the guards looked at the chief, dropped his gun and, raising his arms, backed away from the group toward Rearden.

"God damn you!" yelled the chief, seized a gun with his left hand and fired at the deserter.

In time with the fall of the man's body, the window burst into a shower of glass—and from the limb of a tree, as from a catapult, the tall, slender figure of a man flew into the room, landed on its feet and fired at the first guard in reach.

"Who are you?", screamed some terror-blinded voice.

"Ragnar Danneskjold."

Three sounds answered him: a long, swelling moan of panic—the clatter of four guns dropped to the floor—and the bark of the fifth, fired by a guard at the forehead of the chief.

By the time the four survivors of the garrison began to reassemble the pieces of their consciousness, their figures were stretched on the floor, bound and gagged; the fifth one was left standing, his hands tied behind his back.

"Where is the prisoner?" Francisco asked him.

"In the cellar . . . I guess."

"Who has the key?"

"Dr. Ferris."

"Where are the stairs to the cellar?"

"Behind a door in Dr. Ferris' office."

"Lead the way."

As they started, Francisco turned to Rearden. "Are you all right, Hank?"

"Sure."

"Need to rest?"

"Hell, no!"

From the threshold of a door in Ferris' office, they looked down a steep flight of stone stairs and saw a guard on the landing below.

"Come here with your hands up!" ordered Francisco.

The guard saw the silhouette of a resolute stranger and the glint of a gun: It was enough. He obeyed immediately; he seemed relieved to escape from the damp stone crypt. He was left tied on the floor of the office, along with the guard who had led them.

Then the four rescuers were free to fly down the stairs to the locked steel door at the bottom. They had acted and moved with the precision of a controlled discipline. Now, it was as if their inner reins had broken.

Danneskjold had the tools to smash the lock. Francisco was first to enter the cellar, and his arm barred Dagny's way for the fraction of a second—for the length of a look to make certain that the sight was bearable—then he let her rush past him: beyond the tangle of electric wires, he had seen Galt's lifted head and glance of greeting.

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