Charles Dickens - Life And Adventures Of Martin Chuzzlewit

She was a fat old woman, this Mrs Gamp, with a husky voice and a moist eye, which she had a remarkable power of turning up, and only showing the white of it. Having very little neck, it cost her some trouble to look over herself, if one may say so, at those to whom she talked. She wore a very rusty black gown, rather the worse for snuff, and a shawl and bonnet to correspond. In these dilapidated articles of dress she had, on principle, arrayed herself, time out of mind, on such occasions as the present; for this at once expressed a decent amount of veneration for the deceased, and invited the next of kin to present her with a fresher suit of weeds; an appeal so frequently successful, that the very fetch and ghost of Mrs Gamp, bonnet and all, might be seen hanging up, any hour in the day, in at least a dozen of the second-hand clothes shops about Holborn. The face of Mrs Gamp—the nose in particular—was somewhat red and swollen, and it was difficult to enjoy her society without becoming conscious of a smell of spirits. Like most persons who have attained to great eminence in their profession, she took to hers very kindly; insomuch that, setting aside her natural predilections as a woman, she went to a lying-in or a laying-out with equal zest and relish.

“Ah!” repeated Mrs Gamp; for it was always a safe sentiment in cases of mourning. “Ah dear! When Gamp was summoned to his long home, and I see him a-lying in Guy's Hospital with a penny-piece on each eye, and his wooden leg under his left arm, I thought I should have fainted away. But I bore up.”

If certain whispers current in the Kingsgate Street circles had any truth in them, she had indeed borne up surprisingly; and had exerted such uncommon fortitude as to dispose of Mr Gamp's remains for the benefit of science. But it should be added, in fairness, that this had happened twenty years before; and that Mr and Mrs Gamp had long been separated on the ground of incompatibility of temper in their drink.

“You have become indifferent since then, I suppose?” said Mr Pecksniff. “Use is second nature, Mrs Gamp.”

“You may well say second nater, sir,” returned that lady. “One's first ways is to find sich things a trial to the feelings, and so is one's lasting custom. If it wasn't for the nerve a little sip of liquor gives me (I never was able to do more than taste it), I never could go through with what I sometimes has to do. “Mrs Harris,” I says, at the very last case as ever I acted in, which it was but a young person, “Mrs Harris,” I says, “leave the bottle on the chimley-piece, and don't ask me to take none, but let me put my lips to it when I am so dispoged, and then I will do what I'm engaged to do, according to the best of my ability.” “Mrs Gamp,” she says, in answer, “if ever there was a sober creetur to be got at eighteen pence a day for working people, and three and six for gentlefolks— night watching,” said Mrs Gamp with emphasis, “being a extra charge—you are that inwallable person.” “Mrs Harris,” I says to her, “don't name the charge, for if I could afford to lay all my feller creeturs out for nothink, I would gladly do it, sich is the love I bears “em. But what I always says to them as has the management of matters, Mrs Harris"'—here she kept her eye on Mr Pecksniff—'"be they gents or be they ladies, is, don't ask me whether I won't take none, or whether I will, but leave the bottle on the chimley-piece, and let me put my lips to it when I am so dispoged.”

The conclusion of this affecting narrative brought them to the house. In the passage they encountered Mr Mould the undertaker; a little elderly gentleman, bald, and in a suit of black; with a notebook in his hand, a massive gold watch-chain dangling from his fob, and a face in which a queer attempt at melancholy was at odds with a smirk of satisfaction; so that he looked as a man might, who, in the very act of smacking his lips over choice old wine, tried to make believe it was physic.

“Well, Mrs Gamp, and how are YOU, Mrs Gamp?” said this gentleman, in a voice as soft as his step.

“Pretty well, I thank you, sir,” dropping a curtsey.

“You'll be very particular here, Mrs Gamp. This is not a common case, Mrs Gamp. Let everything be very nice and comfortable, Mrs Gamp, if you please,” said the undertaker, shaking his head with a solemn air.

“It shall be, sir,” she replied, curtseying again. “You knows me of old, sir, I hope.”

“I hope so, too, Mrs Gamp,” said the undertaker. “and I think so also.”Mrs Gamp curtseyed again. “This is one of the most impressive cases, sir,” he continued, addressing Mr Pecksniff, “that I have seen in the whole course of my professional experience.”

“Indeed, Mr Mould!” cried that gentleman.

“Such affectionate regret, sir, I never saw. There is no limitation, there is positively NO limitation'—opening his eyes wide, and standing on tiptoe—'in point of expense! I have orders, sir, to put on my whole establishment of mutes; and mutes come very dear, Mr Pecksniff; not to mention their drink. To provide silverplated handles of the very best description, ornamented with angels” heads from the most expensive dies. To be perfectly profuse in feathers. In short, sir, to turn out something absolutely gorgeous.”

“My friend Mr Jonas is an excellent man,” said Mr Pecksniff.

“I have seen a good deal of what is filial in my time, sir,” retorted Mould, “and what is unfilial too. It is our lot. We come into the knowledge of those secrets. But anything so filial as this; anything so honourable to human nature; so calculated to reconcile all of us to the world we live in; never yet came under my observation. It only proves, sir, what was so forcibly observed by the lamented theatrical poet—buried at Stratford —that there is good in everything.”

“It is very pleasant to hear you say so, Mr Mould,” observed Pecksniff.

“You are very kind, sir. And what a man Mr Chuzzlewit was, sir! Ah! what a man he was. You may talk of your lord mayors,” said Mould, waving his hand at the public in general, “your sheriffs, your common councilmen, your trumpery; but show me a man in this city who is worthy to walk in the shoes of the departed Mr Chuzzlewit. No, no,” cried Mould, with bitter sarcasm. “Hang “em up, hang “em up; sole “em and heel “em, and have “em ready for his son against he's old enough to wear “em; but don't try “em on yourselves, for they won't fit you. We knew him,” said Mould, in the same biting vein, as he pocketed his note-book; “we knew him, and are not to be caught with chaff. Mr Pecksniff, sir, good morning.”

Mr Pecksniff returned the compliment; and Mould, sensible of having distinguished himself, was going away with a brisk smile, when he fortunately remembered the occasion. Quickly becoming depressed again, he sighed; looked into the crown of his hat, as if for comfort; put it on without finding any; and slowly departed.

Mrs Gamp and Mr Pecksniff then ascended the staircase; and the former, having been shown to the chamber in which all that remained of Anthony Chuzzlewit lay covered up, with but one loving heart, and that a halting one, to mourn it, left the latter free to enter the darkened room below, and rejoin Mr Jonas, from whom he had now been absent nearly two hours.

He found that example to bereaved sons, and pattern in the eyes of all performers of funerals, musing over a fragment of writing-paper on the desk, and scratching figures on it with a pen. The old man's chair, and hat, and walking-stick, were removed from their accustomed places, and put out of sight; the window-blinds as yellow as November fogs, were drawn down close; Jonas himself was so subdued, that he could scarcely be heard to speak, and only seen to walk across the room.

“Pecksniff,” he said, in a whisper, “you shall have the regulation of it all, mind! You shall be able to tell anybody who talks about it that everything was correctly and nicely done. There isn't any one you'd like to ask to the funeral, is there?”