George Meredith - The Egoist - A Comedy in Narrative
Здесь есть возможность читать онлайн «George Meredith - The Egoist - A Comedy in Narrative» весь текст электронной книги совершенно бесплатно (целиком полную версию без сокращений). В некоторых случаях можно слушать аудио, скачать через торрент в формате fb2 и присутствует краткое содержание. Жанр: Классическая проза, на английском языке. Описание произведения, (предисловие) а так же отзывы посетителей доступны на портале библиотеки ЛибКат.
- Название:The Egoist: A Comedy in Narrative
- Автор:
- Жанр:
- Год:неизвестен
- ISBN:нет данных
- Рейтинг книги:3 / 5. Голосов: 1
-
Избранное:Добавить в избранное
- Отзывы:
-
Ваша оценка:
- 60
- 1
- 2
- 3
- 4
- 5
The Egoist: A Comedy in Narrative: краткое содержание, описание и аннотация
Предлагаем к чтению аннотацию, описание, краткое содержание или предисловие (зависит от того, что написал сам автор книги «The Egoist: A Comedy in Narrative»). Если вы не нашли необходимую информацию о книге — напишите в комментариях, мы постараемся отыскать её.
The Egoist
The Egoist: A Comedy in Narrative — читать онлайн бесплатно полную книгу (весь текст) целиком
Ниже представлен текст книги, разбитый по страницам. Система сохранения места последней прочитанной страницы, позволяет с удобством читать онлайн бесплатно книгу «The Egoist: A Comedy in Narrative», без необходимости каждый раз заново искать на чём Вы остановились. Поставьте закладку, и сможете в любой момент перейти на страницу, на которой закончили чтение.
Интервал:
Закладка:
"Run: say I am here; I want the letter, it is mine."
Crossjay sprang away and plunged into the arms of Sir Willoughby.
"One has to catch the fellow like a football," exclaimed the injured gentleman, doubled across the boy and holding him fast, that he might have an object to trifle with, to give himself countenance: he needed it. "Clara, you have not been exposed to the weather?"
"Hardly at all."
"I rejoice. You found shelter?"
"Yes."
"In one of the cottages?"
"Not in a cottage; but I was perfectly sheltered. Colonel De Craye passed a fly before he met me…"
"Flitch again!" ejaculated the colonel.
"Yes, you have luck, you have luck," Willoughby addressed him, still clutching Crossjay and treating his tugs to get loose as an invitation to caresses. But the foil barely concealed his livid perturbation.
"Stay by me, sir," he said at last sharply to Crossjay, and Clara touched the boy's shoulder in admonishment of him.
She turned to the colonel as they stepped into the hall: "I have not thanked you, Colonel De Craye." She dropped her voice to its lowest: "A letter in my handwriting in the laboratory."
Crossjay cried aloud with pain.
"I have you!" Willoughby rallied him with a laugh not unlike the squeak of his victim.
"You squeeze awfully hard, sir."
"Why, you milksop!"
"Am I! But I want to get a book."
"Where is the book?"
"In the laboratory."
Colonel De Craye, sauntering by the laboratory door, sung out: "I'll fetch you your book. What is it? EARLY NAVIGATORS? INFANT HYMNS? I think my cigar-case is in here."
"Barclay speaks of a letter for me," Willoughby said to Clara, "marked to be delivered to me at noon!"
"In case of my not being back earlier; it was written to avert anxiety," she replied.
"You are very good."
"Oh, good! Call me anything but good. Here are the ladies. Dear ladies!" Clara swam to meet them as they issued from a morning-room into the hall, and interjections reigned for a couple of minutes.
Willoughby relinquished his grasp of Crossjay, who darted instantaneously at an angle to the laboratory, whither he followed, and he encountered De Craye coming out, but passed him in silence.
Crossjay was rangeing and peering all over the room. Willoughby went to his desk and the battery-table and the mantelpiece. He found no letter. Barclay had undoubtedly informed him that she had left a letter for him in the laboratory, by order of her mistress after breakfast.
He hurried out and ran upstairs in time to see De Craye and Barclay breaking a conference.
He beckoned to her. The maid lengthened her upper lip and beat her dress down smooth: signs of the apprehension of a crisis and of the getting ready for action.
"My mistress's bell has just rung, Sir Willoughby."
"You had a letter for me."
"I said…"
"You said when I met you at the foot of the stairs that you had left a letter for me in the laboratory."
"It is lying on my mistress's toilet-table."
"Get it."
Barclay swept round with another of her demure grimaces. It was apparently necessary with her that she should talk to herself in this public manner.
