Charles Dickens - A Tale Of Two Cities

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Masterful tale unfolded in the carnage, horror and idealism of the French Revolution. Political upheaval frames the story, but Dickens delights in indicting aristocratic tyranny and revolutionary excesses. A young Englishman, Sydney Carton, gets swept up in the chaos and ends by heroically sacrificing himself. For the love of a woman he can never have, he exchanges places with his friend and twin, Charles Darnay, sentenced to death on the guillotine and goes to a "far, far better place."

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He wrote a long letter to Lucie, showing her that he had known nothing of her father's imprisonment, until he had heard of it from herself, and that he had been as ignorant as she of his father's and uncle's responsibility for that misery, until the paper had been read.

He had already explained to her that his concealment from herself of the name he had relinquished, was the one condition-fully intelligible now-that her father had attached to their betrothal, and was the one promise he had still exacted on the morning of their marriage. He entreated her, for her father's sake, never to seek to know whether her father had become oblivious of the existence of the paper, or had had it recalled to him (for the moment, or for good), by the story of the Tower, on that old Sunday under the dear old plane-tree in the garden. If he had preserved any definite remembrance of it, there could be no doubt that he had supposed it destroyed with the Bastille, when he had found no mention of it among the relics of prisoners which the populace had discovered there, and which had been described to all the world. He besought her-though he added that he knew it was needless-to console her father, by impressing him through every tender means she could think of, with the truth that he had done nothing for which he could justly reproach himself, but had uniformly forgotten himself for their joint sakes. Next to her preservation of his own last grateful love and blessing, and her overcoming of her sorrow, to devote herself to their dear child, he adjured her, as they would meet in Heaven, to comfort her father.

To her father himself, he wrote in the same strain; but, he told her father that he expressly confided his wife and child to his care.

And he told him this, very strongly, with the hope of rousing him from any despondency or dangerous retrospect towards which he foresaw he might be tending.

To Mr. Lorry, he commended them all, and explained his worldly affairs.

That done, with many added sentences of grateful friendship and warm attachment, all was done. He never thought of Carton. His mind was so full of the others, that he never once thought of him.

He had time to finish these letters before the lights were put out.

When he lay down on his straw bed, he thought he had done with this world.

But, it beckoned him back in his sleep, and showed itself in shining forms. Free and happy, back in the old house in Soho (though it had nothing in it like the real house), unaccountably released and light of heart, he was with Lucie again, and she told him it was all a dream, and he had never gone away. A pause of forgetfulness, and then he had even suffered, and had come back to her, dead and at peace, and yet there was no difference in him. Another pause of oblivion, and he awoke in the sombre morning, unconscious where he was or what had happened, until it flashed upon his mind, "this is the day of my death!"

Thus, had he come through the hours, to the day when the fifty-two heads were to fall. And now, while he was composed, and hoped that he could meet the end with quiet heroism, a new action began in his waking thoughts, which was very difficult to master.

He had never seen the instrument that was to terminate his life.

How high it was from the ground, how many steps it had, where he would be stood, how he would be touched, whether the touching hands would be dyed red, which way his face would be turned, whether he would be the first, or might be the last: these and many similar questions, in nowise directed by his will, obtruded themselves over and over again, countless times. Neither were they connected with fear: he was conscious of no fear. Rather, they originated in a strange besetting desire to know what to do when the time came; a desire gigantically disproportionate to the few swift moments to which it referred; a wondering that was more like the wondering of some other spirit within his, than his own.

The hours went on as he walked to and fro, and the clocks struck the numbers he would never hear again. Nine gone for ever, ten gone for ever, eleven gone for ever, twelve coming on to pass away. After a hard contest with that eccentric action of thought which had last perplexed him, he had got the better of it. He walked up and down, softly repeating their names to himself. The worst of the strife was over. He could walk up and down, free from distracting fancies, praying for himself and for them.

Twelve gone for ever.

He had been apprised that the final hour was Three, and he knew he would be summoned some time earlier, inasmuch as the tumbrils jolted heavily and slowly through the streets. Therefore, he resolved to keep Two before his mind, as the hour, and so to strengthen himself in the interval that he might be able, after that time, to strengthen others.

Walking regularly to and fro with his arms folded on his breast, a very different man from the prisoner, who had walked to and fro at La Force, he heard One struck away from him, without surprise.

The hour had measured like most other hours. Devoutly thankful to Heaven for his recovered self-possession, he thought, "There is but another now," and turned to walk again.

Footsteps in the stone passage outside the door. He stopped.

The key was put in the lock, and turned. Before the door was opened, or as it opened, a man said in a low voice, in English: "He has never seen me here; I have kept out of his way. Go you in alone; I wait near.

Lose no time!"

The door was quickly opened and closed, and there stood before him face to face, quiet, intent upon him, with the light of a smile on his features, and a cautionary finger on his lip, Sydney Carton.

There was something so bright and remarkable in his look, that, for the first moment, the prisoner misdoubted him to be an apparition of his own imagining. But, he spoke, and it was his voice; he took the prisoner's hand, and it was his real grasp.

"Of all the people upon earth, you least expected to see me?" he said.

"I could not believe it to be you. I can scarcely believe it now.

You are not"-the apprehension came suddenly into his mind-"a prisoner?"

"No. I am accidentally possessed of a power over one of the keepers here, and in virtue of it I stand before you. I come from her-your wife, dear Darnay."

The prisoner wrung his hand.

"I bring you a request from her."

"What is it?"

"A most earnest, pressing, and emphatic entreaty, addressed to you in the most pathetic tones of the voice so dear to you, that you well remember."

The prisoner turned his face partly aside.

"You have no time to ask me why I bring it, or what it means; I have no time to tell you. You must comply with it-take off those boots you wear, and draw on these of mine."

There was a chair against the wall of the cell, behind the prisoner. Carton, pressing forward, had already, with the speed of lightning, got him down into it, and stood over him, barefoot.

"Draw on these boots of mine. Put your hands to them; put your will to them. Quick!"

"Carton, there is no escaping from this place; it never can be done.

You will only die with me. It is madness."

"It would be madness if I asked you to escape; but do I? When I ask you to pass out at that door, tell me it is madness and remain here.

Change that cravat for this of mine, that coat for this of mine.

While you do it, let me take this ribbon from your hair, and shake out your hair like this of mine!"

With wonderful quickness, and with a strength both of will and action, that appeared quite supernatural, he forced all these changes upon him.

The prisoner was like a young child in his hands.

"Carton! Dear Carton! It is madness. It cannot be accomplished, it never can be done, it has been attempted, and has always failed.

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