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Ayn Rand: The Fountainhead

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Ayn Rand The Fountainhead

The Fountainhead: краткое содержание, описание и аннотация

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The Fountainhead has become an enduring piece of literature, more popular now than when published in 1943. On the surface, it is a story of one man, Howard Roark, and his struggles as an architect in the face of a successful rival, Peter Keating, and a newspaper columnist, Ellsworth Toohey. But the book addresses a number of universal themes: the strength of the individual, the tug between good and evil, the threat of fascism. The confrontation of those themes, along with the amazing stroke of Rand's writing, combine to give this book its enduring influence.

Ayn Rand: другие книги автора


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"It's stupendous," said Lancelot Clokey, "only I'm really sore at that Union, Ellsworth. How could they double-cross you like that?"

"Don't be a sap, Lance," said Ellsworth Toohey. "What do you mean?"

"I told them to accept the terms."

"You did?"

"Yep."

"But Jesus! 'One Small Voice' ... "

"You can wait for 'One Small Voice' another month or so, can't you? I've filed suit with the labor board today, to be reinstated in my job on the Banner. There are more ways than one to skin a cat, Lance. The skinning isn't important once you've broken its spine."

That evening Roark pressed the bell button at the door of Wynand's penthouse. The butler opened the door and said: "Mr. Wynand cannot see you, Mr. Roark." From the sidewalk across the street Roark looked up and saw a square of light high over the roofs, in the window of Wynand's study.

In the morning Roark came to Wynand's office in the Banner Building. Wynand's secretary told him: "Mr. Wynand cannot see you, Mr. Roark." She added, her voice polite, disciplined: "Mr. Wynand has asked me to tell you that he does not wish ever to see you again."

Roark wrote him a long letter: " ... Gail, I know. I hoped you could escape it, but since it had to happen, start again from where you are. I know what you're doing to yourself. You're not doing it for my sake, it's not up to me, but if this will help you I want to say that I'm repeating, now, everything I've ever said to you. Nothing has changed for me. You're still what you were. I'm not saying that I forgive you, because there can be no such question between us. But if you can't forgive yourself, will you let me do it? Let me say that it doesn't matter, it's not the final verdict on you. Give me the right to let you forget it. Go on just on my faith until you've recovered. I know it's something no man can do for another, but if I am what I've been to you, you'll accept it. Call it a blood transfusion. You need it. Take it. It's harder than fighting that strike. Do it for my sake, if that will help you. But do it. Come back. There will be another chance. What you think you've lost can neither be lost nor found. Don't let it go."

The letter came back to Roark, unopened.

Alvah Scarret ran the Banner. Wynand sat in his office. He had removed Roark's picture from the wall. He attended to advertising contracts, expenses, accounts. Scarret took care of the editorial policy. Wynand did not read the contents of the Banner.

When Wynand appeared in any department of the building, the employees obeyed him as they had obeyed him before. He was still a machine and they knew that it was a machine more dangerous than ever: a car running downhill, without combustion or brakes.

He slept in his penthouse. He had not seen Dominique. Scarret had told him that she had gone back to the country. Once Wynand ordered his secretary to telephone Connecticut. He stood by her desk while she asked the butler whether Mrs. Wynand was there. The butler answered that she was. The secretary hung up and Wynand went back to his office.

He thought he would give himself a few days. Then he'd return to Dominique. Their marriage would be what she had wanted it to be at first — "Mrs. Wynand-Papers." He would accept it.

Wait, he thought in an agony of impatience, wait. You must learn to face her as you are now. Train yourself to be a beggar. There must be no pretense at things to which you have no right. No equality, no resistance, no pride in holding your strength against hers. Only acceptance now. Stand before her as a man who can give her nothing, who will live on what she chooses to grant him. It will be contempt, but it will come from her and it will be a bond. Show her that you recognize this. There is a kind of dignity in a renunciation of dignity openly admitted. Learn it. Wait ... He sat in the study of his penthouse, his head on the arm of his chair. There were no witnesses in the empty rooms around him ... Dominique, he thought, I will have no claim to make except that I need you so much. And that I love you. I told you once not to consider it. Now I'll use it as a tin cup. But I'll use it. I love you ...

Dominique lay stretched out on the shore of the lake. She looked at the house on the hill, at the tree branches above her. Flat on her back, hands crossed under her head, she studied the motion of leaves against the sky. It was an earnest occupation, giving her full contentment. She thought, it's a lovely kind of green, there's a difference between the color of plants and the color of objects, this has light in it, this is not just green, but also the living force of the tree made visible, I don't have to look down, I can see the branches, the trunk, the roots just by looking at that color. That fire around the edges is the sun, I don't have to see it, I can tell what the whole countryside looks like today. The spots of light weaving in circles — that's the lake, the special kind of light that comes refracted from water, the lake is beautiful today, and it's better not to see it, just to guess by these spots. I have never been able to enjoy it before, the sight of the earth, it's such great background, but it has no meaning except as a background, and I thought of those who owned it and then it hurt me too much. I can love it now. They don't own it. They own nothing. They've never won. I have seen the life of Gail Wynand, and now I know. One cannot hate the earth in their name. The earth is beautiful. And it is a background, but not theirs.

She knew what she had to do. But she would give herself a few days. She thought, I've learned to bear anything except happiness. I must learn how to carry it. How not to break under it. It's the only discipline I'll need from now on.

Roark stood at the window of his house in Monadnock Valley. He had rented the house for the summer; he went there when he wanted loneliness and rest. It was a quiet evening. The window opened on a small ledge in a frame of trees, hanging against the sky. A strip of sunset light stretched above the dark treetops. He knew that there were houses below, but they could not be seen. He was as grateful as any other tenant for the way in which he had built this place.

He heard the sound of a car approaching up the road at the other side. He listened, astonished. He expected no guests. The car stopped. He walked to open the door. He felt no astonishment when he saw Dominique.

She came in as if she had left this house half an hour ago. She wore no hat, no stockings, just sandals and a dress intended for back country roads, a narrow sheath of dark blue linen with short sleeves, like a smock for gardening. She did not look as if she had driven across three states, but as if she were returning from a walk down the hill. He knew that this was to be the solemnity of the moment — that it needed no solemnity; it was not to be stressed and set apart, it was not this particular evening, but the completed meaning of seven years behind them.

"Howard."

He stood as if he were looking at the sound of his name in the room. He had all he had wanted.

But there was one thought that remained as pain, even now. He said:

"Dominique, wait till he recovers."

"You know he won't recover."

"Have a little pity on him."

"Don't speak their language."

"He had no choice."

"He could have closed the paper."

"It was his life."

"This is mine."

He did not know that Wynand had once said all love is exception-making; and Wynand would not know that Roark had loved him enough to make his greatest exception, one moment when he had tried to compromise. Then he knew it was useless, like all sacrifices. What he said was his signature under her decision:

"I love you."

She looked about the room, to let the ordinary reality of walls and chairs help her keep the discipline she had been learning for this moment. The walls he had designed, the chairs he used, a package of his cigarettes on a table, the routine necessities of life that could acquire splendor when life became what it was now.

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