Edward Forster - A Room with a View

"I—I had to."

"Why, Miss Honeychurch, why?"

Terror came over her, and she lied again. She made the long, convincing speech that she had made to Mr. Beebe, and intended to make to the world when she announced that her engagement was no more. He heard her in silence, and then said: "My dear, I am worried about you. It seems to me"—dreamily; she was not alarmed—"that you are in a muddle."

She shook her head.

"Take an old man's word; there's nothing worse than a muddle in all the world. It is easy to face Death and Fate, and the things that sound so dreadful. It is on my muddles that I look back with horror—on the things that I might have avoided. We can help one another but little. I used to think I could teach young people the whole of life, but I know better now, and all my teaching of George has come down to this: beware of muddle. Do you remember in that church, when you pretended to be annoyed with me and weren't? Do you remember before, when you refused the room with the view? Those were muddles—little, but ominous—and I am fearing that you are in one now." She was silent. "Don't trust me, Miss Honeychurch. Though life is very glorious, it is difficult." She was still silent. "'Life' wrote a friend of mine, 'is a public performance on the violin, in which you must learn the instrument as you go along.' I think he puts it well. Man has to pick up the use of his functions as he goes along—especially the function of Love." Then he burst out excitedly; "That's it; that's what I mean. You love George!" And after his long preamble, the three words burst against Lucy like waves from the open sea.

"But you do," he went on, not waiting for contradiction. "You love the boy body and soul, plainly, directly, as he loves you, and no other word expresses it. You won't marry the other man for his sake."

"How dare you!" gasped Lucy, with the roaring of waters in her ears. "Oh, how like a man!—I mean, to suppose that a woman is always thinking about a man."

"But you are."

She summoned physical disgust.

"You're shocked, but I mean to shock you. It's the only hope at times. I can reach you no other way. You must marry, or your life will be wasted. You have gone too far to retreat. I have no time for the tenderness, and the comradeship, and the poetry, and the things that really matter, and for which you marry. I know that, with George, you will find them, and that you love him. Then be his wife. He is already part of you. Though you fly to Greece, and never see him again, or forget his very name, George will work in your thoughts till you die. It isn't possible to love and to part. You will wish that it was. You can transmute love, ignore it, muddle it, but you can never pull it out of you. I know by experience that the poets are right: love is eternal."

Lucy began to cry with anger, and though her anger passed away soon, her tears remained.

"I only wish poets would say this, too: love is of the body; not the body, but of the body. Ah! the misery that would be saved if we confessed that! Ah! for a little directness to liberate the soul! Your soul, dear Lucy! I hate the word now, because of all the cant with which superstition has wrapped it round. But we have souls. I cannot say how they came nor whither they go, but we have them, and I see you ruining yours. I cannot bear it. It is again the darkness creeping in; it is hell." Then he checked himself. "What nonsense I have talked—how abstract and remote! And I have made you cry! Dear girl, forgive my prosiness; marry my boy. When I think what life is, and how seldom love is answered by love—Marry him; it is one of the moments for which the world was made."

She could not understand him; the words were indeed remote. Yet as he spoke the darkness was withdrawn, veil after veil, and she saw to the bottom of her soul.

"Then, Lucy—"

"You've frightened me," she moaned. "Cecil—Mr. Beebe—the ticket's bought—everything." She fell sobbing into the chair. "I'm caught in the tangle. I must suffer and grow old away from him. I cannot break the whole of life for his sake. They trusted me."

A carriage drew up at the front-door.

"Give George my love—once only. Tell him 'muddle.'" Then she arranged her veil, while the tears poured over her cheeks inside.

"Lucy—"

"No—they are in the hall—oh, please not, Mr. Emerson—they trust me—"

"But why should they, when you have deceived them?"

Mr. Beebe opened the door, saying: "Here's my mother."

"You're not worthy of their trust."

"What's that?" said Mr. Beebe sharply.

"I was saying, why should you trust her when she deceived you?"

"One minute, mother." He came in and shut the door.

"I don't follow you, Mr. Emerson. To whom do you refer? Trust whom?"

"I mean she has pretended to you that she did not love George. They have loved one another all along."

Mr. Beebe looked at the sobbing girl. He was very quiet, and his white face, with its ruddy whiskers, seemed suddenly inhuman. A long black column, he stood and awaited her reply.

"I shall never marry him," quavered Lucy.

A look of contempt came over him, and he said, "Why not?"

"Mr. Beebe—I have misled you—I have misled myself—"

"Oh, rubbish, Miss Honeychurch!"

"It is not rubbish!" said the old man hotly. "It's the part of people that you don't understand."

Mr. Beebe laid his hand on the old man's shoulder pleasantly.

"Lucy! Lucy!" called voices from the carriage.

"Mr. Beebe, could you help me?"

He looked amazed at the request, and said in a low, stern voice: "I am more grieved than I can possibly express. It is lamentable, lamentable—incredible."

"What's wrong with the boy?" fired up the other again.

"Nothing, Mr. Emerson, except that he no longer interests me. Marry George, Miss Honeychurch. He will do admirably."

He walked out and left them. They heard him guiding his mother up-stairs.

"Lucy!" the voices called.

She turned to Mr. Emerson in despair. But his face revived her. It was the face of a saint who understood.

"Now it is all dark. Now Beauty and Passion seem never to have existed. I know. But remember the mountains over Florence and the view. Ah, dear, if I were George, and gave you one kiss, it would make you brave. You have to go cold into a battle that needs warmth, out into the muddle that you have made yourself; and your mother and all your friends will despise you, oh, my darling, and rightly, if it is ever right to despise. George still dark, all the tussle and the misery without a word from him. Am I justified?" Into his own eyes tears came. "Yes, for we fight for more than Love or Pleasure; there is Truth. Truth counts, Truth does count."

"You kiss me," said the girl. "You kiss me. I will try."

He gave her a sense of deities reconciled, a feeling that, in gaining the man she loved, she would gain something for the whole world. Throughout the squalor of her homeward drive—she spoke at once—his salutation remained. He had robbed the body of its taint, the world's taunts of their sting; he had shown her the holiness of direct desire. She "never exactly understood," she would say in after years, "how he managed to strengthen her. It was as if he had made her see the whole of everything at once."

The Miss Alans did go to Greece, but they went by themselves. They alone of this little company will double Malea and plough the waters of the Saronic gulf. They alone will visit Athens and Delphi, and either shrine of intellectual song—that upon the Acropolis, encircled by blue seas; that under Parnassus, where the eagles build and the bronze charioteer drives undismayed towards infinity. Trembling, anxious, cumbered with much digestive bread, they did proceed to Constantinople, they did go round the world. The rest of us must be contented with a fair, but a less arduous, goal. Italiam petimus: we return to the Pension Bertolini.