Willoughby waited for her; but there was no reappearance of the maid.
Struck by the ridicule of his posture of expectation, and of his whole behaviour, he went to his bedroom suite, shut himself in, and paced the chambers, amazed at the creature he had become. Agitated like the commonest of wretches, destitute of self-control, not able to preserve a decent mask, be, accustomed to inflict these emotions and tremours upon others, was at once the puppet and dupe of an intriguing girl. His very stature seemed lessened. The glass did not say so, but the shrunken heart within him did, and wailfully too. Her compunction — 'Call me anything but good' — coming after her return to the Hall beside De Craye, and after the visible passage of a secret between them in his presence, was a confession: it blew at him with the fury of a furnace-blast in his face. Egoist agony wrung the outcry from him that dupery is a more blessed condition. He desired to be deceived.
He could desire such a thing only in a temporary transport; for above all he desired that no one should know of his being deceived; and were he a dupe the deceiver would know it, and her accomplice would know it, and the world would soon know of it: that world against whose tongue he stood defenceless. Within the shadow of his presence he compressed opinion, as a strong frost binds the springs of earth, but beyond it his shivering sensitiveness ran about in dread of a stripping in a wintry atmosphere. This was the ground of his hatred of the world: it was an appalling fear on behalf of his naked eidolon, the tender infant Self swaddled in his name before the world, for which he felt as the most highly civilized of men alone can feel, and which it was impossible for him to stretch out hands to protect. There the poor little loveable creature ran for any mouth to blow on; and frostnipped and bruised, it cried to him, and he was of no avail! Must we not detest a world that so treats us? We loathe it the more, by the measure of our contempt for them, when we have made the people within the shadow-circle of our person slavish.
And he had been once a young prince in popularity: the world had been his possession. Clara's treatment of him was a robbery of land and subjects. His grander dream had been a marriage with a lady of so glowing a fame for beauty and attachment to her lord that the world perforce must take her for witness to merits which would silence detraction and almost, not quite (it was undesireable), extinguish envy. But for the nature of women his dream would have been realized. He could not bring himself to denounce Fortune. It had cost him a grievous pang to tell Horace De Craye he was lucky; he had been educated in the belief that Fortune specially prized and cherished little Willoughby: hence of necessity his maledictions fell upon women, or he would have forfeited the last blanket of a dream warm as poets revel in.
But if Clara deceived him, he inspired her with timidity. There was matter in that to make him wish to be deceived. She had not looked him much in the face: she had not crossed his eyes: she had looked deliberately downward, keeping her head up, to preserve an exterior pride. The attitude had its bewitchingness: the girl's physical pride of stature scorning to bend under a load of conscious guilt, had a certain black-angel beauty for which he felt a hugging hatred: and according to his policy when these fits of amorous meditation seized him, he burst from the present one in the mood of his more favourable conception of Clara, and sought her out.
The quality of the mood of hugging hatred is, that if you are disallowed the hug, you do not hate the fiercer.
Contrariwise the prescription of a decorous distance of two feet ten inches, which is by measurement the delimitation exacted of a rightly respectful deportment, has this miraculous effect on the great creature man, or often it has: that his peculiar hatred returns to the reluctant admiration begetting it, and his passion for the hug falls prostrate as one of the Faithful before the shrine; he is reduced to worship by fasting.
(For these mysteries, consult the sublime chapter in the GREAT BOOK, the Seventy-first on LOVE, wherein nothing is written, but the Reader receives a Lanthorn, a Powder-cask and a Pick-axe, and therewith pursues his yellow-dusking path across the rubble of preceding excavators in the solitary quarry: a yet more instructive passage than the overscrawled Seventieth, or French Section, whence the chapter opens, and where hitherto the polite world has halted.)
The hurry of the hero is on us, we have no time to spare for mining works: he hurried to catch her alone, to wreak his tortures on her in a bitter semblance of bodily worship, and satiated, then comfortably to spurn. He found her protected by Barclay on the stairs.
Читать дальшеИнтервал:
Закладка:
Похожие книги на «The Egoist: A Comedy in Narrative»
Представляем Вашему вниманию похожие книги на «The Egoist: A Comedy in Narrative» списком для выбора. Мы отобрали схожую по названию и смыслу литературу в надежде предоставить читателям больше вариантов отыскать новые, интересные, ещё непрочитанные произведения.
Обсуждение, отзывы о книге «The Egoist: A Comedy in Narrative» и просто собственные мнения читателей. Оставьте ваши комментарии, напишите, что Вы думаете о произведении, его смысле или главных героях. Укажите что конкретно понравилось, а что нет, и почему Вы так считаете.